Plot so thin, it passes unnoticed.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

This film has taken a lot of heat for it's role as a prequel to the Paul Newman/Robert Redford classic, but I think if you give it a chance it stands on it's own legs fairly well. The uncanny part of the picture is the remarkable resemblance (most of the time) that Tom Berenger and William Katt have to the stars of the 1969 original. While some of the banter between the two might seem awkward at times, it has the feel of two future buddies getting to know and trust each other and therefore appears more realistic than forced. The nods to the original are apparent without being over done, and it's cool to see Jeff Corey reprise his role as Sheriff Ray Bledsoe, even if he looks older here. Future relationships with characters Harvey Logan and Joe Le Fors are also introduced, creating just enough interest for fans of "Butch Cassidy and The Sundance Kid" to keep tuned in to see what happens next. My viewing of the film last night was the first, having over the years shied away from it because of my fondness for the original, but you know what - it was entertaining and one could definitely do worse. I'd recommend a look, even if it's only effect is to make you appreciate the original even more.

This unnecessary prequel to a seminal western is still fairly enjoyable on its own and the two leads (Tom Berenger and William Katt), then virtually unknown, mimic Paul Newman and Robert Redford, respectively, surprisingly well; Jeff Corey is even on hand to reprise his role from the earlier film! Good-looking if forgettable entertainment - and curiously straightforward, given the stylization of the original and the involvement of Richard Lester (A HARD DAY'S NIGHT [1964], PETULIA [1968]) who, earlier in the decade, had also directed two rousing adventures, THE THREE MUSKETEERS (1973) and its sequel, THE FOUR MUSKETEERS (1974)!

This prequel to the legendary Butch Cassidy and the Sundance Kid starring Paul Newman and Robert Redford is not nearly as good but that doesn't make it bad either. If you're going to compare these two, this one is only going to suffer. But if you look at it on it's own terms you'll find there's plenty to enjoy here.Tom Berenger and William Katt step into these legendary roles as Butch and Sundance and they do remarkably well. Director Lester focuses mainly on the comedic aspects of their relationships and at times the film is quite hilarious in depicting their early years as thieves who work their way up to become train robbers. In the final third the movie goes into serious and dramatic territory which isn't all that interesting nor enjoyable, but it does enhance the characters and give them more of a plight. But it picks up for a grand finale where the pair rob their first train.With good supporting actors like Brian Dennehy, Christopher Lloyd and Peter Weller on board, Butch and Sundance; The Early Days is a film that should easily entertain most western fans and even admirers of the legendary "sequel" if viewers are willing to accept it on it's own terms.

I have never been a fan of the original Butch Cassidy and The Sundance Kid. Though enjoyable, the film has been wildly overpraised for its overly cute script. Are these supposed to feared outlaws or a western Laurel and Hardy. Butch and Sundance the Early Days is pretty much of the same thing. It is fairly entertaining but it is also held captive by an overly cute storyline. This movie pretty much goes through the same territory as the same movie. The actors playing Butch and Sundance, Tom Berenger and William Katt, are very good. There are some enjoyable scenes but they go on forever, like the scenes in the snow that vary from slapstick comedy to an attempt at drama. Basically, if you are not a discriminating viewer and you don't have anything better to do, this is OK.