That was an excellent one.

Sorry, this movie sucks

What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

One of the most extraordinary films you will see this year. Take that as you want.

I have not watched too many Bollywood films before, because to me, once you see one film, it is as if you watched it all. Really, the storyline is almost the same, the premise, the tearjerkers and whatnot. The differences that Bollywood films may have are its actors and actresses, the location, and the film title. That was how I perceived Bollywood films.So, with much persuasion from my friends to give this film a try, I watched it with a heavy heart, thinking that I am definitely gonna waste my time watching it.Boy, was I wrong. This film is not the typical Bollywood-style film. In fact, this film is so different that I believe maybe this is a new genre of India-made film, and I believe it will revive the rather slump in the movie-goers interest in Bollywood film.Whilst this film maybe a bit slow in the beginning, it does pick up momentum in the later parts of the film. Which is quite good actually, as there is more time to understand as to why the lead actor were in Bangkok, far from his hometown in Bombay.A special mention to the mafia's son character, which outperformed even the leading actor and actresses, being the tough guy outside but a soft soul at heart. He is very funny in a clumsy kind of way, without being spastic and an annoyance.A score of 8 for this film, for its commendable effort in making a film that moves away from the typical and predictability Bollywood films is usually associated with.

Bombay to Bangkok is the story of a small time cook in a dingy restaurant named Shankar (Shreyas Talpade). Faith leads him to Bangkok... well actually local Mafia goons makes him escape because he had stolen the money that they had received. There Shankar meets Jasmine (Lina Christianson). She is a masseur at a local club. Shankar falls in love with her. Because Shankar pretends he is a doctor and the Mafia keeps on chasing him Shankar hides the bag of money into one of the medical supplies going with the team of doctors that he is a part of now. Now after reaching Bangkok Shankar must take the help of his lady love to get the money hidden into one of the numerous medical supply boxes... Thats Bombay to Bangkok for you. The rest is all running around (read riding around)and some poor attempts at making this a comedy. The only highlights of the film are the songs that plays in the background whenever Shankar meets Jasmine and his dialogue "Ab bas mooh mat kholna!" (Now just don't open your mouth!) whenever Jasmin walks towards him because Jasmin cannot speak English properly and the only words that come out of her mouth are in Thai. Overall just a time pass film, that too if you have nothing else to do. Its hard to believe this as a venture of Nagesh Kukunoor. The same guy who gave us films like Hyderabad blues and Dor. Nagesh should stick to making 'his kind' of cinema and not try to be commercial. He has just proved he is not good at it at all. Good acting by Shreyas (as usual) and the man who played his friend 'Rashminder singh' or Rashes. The guy who plays KMK, the mafia Don's son definitely deserves special mention too. Other than that the whole cast of the film is a waste. Lina has a long way to go as far as acting is concerned. Lets face it - she is too wooden to act. Go watch it... if you have absolutely nothing else to do. NOTHING.

Even though I would have to confess that I can be categorized as a cult follower of Nagesh Kukunoor, I haven't let that bias this review of the movie. The movie is narrative at its best. The director has a grip on the screen play and knows exactly the plot and the purpose of the characters played. The casting is apt. Even the Thai actors deliver their best. The naissance of any movie is in its details. The scene in particular where the "sardar" guide uses war as a metaphor to choose what food to "attack" first. Last but not the least, the social taboo of prostitution is aptly dealt with. What ever amount of modernization that you bring into a society, selling sex for money is still looked down upon. Kukunoor brings about this social issue may not be deliberately but the subject does brush off. Then there is the epitomizing of "Love" beyond boundaries and language. The kind of chemistry the film showcases between "Shankar" and "Jasmine" is commendable. Anyone would agree that to make viewers believe that two people from different parts of the world with nothing in common to be in love on screen is as difficult as making a "Zonkey" or "Zeebrass". Do excuse the metaphor.Do see the movie to enjoy the humor and story telling.

In few words, the movie doesn't seem to be a product of Nagesh. If you are expecting something on the lines of "Dor" or "3 Deewarein", then you will not only be disappointed big time but would also feel shocked to see such a mediocre product coming from the famous off beat film-maker Nagesh Kukunoor. He tries his hand on a comic subject for the second time after his first comedy "Bollywood Calling". But the latest one can be termed as the weakest movie made by him till date which is neither a comedy nor an enjoyable adventure movie. It seems as Nagesh started the movie with only Shreyas Talpade in mind and with no script at all. The film is about a simple boy running with the money of a gangster to Bangkok disguised as a doctor. There he meets a sex worker and falls in love with her. That's the main story with many unattended plots which the director just forgets to take care of. 1. Shreyas Talpade, just runs to Bangkok, leaving behind his mother on the mercy of God. 2. Naseeruddin Shah comes in one scene as the Top Gangster and then vanishes off to do some another movie I suppose. 3. A very weird love affair is shown between a rapper gangster and the psychiatrist doctor. This could have been a comedy plot but is not capable of generating any laughter. Shreyas is just OK in his act and he is also helpless since the script itself has nothing to offer. Lena (The Thai heroine) is more expressive in emotional scenes and does her part well. The best act is there from the Sardarji character 'Rachinder'. In fact he is the only enjoyable element in the movie with some good scenes. The songs have some unusual lyrics and they are used only as fillers. The otherwise beautiful city is shown as some dirty sea side village if we talk about the cinematography. The only impact the film can make is that it will be an insight into the flesh trade of Bangkok for the people who have not been there and now they will be more excited to visit. In all, I just couldn't figure out what Nagesh Kukunoor was thinking to make out of this movie and what section of the movie lovers he wanted to target this time. He would surely like to forget about his latest attempt and move on to his more promising future projects.