A brilliant film that helped define a genre

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

A story that's too fascinating to pass by...

By the time the dramatic fireworks start popping off, each one feels earned.

Based on what i believe was the original pilot for the late seventies TV series. I just remember the TV show but not to clearly, however i saw this movie version as the supporting feature to something around the late seventies at a historic cinema that alas is no longer with us. However this very dark, cold sinister thriller where the bad guy is very likable while the hero may be challenged but he is cruel violent and very efficient in a most sinister way, this hero is quiet repellent. The direction story and writing are remarkably good with a splendid cast in very fine form, for me this movie contains a car chase so good, that only Bullit and The French Connection can compare, it really is that good. I had not seen this movie for a very long time but if anything it was even better than my memory supposed. Vertually unknown and all but forgotten this is a secret gem, so if you go went for Michael Caine in Get Carter or as Harry Palmer in the Ipcress File you will definitely go for Edward Woodford who was a very fine actor indeed as David Callan secret government enforcer. For PC do look elsewhere.

This 1974 film of "Callan," lets itself down to a screenplay that is too thinly plotted and the sense of intrigue and tension has been diluted. The film is on for too long, about 15 minutes should have been edited from the final version. "Callan" is a remake of the play that started it all, "A Magnum For Schneider." Whilst that latter production was filmed entirely in the studio, the suspense and tension never let up. Every scene counted for something. This 1974 movie has a lot of location shooting but so what? It doesn't compensate for a poor narrative. The story is very good in lasting for an hour on television but at 100 minutes, it becomes tiresome and irritating. There are a few bits that are OK but that's about all. It was the right decision to have Edward Woodward and Russell Hunter reprise their respective characters.

Callan made Edward Woodward into a star. He plays a sort of James Bond as anti hero, a reluctant and downbeat assassin who wants to retire as he is being damaged by his work, but is blackmailed by the SIS into carrying out one last job, which is never his last.Basically the 1973 film version of Callan was a remake of a classic episode A Magnum for Schneider, where Callan is ordered to kill a German businessman who has links to the Stasi and who is involved in some dodgy arms deals with a liking for Magnum revolvers. ( Interestingly the little known Japanese version of the pistol is mentioned in the film).While I haven't seen this film for a while, it seems to have disappeared from the late night television schedules, Callan is quite a good and brutal film. Callan in this is shown to be a karate expert, he uses it to extract some information from his associate Lonely in his squalid bedsit and then dispenses with two arms dealers in the most brutal karate display this side of a Bruce Lee film. Also of note are a car chase which involves Callan driving a Range Rover through an orchard and a Jaguar being bounced across a level crossing by an Inter City train. Schneider, who is killed off by Callan, also has a penchant for collecting toy soldiers and re enacting classic battles.Another interesting fact about the film is Clifford Rose makes an appearance as a consultant physician, later he was to make his name as the sinister SS officer Kessler in Secret Army.Not a great film, but a good way to pass an afternoon and Russell Hunter in particular is excellent as Lonely, the smelly, loyal informant for Callan who deserves a medal for the way Callan treats him throughout the film( usually knocking him about).

I first encountered this film on USA Cable, in the late 80's. At first, I thought it was another Harry Palmer film (Ipcress File, Funeral In Berlin, Billion Dollar Brain), but with a different actor. I soon realized it wasn't and recognized Edward Woodward from The Equalizer and Breaker Morant. The film is very much in the same vein as Harry Palmer, slower paced, a character who is an agent not by his own choice, meticulous detail, and a more real world approach.Edward Woodward is outstanding as David Callan, an ex-thief and troubleshooter for a secret government department. he specializes in assassination, frame-ups, and other dirty dealings. This is a dark and shabby world inhabited by Callan, and he doesn't like it. He is torn at every turn by the morality of the job he does. He is affected by nightmares of past deeds, prone to alcoholism, and is deeply cynical.Woodward breathes tremendous life into Callan. He is ably assisted by Eric Porter as Hunter, his boss, and Russel Hunter, as the always smelly and put upon Lonely. Hunter (the actor) is the only other carry-over from the TV series. He is a small man who is abused by all.The film greatly expands the TV series (which I was finally able to view recently), something that other TV-based British films rarely did effectively. Callan was stage bound and shot on video. This motion picture allows for greater location shooting and a more vibrant look.Hopefully, the film will see the light of day again in the US, along with the recent DVD releases of the color episodes of the series. It is an excellent piece of work, sure to appeal to fans of Harry Palmer, Jason Bourne, the writings of John Le Carre, or other serious espionage thrillers.