Very well executed

A Disappointing Continuation

In other words,this film is a surreal ride.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This is a great little western from Favourite Films. Dare Rudd (John Wayne) and his side-kick accidentally get caught up in some cattle rustling. The herd belongs to Tom Filmore (Johnny Mack Brown), Dare's brother. Dare has been the black sheep of the family but Tom gives him a job to try to keep him on the straight and narrow. Judy (Marsha Hunt) is one reason Dare decides to stay around.There is a spy in the cowboy ranks. One of them is giving important information to Bart Hammond (Monte Blue). James Craig plays a crooked card sharp who trys to fleece Dare of the cattle money.Everybody who pops out from behind a rock was a star either on their way up or down. Johnny Mack Brown had been popular in the late 20s and early 30s and this film provided a shot in the arm for his career at the time. He seemed to alternate between Johnny or John (this was a John time). Monte Blue had been a star in the silents. A couple of his films were "Main Street" (1923)and "White Shadows in the South Seas"(1928). Marsha Hunt was definitely on the verge of better things as was James Craig. Jim Thorpe,that marvelous native American athlete is also supposed to have an uncredited part. Lucian Littlefield, one of the screen's great character actors (he was in "The Cat and the Canary" (1927)) played John, a cattle buyer.

I am giving this film ten stars, not because it is a great film (although it is one of the best of its type), but because it is a remarkably important transitional film for one of the real originals of American cinema, John Wayne.This is one of the last of the many 'Saturday matinée' potboilers Wayne acted in for a half-dozen marginal studios during the 1930s; two years later, Ford would give him the big break of his career in "Stagecoach".Unlike the other potboilers he appeared in, "Hell Town" (aka "Born to the West", although I have never seen a print with that title on it) is well-written, well-directed, nicely photographed, and well-acted by all involved (but especially Johnny 'Mack' Brown) - surprising quality for a cheapie, but I suppose the fact the story it derived from had been written by Zane Grey - already a legendary Western writer - probably impressed cast and crew to make a best-effort presentation here. At any rate, the film, under 55 minutes long, has the look and feel of a feature-length Western of the time, and it survives far better than any other of the Western shorts of the period.The story is solid, with relatively serious overtones concerning the possibility of redemption. Wayne's character, a gambling addict, is rightly transformed when he discovers that his cousin is a better gambler than he is, but just prefers not to gamble.Wayne himself is in top-form for the period. All the little gimmicks and gestures we associate with him are here in a way never seen in any film of his before this - his cautious smile, his frown, his ability to strike a pose leaning his weight on one leg, his soft but firm voice of warning, his ability to face a tough situation with grace and even, one must admit, an oddly noble humility. This is no longer the "Singing Mesquiteer" of the earlier potboilders, this is finally the Duke, who would star in "Stagecoach" and lead an army of fans (including myself) through film after film for four more decades.This is where the filmography of John 'Duke' Wayne rightfully begins - a film that has survived well, and may yet survive a few decades more.(Note: in another film made the previous year, Winds of the Wasteland, Wayne can also be seen coming into his own as an actor; but this is the better film.)

Dare Rudd (John Wayne) and sidekick Dink Hooley (Syd Saylor) are itinerant cowpunchers who can't seem to stay in one place very long. In "Helltown", the boys are headed to Montana, where they meet up with Rudd's cousin Tom Fillmore (Johnny Mack Brown), who offers them a job. It's a hoot to see the boys wearing aprons as they start out as cooks with the herd, although Dare becomes self conscious when Miss Judith (Marsha Hunt) rides into camp. Judy is Tom's girl, but the attraction between her and Dare is evident early on.Fillmore has a cattle herd to move, and promotes Dare to running the drive, partly to prove to Judy that he may not be up to the task. Meanwhile, bad guy Bart Hammond (Monte Blue) has his eyes on Fillmore's cattle, but when his henchmen fail to rustle the herd, he figures it's easier to win the money that Dare was paid at the end of the trail. Conning Dare into a rigged card game with his man Brady (James Craig), Dare's money begins to evaporate hand after hand. It's only when Dare fails to show up back at Fillmore's ranch that Tom goes out to find his cousin. Exposing the cheats, Tom, Dare and Dink high tail it before the bad guys can get their revenge."Helltown", also known as "Born to the West", was released in 1937 by Favorite Films Corporation, a couple of years after Wayne's series of Westerns for Lone Star Productions. It only slightly alters the Lone Star formula; Wayne does get the girl at the end of the film, but here he was trying. There's a great runaway horse scene where Wayne rescues Marsha Hunt, in which Johnny Mack Brown's horse does a complete somersault spill. Syd Saylor does a nice job as the comic relief pal, doing his best to sell lightning rods to unsuspecting victims. He replaces familiar faces George "Gabby" Hayes and Yakima Canutt here, staples of the Lone Star films. John Wayne's charisma is beginning to develop here, preparing him for the leap to super star status that he eventually achieved. "Helltown" was based on a novel by legendary Western author Zane Grey. If you're looking for more films based on Grey's stories, try "Fighting Caravans" with Gary Cooper, "The Light of Western Stars" with Victor Jory, "Drift Fence" with Buster Crabbe, and "Heritage of the Desert" with Randolph Scott.

According to author Tony Thomas, this film shot adrenalin into the lagging careers of both John Wayne and Johnny Mack Brown. It's very entertaining, with a good story, fine cast, terrific scenery and excellent camerawork.