Stylish but barely mediocre overall

Plot so thin, it passes unnoticed.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

Here's a nifty little vintage "rom-com" from Warner Brothers' B-unit. Starring the affable wiseacre Ross Alexander and lovely Anita Louise, Brides Are Like That provides a few chuckles and a more than pleasant experience.Like so many 1930's romances, it's based on a play, and this one is from about a dozen years earlier entitled, "Applesauce," which refers to an extended metaphor used throughout. The fairly standard plot involves a love triangle between the two leads and stodgy Dick Purcell, who plays an M.D. with designs on Louise. Alexander portrays a charming loafer who'd rather golf than work, and the girl must choose between the two, with the Lockharts as her parents pushing her into marriage with Purcell.In typical Warner Brothers style, the exceedingly clever dialog moves at a crisp, almost rapid-fire, pace which enlivens what could easily have become a set-bound and ponderous experience for the audience. The characters are all certainly quirky -- almost foreshadowing the later You Can't Take It With You.I find Ross Alexander to be a very like-able screen presence always, and here he really demonstrates a lot of potential as a comic leading man, in the way of contemporaries like George Burns or Bob Hope. He's looks great, without being too conventionally handsome, and really seems like a guy that both men and women would respond to. And Anita Louise obviously is stunningly beautiful, without any bad angle at which to be photographed.All told, Brides Are Like That does its source material proud, and provides slightly over an hour's worth of frivolity and amusement.

The title of Brides Are Like That is a misleading one since the plot of the film turns on the behavior of the potential groom Ross Alexander. Potential bride Anita Louise is expecting certain behaviors out of Ross that he seems incapable of fulfilling.Louise's parents are Gene and Kathleen Lockhart and Gene is acting in the typical Eugene Palette way with concern about his daughter getting hooked up with a bum. It bothers Joseph Cawthorn who is Alexander's uncle and only relative that the young man won't just go out and work and give up his Bohemian ways. Remember this is the Great Depression and attitudes like that are understandable. In these Thirties comedies there is always a Ralph Bellamy part and in this case it's played by Dick Purcell. Someone halfway decent definitely could have taken Louise away from Alexander, but Purcell is such a sanctimonious drip that no wonder she prefers Alexander to him.The main fault with Brides Are Like That is Alexander's character is just a little too Bohemian. And I can't believe there wasn't another alternative out there than Purcell.Still the film has its amusing moments, mostly provided by Dick Purcell.

Light weight comedy by Warner Brothes (WB) featuring second tier Stars ROSS Alexander and ANITA LOUISE. Those two (2) form the romantic lead couple. They are supported by 'Character Actors' whose shtick in these films is standard for the time. The sole interesting note is the film featured Husband and Wife, GENE & KATHLEEN LOCKHART, yes JUNE's Parents.Independent Spirit Bill McAllister (ROSS) loves Hazel Robinson (LOUISE) vying for her affection with Dr. Randolf Jenkins (DICK PURCELL). Both his Uncle and her Parents object. Why, because he has no hook to hang his hat on and no prospects of getting one. That does not stop Hazel though and the triumph of their inevitable marriage is a fantasy that only could occur in the 'Golden Age' of Hollywood. Want the details, watch the film. It is only 67" long.ROSS Alexander a couple years earlier was being brought up through the WB star system. By 1936 and the BRIDES ARE LIKE THAT he had been regulated to the second tier. ROSS's style was reminiscent of WILLIAM HAINES, late of MGM. The irresponsible 'Gay Blade' who by 'pluck & luck' overcomes all obstacles and triumphs by the end of the last reel. MR. HAINES was forced out of the business because of his homosexuality, but became a successful interior decorator. MR. ROSS could not handle the failing of his career and personal life. On January 02, 1937 decided the rest of the year and his life were not worth viewing. Lead poisoning too his temple solved his conflict.

I have a number of problems with this picture. There is a certain weary sameness in the way everyone speaks their lines; it's not just the high-speed Warner-B style of declamation. Almost every line is spoken with anger or dislike. Even Gene and Kathleen Lockhart are annoyingly strident. Only Joseph Cawthorn, doing his usual double talk is at all amusing.The real obstacle is Ross Alexander in the lead, who only seems to have one register: simultaneously bluff and arrogant, always on in big and small scenes.That said, there is some good writing here, some amusing lines and some well-constructed speeches, but director William McGann doesn't seem to do much with them. The camera-work and editing are, as usual, topnotch. The net effect is passable, but in the hands of better players -- or perhaps simply a better director -- it could have been so much more.