Purely Joyful Movie!

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The picture was competently directed by Pedro Almodovar in his usual style, being produced by his brother Agustin Almodovar and their production company , El Deseo . Interesting and agreeable drama by Almodovar plenty of passions , love , death , twists and great performances . In Madrid , Harry Caine (Luis Homar) is a blind screenwriter and ex-filmmaker , long time ago was still known by his real name , Mateo Blanco , he is helped by Judit (Blanca Portillo) and her son Diego (Navas) . Harry attempts to heal his injures from 14 years back when he had a car accident along with his sweetheart . But the past comes rushing in when Harry to be aware the death of Ernesto Martel (José Luis Gómez) , a powerful producer , and Ernesto's son (Ruben Ochandiano) pays Harry a visit . In a lot of flashbacks we watch how Mateo , falls in love with Ernesto's mistress, Lena (Penélope Cruz) , and casts her in a picture , which Ernesto produces . Later on , the disturbing Ernesto sends his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage , then things get awry . The picture is narrated by a series of flashbacks to the 1990s containing intense drama , passion, twists , obsession , jealousy, guilt , and surprises . The movie has an autobiographical dimension, but that is indirectly, through the weird characters . Almodóvar told about ¨Abrazos rotos¨ or ¨Broken embraces¨ the following : ¨ I believe it is the most complex script I've ever written and during the writing of this film and also during the shoot, I did find myself in a different place. The way of making the film, the way of telling the story, the actors' tone and the way of editing was, you could say, a departure from some of my previous films. The film is much more balanced between the female characters and the male characters. This is also something new for me. I do feel that this film is a true declaration of love for cinema. I could almost say that cinema perfects all the irregularities, or the imperfections, of life¨ . And about Penélope Cruz : ¨Penélope was born to be an actress. She is someone who is extremely emotional, and if she was not an actress it could be a problem for her. It's luck she has chosen a profession that allows her to express something that would be too much for a normal person. Otherwise she would suffer a lot. And even now maybe she suffers too much¨ . The main cast is frankly extraordinary , as Luís Homar as a blind writer who reaches this moment in time , but the sad past returns ; Penélope Cruz as the gorgeous Lena ; and José Luis Gómez as the jealous and obsessive Ernesto. The support cast is pretty good , such as : Blanca Portillo , Ruben Ochandiano , Lola Dueñas , Ángela Molina , Kiti Mánver , Mariola Fuentes , Carmen Machi ,Rossy de Palma , Alejo Sauras , Kira Miró and Chus Lampreave , Pedro's ordinary . Sensitive and enjoyable soundtrack by Oscar Winner Alberto Iglesias , Almodovar regular. Colorful and evocative cinematography by Rodrigo Prieto . The motion picture was well directed by Pedrro Almodóvar , considered to be the most internationally acclaimed Spanish filmmaker since Luis Buñuel .He often uses symbolism and metaphorical techniques to portray circular storylines .His films often portrays strong female characters and transsexuals and he has directed one Oscar nominated performance: Penélope Cruz in Volver (2006) . His first films were in low budget and had certain success , such as Pepi, Luci, Bom y otras chicas del montón , Entre tinieblas , Laberinto de pasiones , What Have I Done to Deserve This? . Pedro subsequently made several hit movies . He spent 10 years writing the script for La mala educación (2004) (a.k.a. "Bad Education"), during which time he made such acclaimed films such as Todo sobre mi madre (1999) (a.k.a. "All About my Mother") and Hable con ella (2002) (a.k.a. "Talk to Her") , the script is based upon a short story he wrote as an adolescent, which was based upon his experience at a Catholic boarding school . Pedro has got a lot of hits with dramatic films as Talk to her , Volver , The flower of My secret , The sin I live in, Carne Trémula, Tacones Lejanos , Ley Del Deseo , Matador and many others.

when it comes to Pedro Almodovar's cinema there's always an ocean of red and black combination.and of course Penelope Cruz beauty.as she ages it's like she gets more beautiful and dominates the silver screen.I find story telling a bit in a hurry.The crossings between events could be slower not sharp.there are some Hitchcockian moments like when two cars go one after another with headlights and the moment when Ernesto pushes Lena.director makes you feel like you are there among the characters but when director gets you out of there with scenes from above it's like you are dragged out of movie.towards the end plot gets unnecessarily complicated.do we really need to know that Mateo is Diego's true father? and when Mateo re-edits movie I expect a connection between movie's name,girls and suitcases, and the accident.It could be more Hitchcookian and exciting.

It took a couple of viewings for me to fully appreciate Broken Embraces. Almodovar unravels the complex tale of Harry Caine with unusual skill and nuance. A times sublime - especially the use of Penelope Cruz on silent film while her flesh and blood speaks the lines - and other times hilarious - the film within film, Girls and Suitcases - this movie never overextends itself, perfectly unveiling layer after layer. All the performances hit the mark, Blanca Portillo in particular. Lluis Homar manages to sell his role, despite the difficulty of playing blind and seeing. As usual with Almodovar, the cinematography is spell-bending. The El Golfo beach shots perfectly capturing the disorienting predicaments of the main characters.If you've already watched Broken Embraces, watch it again. And then again. It remains fresh and intriguing yet reveals more and more gems with each viewing.

TTechnically beautiful, and well acted by the leads (some of the supporting cast is less than stellar), but there's a bit too much in this film-noir/comedy/romantic tragedy that feels over- the-top, for it to be a great film. And the homages to Hitchcock, Sirk, Amodovar's younger self, etc. walk the line between amusing and distracting. That said, this did improve on a second viewing, and became a more emotional and satisfying experience. A now blind writer remembers his past as a director with a different name who had a great love affair with his leading lady (Penelope Cruz, beautiful and wonderful as always), much to the fury of her powerful, industrialist sugar-daddy. Never boring, often enthralling, but somehow ultimately just a tiny touch less than the sum of its parts.