The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Story: It's very simple but honestly that is fine.

The mocumentary film genre started to blossom in the 1980's with Christopher Guest's This is Spinal Tap. Which is one of my favorite comedies. Then after about 1985 mocumentaries died off. Until, Sacha Baron Cohen started the genre back up, with his successful hit Borat. Now comes Dax Shepard's attempt in the mocumentary world with Brother's Justices. Brother's Justice is the mocumentary that follows Dax Shepard, who has left the comedy world, and is trying to make a martial arts movie, that he wrote. He starts pitching the script without giving any plot details, so everyone thinks he is crazy for trying to make this film. The mocumentary is filled with great celebrity cameos from Jon Favreau, Tom Arnold, Bradley Cooper, David Koechner, Michael Rosenbaum, and Ashton Kutcher. I found this mocumentary to be extremely funny. Most of it was shot in 2006, and then progresses throughout the years. This is along the lines of I'm Still Here the mocumentary, that Casey Affleck and Joaquin Phoenix created a year back. It follows an actor who gives up what he is known for to reinvent himself in another way. Brother's Justice is more light- hearted funny, than I'm Still Here is, but is absolutely ridiculous, and insanely hilarious. This is not a film in theaters. It is playing at the Tribeca Film Festival, or is playing on Time Warner Cable's On Demand. I give Brother's Justice an 8 out of 10.

Good God ... I just woke up after another attempt to watch this movie/docku-mockumentary (or whatever it is) and decided to write a few lines here as an warning to all other folks around the world who maybe came up with the same idea.I'm so drained and weary right now, but even if I was at my best I wouldn't know how to write a review of a movie that has nothing going on for (what it felt like) hours but is actually just slightly more than 70 minutes long (wth!?) wow ! Thinking back, why did I start watching this celluloid sanity torture in the first place ? Maybe because with an glimpse of my eye I saw all that guest appearances of celebrities I like on it's IMDb page, or probably even more because I hoped to see Kristen Bell's cameo ... it will remain unknown to me ... the bottom line is, I'm writing this for you and if you're planing on watching this, consider yourself warned (and prepare a comfy pillow)

A "documentary" about Dax Shepard retiring from comedy so he can pursue his dream of becoming a Martial Arts action star. Seriously. OK, maybe not so seriously. The beginning has Dax and his producing partner Nate Tucker going from agent to lawyer to producers to actors to directors to sell his karate idea "Brother's Justice", well, at this stage it's really just a title. When it's funny, it's very funny.The problem is, when it's not funny, it's not anything. For an hour and a half run time, it's awfully long for a one-joke movie. Because really, that's all this is, one joke about Shepard trying to sell Hollywood on the idea of him becoming an action star in the ilk of Steven Segal. The idea that this documentary is serious is supposed to be funny, but I can't take this seriously. I've seen enough of Shepard in both comedy and drama roles that I know he's not actually this stupid.It's cool that so many Hollywood hot-shots were willing to make themselves look like arrogant jerks for the sake of Dax Shepard and this (documentary? movie? —I don't know what to call it). At least their parts mostly work because Jon Favreau, Ashton Kutcher, Bradley Cooper and Tom Arnold can all do comedy and drama.Ironically, unlike Dax's "successful" comedies like "Employee of the Month" (2006) and "When in Rome" (2010), "Brother's Justice" actually has all the elements of a good story: a sympathetic character (who doesn't want to see a good guy succeed in Hollywood?), conflict (Dax thinks it's a good idea, Hollywood does not), drama, comedy, and then the idea that friendship rises above everything. But none of that really works here.Unintentionally, "Brother's Justice" just proves that Dax Shepard is best suited for comedy, or maybe that's its entire purpose. I never was sure if I was supposed to take this seriously or as one long joke. I'm sorry Dax, but I will always highly value your dramatic work in "Parenthood" and "The Freebie" (2010).

I have never disliked Dax Shepherd. His work on Punk'd was funny for what it was, he was great in "Idiocracy" and, from my limited exposure to him on that set, he is a damned nice guy. He has made some bad movies, that isn't in question, but when the checks start being written who among us is really gonna say no? So, knowing that Dax can be quite funny, and reading the synopsis of this film I had decent hopes. This is a mockumentary about Dax trying to launch himself as a martial arts movie star, even though he has no training. We follow him and his producer friend around as they try to get studio interest, attach stars, and get the thing made.The problem is that it isn't that funny. It's funny, but just not very. The problem with making a movie like this is that you have to make it look real while still maintaining comic timing. These two things don't work together easily. This movie is full of overlong scenes, timing that is just slow enough to flatten jokes, and silences that go on too long. These things are a part of this type of film and can work if they are turned into comic beats of their own (look at the work of Chris Guest for how to do this). Sadly they aren't here.What we are left with, instead, is a somewhat funny movie that could have been a VERY funny movie. Dax does have ability, he just needs to take the time to develop it. I wasn't terribly disappointed, because there were some really great moments, fantastic cameos, and truly funny performances, but they aren't enough to get past the flat timing and lifeless direction.