Truly Dreadful Film

good back-story, and good acting

Awesome Movie

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

I first saw this one back in the early 90's when it showed up on midweek daytime TV here in the UK. I remembered it being an enjoyable enough, if unremarkable, effort. Having just seen it again I do have to say that that original assessment still holds. Brock is a burnt-out NYC cop who retires from life in the firing line of the Big Apple and retires to a ranch in the Californian countryside. On arrival, his Native American ranch hand is arrested for the murder of the local sheriff. The situation appears fishy though and before long Brock is recruited to investigate.This is one of a very specific type of TV movie which was a pilot for a series that never was. I can see why they thought they might have a workable idea to be honest, as detective dramas were ten-a-penny back in the 70's, while the whole fish-out-of-water idea is one in which many plot-lines can sprout from. Yet it remained a one-off film and was not picked up. Truthfully, they could have worked out a better story-line I reckon, as the central mystery is not especially interesting. Nevertheless, it's still a decent enough film which benefits from its TV movie charm and, in Richard Widmark, it had a good main star.

Is it the old times ? Is it your certainty that there'll be no nudity, profanity or violence ? Is it the uncomplicated nature of the whole thing where the end must be happy and the good guys must win ? Is it (Richard Widmark) as a memory from the good old 1950s, or as a symbol of the noble lead who just doesn't do nudity, profanity or violence ?! Or is it just (Widmark)'s good face ? Is it the nostalgia for a safer place in time where shows like this you have watched several times as a kid in your bed before sleep without much worries ? I think it's a combination of all of the above.The writers (Martin Donaldson) and (Alex Gordongood) created a lovely formula : the private eye meets the western. Their script is a bit nice. I loved the idea of turning the retirement of that old investigator who wants to be a farmer into unbroken investigations and a tormenting farming. The characters around him were interesting whether as suspects for the whodunit plot or as parts for the world of the never-made series that this was a pilot for. Loved Pat Morita's as Japanese restaurant's owner who can't make Japanese dishes and serves nothing but Japanese canned foods. The scene of the cell, where the Indian assistant was kept, was so serene; its detailing caught me. The way the heroine proved her point in the court is unforgettable. And the last scene is a delight, with the lead looking to the sunset from the porch of the house which was being built by his new neighbors / friends / family.On the other hand, the direction was slack. The action scenes were almost terrible (recall the fight between the killer and the young cop). And the rest didn't impress me at all. I hated the moment in which the Indian knew about the murder of his love, director (David Lowell Rich) didn't do a thing there, not even a sad harmonica in the background ! Despite how brisk (Widmark) seems for a 59 year old man, he wasn't at his finest hour. I believe the negative reception for that, as a pilot, came from the totally indifference performance he gave as Brock. Look at the scene of viewing the house for the first time, he should be shocked in a comic way, however he gave one unchangeable cold reaction. The thing is he paused that reaction till the end of the movie. So his supposedly funny moments went wrong with that dry dealing (the one-liner about lawyers after catching the killer near the lake as BIG instance). He didn't change it unless when he smiled, for the one and only time, in the car before the last scene ! At any case it does leave me hungry for more. Along side the formula this movie had potential to launch a comic cop drama; which could have had some singularity among the many crime-solvers shows back in the 1970s. But I was wondering about the title ? Why every episode has to be Brock's Last Case ?! Bad title and omen, noticing that this one was his first and last already !It's a feel good movie from the American TV in a time maybe all of its products were of the same kind. Its feel of coziness is unmistakable; by its end I was as comfortable as Brock in the finale. I miss that feel. So I search for these movies all over the channels every night to meet one rarely every year, and always aired before the dawn. My only consolation is that no commercials to interrupt whatsoever. The sponsors think these are old news…Great news for me though !

"Spoiler Warning!" This movie was filmed in the City of Coachella and the Coachella Police Department was used as back prop. Les O'Neil was COP, and I was one of the escorting officers during the making of the movie and can say that Mr. Widmark was total professional during the entire time. I enjoyed watching him work, along with Henry Darrow and Mike Burns, who showed quite a bit of interest in the operations of the police department. During the making of the movie, I took approximately 100-150 pictures and it does bring back memories. One of the best was the court room with Dub Taylor and Beth Brickell, when she shot the arrow into the picture of Dub Taylor over the entrance into the court. My wife and I sat in the courtroom when that was done. I had that picture up until a couple of years ago, when it finally came apart and I had to throw it away. All the cast and crew members were fun to work with and were professionals.

This film was recently aired on Channel 5.It is at its best when it is based in New York.Although there is the usual fun when a city dweller goes to the country it starts to run rapidly downhill at this time.The action sequences are to my mind tedious and seem to go on for eternity without really reaching any climax.By the time this film reaches its finale one simply does not care about who is the culprit and his motives.The one thing that shines out of this film is Widmarks professionalism and sheer durability.He was always a favourite of mine.It is a shame that he is now retired and so we have no more Richard Widmark films to look forward to.