You won't be disappointed!

Brilliant and touching

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

In Egypt, the national television used to air only fun movies at the feasts, whether the Lesser Bairam, the Greater Bairam, or else. So I grew up naming any really fun movie as "Feast Movie". Hence, when I watched (Bombay to Goa), it joined the list quickly, earning the title deservedly.As a regular viewer of the Indian cinema, I didn't run into this high-level writing in the Indian comedies before. Actually, the comedy in this movie is intelligent, electrifying and endless, with a lot of situations, gags, and lines. And the best about it is that it's international. I found out that this movie could allure different nationalities by its humor, which is rare for any comedy to achieve.Originally, it is usual romantic comedy, with 2 from-haters-to-lovers young leads, evil antagonist, many songs, and big fight before the happy ending. However, all of that is mixed into a one of a kind road movie, and a wild variety of hilarious characters.By using a bus's journey to tell its story, the movie depicts something like 100 funny quarrels between the passengers and the bus conductor (played unforgettably by Mehmood at one of his best performances and movies), while keeping the basic romantic comedy, and its leaning to a thriller, on. And so, the bus extravaganza beside the love story were being focused on in equal portions. No wonder if knew that Mehmood produced it.Many moments refer to the talent which this comedy is filled with. For a few instances : The huge falling-out between the riders over the necessity of war, where smart sound effects of bombs and bullets were used. The funniest and shortest boxing match ever was in a Bollywood movie. The way all the riders were peeping at the 2 lovers, then their gallant attempt to defense the lovers against the evil guys at the end (that was genius). And, yes, the Pakoras madness; which some may nominate as the movie's biggest laugh.As a musical it is pure WAW. All the songs are no less than great delight; especially what I call as the singing duel, in which the very superb, very beautiful, singer Usha Utthup performs a medley of American pop songs as a part of a combat between the movie's 2 lovers. Now as a song; this is so enjoyable, and as a comic situation; another proof for how exceptionally intelligent this movie is.Amitabh Bachchan was awfully thin, and - most importantly - too gleeful, with extremely gay shirts (that violet shirt had gleam which could bring daylight in night !). I think, in his third year in the movies, he was sort of searching for a persona. Yes, he loves, sings, does comedy, and fights well (doing 95 % of his own stunts), but being angry is what would secure him the distinct persona he would win, and be famous for, later, to do all of the above yet as Amitabh Bachchan, not that strutting, very jubilant, fellow who we watched here. And Aruna Irani wasn't as funny as everyone and everything in this movie. Her face seemed dead serious, perhaps compared to this party of a movie.You must notice that the movie has a message about releasing the Indian girl, even a bit, from her traditional decency, according to time change, and for being in conformity with the development of things, through the clash of Irani as the heroine, who wants to work in cinema, with her parents' raging refusal for that, since it demands actions like dancing or wearing indecent customs (observe a line, from her argument with them, like "riding bulls in the time of jetliners is wrong" !). But somehow the movie suspected its own message by turning the cinema guys into evil men and cold killers, and pushing the heroine, under her love for cinema, to do crimes, be liable to drugs, and finally be a target of killing herself. Let alone that the end hinted at the fact that she would be a housewife not a movie star. So, was the movie with the message, or against it ?! I think with the appearance of Kishore Kumar, the cinema icon, as kind and lovely character, the movie loved cinema. Yet, on the other side, it was little conservative, managing eventually to satisfy both; the youth generation of 1972, and the older one as well.Holding a gun, by a member of the gang, in the bus was naive. I mean if he wanted to kill the girl, then how to shoot her among all of these people, and without a silencer? And if he wanted to threaten her to leave with him, then he waited SO LONG ?! Moreover, I hated that the title song, "Bombay Goa", used the music to the Beach Boys song "Help Me Rhonda". Why to do such a foolish deed? Clearly, the movie's song writers weren't any short of creativity to plagiarize. But anyway, those were the movie's only shortcomings for me.In the final analysis, and based on this movie's amount of fun, (Bombay to Goa) isn't a Feast movie; it is a Feast in itself, which I live every time I watch it. I know it's hard to believe, but I love it more than that kid loved the Pakoras !

If you enjoy comedy, I mean REALLY enjoy comedy, this is the movie for you! There are so many comedians in this movie that it is very easy to lose count. And also, I believe this is superstar Amitabh Bachchan's very first movie. It is also one of Shatrughan Sinha's first movies. But the BEST stars are Mehmood and his gang of cut-ups. Even the names of the bus driver and the conductor when put together are a tongue-in-cheek reference to one of the biggest superstars of that era - Rajesh Khanna. Why don't people make real comedies like this anymore??? My personal favorite scene is when the bus stops at a roadside snack stand and a hungry kid goes berserk when he sees a complete stranger eating some pakoras (fritters) that he suddenly decides he wants as well. The facial expressions of everyone involved had me in stitches long after the scene was over. You have to see this movie if you want to die laughing!!! Two thumbs, eight fingers, and ten toes up!!!

I first saw this movie a couple of weeks ago and have loved it ever since! Past the areas of suspense and family values, the part of this film that makes it a cut above the rest is the bus journey from Bombay to Goa with the passengers being a cast of some of the funniest looking characters you will ever see together in one film. Some of the funny goings on during the journey is pure genius.This is one film where no credit can be given to Amitabh Bachchan as his role was something even an extra could have pulled off. Fast Forward all the suspense then sit back and enjoy the comedy. If you have a silly sense of humour, and don't mind watching old films...I guarantee this film will make you laugh!Laugh attack keyword: 'Pakora'

Even though I don't speak much Hindi, I got a big kick out of this movie. My mother-in-law, who was born in India, rented this title on DVD and watched it while she was visiting us.I was busy doing something on my computer, while she watched the movie in the background. The unusual songs caught my ear, and I ended up watching much of the movie with her. The title song, "Bombay to Goa," is a note-for-note cover of the Beach Boys' "Help Me Rhonda." The lyrics have been changed, but the melody is clearly the same.Another song is a medley of old rock-n-roll tunes, sung in English, by an Indian woman in a nightclub. She did a few bars from a song which I believe is called "Jezebel." I have a version from Herman's Hermits. It was very odd to hear this 60s garage song in a Bollywood musical. The same medley also included a portion of "Fever," also sung in English.