Good concept, poorly executed.

Boring, long, and too preachy.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Amazing worth wacthing. So good. Biased but well made with many good points.

Two estranged sisters vie for custody of their preteen nephew, not always considering his feelings, in this compelling Australian drama from 'Travelling North' director Carl Schultz. As per the title, the film pivots around what everyone says about the boy behind his back, and the film is blessed by a deliciously complex sound design in which background discussions overlap with whatever the boy is doing. Nicholas Gledhill is very well cast as the protagonist with an expressive face that tells all as he listens to the adults converse, extrapolating what he can. John Seale does a great job shooting Gledhill in intentionally intrusive close-ups and with several gliding shots throughout, 'Careful He Might Hear You' is an incredibly good- looking film. If the movie does not totally work, it is due to becoming too sentimental for its own good, especially towards the end. Wendy Hughes (as the wealthier aunt) could have also benefited for some more characterisation as she comes off a little too much like an evil stepmother. Generally speaking though, this is a captivating look at two sisters with opposite approaches to life both trying to parent properly in wildly different ways and how the boy learns to finally assert himself when things do not go the way he wants. In other words, it is just as much a tale of growing up as it is a story of sibling rivalry regarding custody of him.

"Careful He Might Hear You" is a movie that is hard to forget. Although it enjoyed a certain amount of success when it was released in the mid-1980's, it seems little known today. At the time of writing, this is the seventh review on IMDb. By way of comparison, Mad Max has 220 reviews, but I know which one I think is the enduring Australian classic.The filmmakers had a great starting point, Sumner Locke Elliott's haunting novel. Although many a great book has been mangled when made into a film, that wasn't the case here. The film not only captures the essence of Elliott's work but also recreates an era that is now long gone.Set during the Depression in 1930's Sydney it is the story of six-year old PS, played by Nicholas Gledhill in a heart-wrenching performance. After his mother dies, PS is raised by his Aunt Lila and Uncle George (Robyn Nevin and Peter Whitford). However, when his wealthy Aunt Vanessa returns from England, PS is forced to live with her following a custody dispute. Vanessa, played by Wendy Hughes, is beautiful and sophisticated with upper class manners, but underneath are deep insecurities, which PS discovers in dramatic fashion.Vanessa showers PS with gifts and provides the education the struggling Lila and George can't match, but he is lonely and unhappy. He withholds from Vanessa the one thing she wants most, and the only thing he has power over, his affection. PS emotionally destroys Vanessa, who decides to return to England, allowing PS to return to Lila and George. However PS is sensitive enough to know the unhappiness he has caused Vanessa and regrets it. Then fate intervenes in an unexpected way.Surely the biggest challenge for the filmmakers was in creating a screenplay that translated Sumner Locke Elliott's intimate work to the screen, so much of which centred on PS's thoughts. Without resorting to narration, all was conveyed through the abilities of the actors, a beautifully balanced script and an extraordinary musical score that seemed to express their unspoken thoughts.The score for this film was by Ray Cook, an expatriate Australian who died in 1989. He has one other score to his credit, "Silent Reach", a little known 1983 mini-series, although he was also involved in arranging songs for 1985's "Rebel". His score for "Careful He Might Hear You" is in a similar vein to Vaughan William's "The Lark Ascending" with achingly beautiful violin solos that merge with full orchestra. It is wrong to simply define it as one of the greatest Australian film scores; it is a work that can stand comparison with some of the best scores of all time.Although "Careful He Might Hear You" is almost 30 years old, it hasn't dated. Set in a time 50 years before it was made, there really isn't much that connects it to the 1980's. It did justice to Sumner Locke Elliott's novel, but also stands as a powerful work on its own. It's probably a little hard to find these days, but is well worth the efforts of anyone who does.

One of the best British movies that I've seen. This is certainly in the tradition of the 1946 heartbreak "Brief Encounter."This gem of a film deals with the ensuing custody battle between a couple and the wife's sister. The problem is that their third sister, the mother of the child, has died and the father, an alcoholic, is not capable of raising the child. We learn that at one time the father had a romantic interlude with his wealthy sister-in-law.The little boy, Nicholas Gledhill,gives the most phenomenal performance. Interesting to read that this young lad has never appeared in another film. The cruelty that this child has to go through when he stays with his wealthy aunt-from the children from the private school that he attends. The film demonstrates how mean other children can be.The film is so good because it shows two diverse sisters-one who is wealthy and the other, poverty stricken especially when her husband, a defeated candidate from the Labor Party, loses his job.The musical score is fabulous and absolutely haunting. The ending will tug at your heart with its Titanic like tragic occurrence.This is a memorable film, well told.

One of Australia's great films of the 80s...big, lavish and crafted for an international audience.......along with GALLIPOLI, THE LIGHTHORSEMEN and MAN FROM SNOWY RIVER, "Careful"..is different in that it is set in Sydney harbourside suburbs of the 1920s......most period films made at this time are set earlier and are rural.....also like the sublime masterpiece THE IRISHMAN. The cast for "Careful" is theater professionals who fit the passionate personalities the extremely emotional and personal roles demand. Their transformation to film is also thanks to the great director Carl Schultz who also made the superb Australian films GOODBYE PARADISE and TRAVELLING NORTH. Much under employed here and almost forgotten ...... Nicholas Gledhill is still in Sydney theater and occasionally appears in fringe productions.Robyn Nevin is the supreme being of the Sydney Theatre Company and the great Wendy Hughes is the goddess of the Australian screen.....see NEWSFRONT for that confirmation. The late great John Hughes such a genuine Australian man in his perfect realisation of the irresponsible but lovable main male character "Logan". This film is Australian screen perfection, however the end credits come too early.