This Movie Can Only Be Described With One Word.
... View Morenot as good as all the hype
... View MoreAbsolutely amazing
... View MoreIt is both painfully honest and laugh-out-loud funny at the same time.
... View MoreDisappointed with this. Felt like there could have been a lot more done with these characters. So many aspects could have been expanded to replace the dull parts of the film.
... View MoreLoved it. Having grown up in Western Australia in the 70's I loved every bit of this movie. Every bit that I could relate to that is. The feeling of being dumped in the surf, the chopper style pushies with banana seats, the poppity clatter of an old Kombie motor, the sandy WA bush, slipping on the rocks, the feeling of going up and over a wave just before it breaks, the rush of catching a wave, dancing badly at the school social, suntanned young skin, holding a girls hand, getting up at dawn to go surfing.. and of course, holding my breath under water just that bit too long. Couldn't help but not relate to avocado's in WA in the 70's.. I don't ever remember them.. and I'm a bit of a nerd when it comes to WA number plates.. the Kombi had black plates with white characters. The number format was right, even the first letter U was authentic, but sorry I don't ever recall black background with white letters.
... View MoreBreath in short bursts, and experience the fear and exhilaration of riding waves bigger than 99% of the population will ever physically try.
... View MoreA coming of age novel, for years this book languished on my bookshelves in spite of the exhortations from my daughter to read it. In expectation of seeing the film, I read it over a weekend and was captivated although wasn't a fan of Tim Winton before I read "Breath". The film is faithful to the book apart from the sanitizing of auto-erotic asphyxiation. Spoiler alert so I won't say any more. The film is masterful: Simon Baker's direction and his performance as Sando is believable and superlative; the young men playing Pikelet and Loonie are superb; the cinematography is beyond belief. Unfortunately, Elizabeth Debicki lets the side down. Looking like a younger, blonde version of Cher, she is barely audible or intelligible. Nonetheless this is a stunning contribution to the Australian film industry's history. Four stars.
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