Very very predictable, including the post credit scene !!!

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The movie really just wants to entertain people.

Buddy Buddy (1981) ** 1/2 (out of 4)Trabucco (Walter Matthau) is a hit-man for the mob who shows up at a motel across from a court house where a man is set to testify. The job is quite simple as he just has to kill the man as he enters the court house. The only problem is that Victor Clooney (Jack Lemmon) is in the next hotel room and his constant suicide attempts are getting int he way of Trabucco doing his job.It's kind of weird that BUDDY BUDDY would somewhat become a forgotten film. I mean, it wasn't a hit at the box office when it was first released even though it did get Matthau and Lemmon into the same film again. It also had Billy Wilder back in the director's chair for what would turn out to be the last time. You'd think with those three legends the film would be better known but in America it never even got an official DVD or Blu-ray release as of me writing this. It's hard to believe with the talent involved that this movie has pretty much disappeared.The reviews back in 1981 were pretty bad and many people have called this the worst film that Wilder ever made but I think that's being a bit too harsh. If you're looking for a comedy classic then you're certainly not going to find that here and I'd argue that it's perhaps the weakest of all the Matthau-Lemmon teamings and yes that includes the films they'd do later in life. I think the biggest problem with BUDDY BUDDY is the fact that the story itself really isn't all that fresh or original and the film certainly doesn't have enough laughs considering the talent on board.With that said, there's still a lot to enjoy here including the two comedy giants. I thought the duo was basically a re-working of their roles in THE ODD COUPLE. If you've seen that film then you'll remember that the Lemmon character was suicidal and they've pretty much taken that and turned it into a full movie. I must admit that I thought both actors were good in their roles and there's no question that they work well off of one another. The two of them certainly manage to get a good number of laughs and they make the film worth watching. I will say that Klaus Kinski is pretty much wasted in his role.The screenplay, co-written by Wilder, isn't the greatest as there just aren't enough laughs to make the film work as a whole. I'd also say that the final thirty-minutes if when the film really runs out of gas as the laughs really dry up. With all of that being said, it's still a bit confusing as to why BUDDY BUDDY has pretty much disappeared. It's not a classic or even a good movie but it's certainly worth watching.

Jack Lemmon does some very funny over-playing as a suicidal man in a southern California hotel who makes friends with his neighbor, a grouchy hit-man on the verge of retiring after one last job, but the picture is botch. American remake of the 1973 French-Italian black comedy "L'emmerdeu" ("A Pain in the Ass") re-teams Lemmon and co-star Walter Matthau with director and co-writer Billy Wilder, but results aren't even sporadically funny. Wilder's witless script (with writing pal I.A.L. Diamond) is a wet noodle: there's no snap, just caustic flapping and nagging. This is also one of worst-looking major studio films of the 1980s, with lemon meringue color and cheap process shots. Matthau, constantly opening-closing-and-reopening his suitcase, looks terrible throughout; with his hair dyed too black and the color of his skin a sickly white pallor, he resembles a waxwork figure. Lemmon sticks close to his proved formula--his nervous/neurotic Lemmon-isms--and survives the morass, but everyone else in the cast has been prodded to play these gross jokes to the hilt. It's a pushy, ugly piece of work. *1/2 from ****

Billy Wilder's last film is not a classic, but it's still highly enjoyable. Is it as funny as SOME LIKE IT HOT or as wicked as THE APARTMENT? No, but what is? A remake of the French film A PAIN IN THE A..., Walter Matthau is a hit man who has the misfortune of checking into a hotel room next to wacky suicidal Jack Lemmon. Lemmon goes from trying to kill himself to driving Matthau absolutely crazy. There no laugh out loud sequences, but Matthau & Lemmon are priceless. Matthau, with his affected Brooklynese, is hilarious. And who can beat any film that features not only Matthau & Lemmon, but Klaus Kinski and Paula Prentiss as well?!? A wonderfully entertaining film and a real bounce back for Wilder after his inert version of THE FRONT PAGE and his cryptic SUNSET BLVD-like FEDORA.

Of the extensive list of team-ups that actors Walter Matthau and comedy pal, Jack Lemmon have done, this is not one of the best. It certainly isn't great material from the divine works of director Billy Wilder. But, it does have those off-beat misadventures moments that can make you laugh every now and again.Buddy, Buddy is the story of a mismatched duo, Walter Matthau and Jack Lemmon in their usual form with Matthau as the serious cynic, and Lemmon as the worrisome moralist. Lemmon plays Victor Clooney, a man depressed by the fact that his wife of twelve years wants to divorce him and instead, carry on the rest of her years with a deranged German sex-therapist doctor (complete with nutty German scientist garb including bleach blonde hair and pink lens glasses). Clooney takes a room in the hotel where he proposed to his wife, and happens to be staying next door to hit-man Trabucco (Walter Matthau), who can't seem to believe his luck. He's been hired to kill a Mafia witness, but in trying to complete the contract, he keeps getting involved with all of the idiocies of Clooney and his wife and the crazy sex clinic. For me, Matthau as the unshakable serious hit-man is what makes this movie so funny. It is as though he can't believe what he's gotten involved in and how idiotic the other characters are--Clooney, his wife, and yes, the sex therapist. What's more, is he can't seem to liberate himself from the likes of the incessant Mr. Clooney. The things that Trabucco does to (what he thinks) get himself away from Clooney and get his job over with are quite amusing. But only in slight. But, as I said before, this certainly isn't the best of the Matthau/Lemmon duos (the greatest probably being the classic, 'The Odd Couple,' and 'Front Page'; and of course, this movie pales in comparison to many of the great films in Billy Wilder's catalogue--some of which even include Jack Lemmon in starring roles). Moreover, given that it was released in 1981, this movie seems much older, like it was made in the late 60s or early 70s.