i know i wasted 90 mins of my life.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

This is a dark and sometimes deeply uncomfortable drama

What is the goal of this film? From a very catholic world, a catholic hagiography. But there are so many shinny lights along the way, the writer keeps forgetting the goal. Is it about the saintly doctor? Is is about society? Is is about the misery of poverty? Is it about the prison system? Is it about power? The stories are too many and too undeveloped, only a long string of summer time snapshots. The only thing liking all this mess together is the rigid dogma of the producers who at the same time want to do charity and stone the sinners.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

There are plenty of flaws – the doctor at the center of this prison story stays a grinning Buddha- like cipher, some of the prisoners feel like tattered clichés or soap opera characters. Yet, in the end, the total effect is amazingly powerful. By coming to see these men as real human beings with families and stories, before watching the insane storming of the prison by riot troops who killed 111 of them, the film has a real visceral power. Manipulative, one-sided, hokey at moments and some performances better than others, but ultimately that rare piece of agit-prop filmmaking that really works to make you see things in a different light.

Individual stories of inmates in the huge, overcrowded and infamous Carandiru penitentiary in Sao Paulo, Brazil; the fil rouge being a doctor (a narrow character who ain't but a narrative excuse) who decides to take care of the prisoners during the outbreak of AIDS epidemic. At the end, a futile fight starts a riot which will eventually end with the death of 111 inmates.Carandiru is'nt a masterpiece. But it's a good, solid, non moralistic or stereotyped and yet entertaining prison movie which manage to transport the non-Brazilian viewer to feel the noises, the colors, even the scents of a lively, desperate and merciless world in which good and evil, guilt and innocence are inextricable.Way better than Ciudad de Deus ("City of God") by Meirelles, which was a lot more successful abroad; IMHO, it was just a stylish gangster-movie with a Brazilian location.

With Hollywood's usual sugar-coated approach to everything, including prison life, it's nice to see how independent filmmakers in some of the most impoverished societies of the world handle the subject. This is not the first time Brazil has been the subject of international attention. From their numerous wins at the world cup to being the place a once-good hardcore band called Sepultura started, it is probably the most well-known country in South America.Those who are familiar with Sepultura's music will know the name Carandiru already. Although I forget the name of the song, the prison was covered in a song detailing the brutal murders of prisoners. Some things implied in the song are flatly contradicted here, but I will deal with that later. Where Carandiru, the film, succeeds while Sepultura's song failed, is that the film gives the prisoners a very rational, human face. They're not portrayed as angels, but neither are they portrayed as devil incarnates. They are given enough humanity to matter, and that is literally everything in this type of film.It is also interesting to get a listen to some of the other musicians of Brazil in some of the soundtrack. I forget the name of the band (Ratos Du Parao or something like that), but their song Crucificados Pelo Sistema can be heard very prominently during one memorable scene. As you get to learn more about the criminals, both major and minor, the title seems exceptionally appropriate. In fact, a wide variety of music that is appropriate to the setting is presented here, as opposed to the one-note selections presented in many American films set in prison.There has been criticism levelled at the film, along the lines of being too long and distended. That is true to some extent. Such scenes as the pop singer's visit to the prison should definitely have been left on the cutting room floor. The statements of the prisoners about the massacre were also unnecessary, as they build a sometimes false impression of who lived or died, and prematurely at that. It has also been said that the film lacks focus, with many prisoners getting a little detail, while others get none at all. Personally, I prefer it this way. Following a singular hero around is getting tired, especially when there is such a wide, diverse mix here.It has also been said that the film builds a false, overly negative portrait of life in Brazil. I can see shades for and against that. As I mentioned before, Sepultura are a famous example of the music scene in Brazil, mixing elements of Napalm-Death style with Biafra-like punk. It is only in a nation so disrespectful of human rights and truth that a band that screams about injustice or abuses would have to leave. But at the same time, Brazil has a culture all its own, which most certainly should not be replaced by Americanism.The aforementioned-song has it that the inmates in Carandiru were annihilated in what was described as a "holocaust method". The film has it that in a prison housing some 7500 inmates (it was intended to house 4000, apparently), 110 or so were killed. Either way, the prison was eventually closed and torn down. And Americans think their prisons are brutal!In all, I gave Carandiru a seven out of ten. It is far from perfect, but as a change from the staid formula of Hollywood, it is just what the doctor ordered. Give it a squiz, if only for the cultural expansion.