Truly Dreadful Film

hyped garbage

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Keeping in mind that this was made in 1996 or so...the documentary is difficult to watch. I actually was able to only get through about 15 or 20 minutes before I stopped it.The filmmaker seem to have a very open connection with the young men that were interviewed for this documentary - however - what make it difficult was not the candidness of the lifestyle and exploitation of these children. But it is almost a documentary skewed toward titillation for a certain audience, almost like it would have been shown in a back alley theater or something. Not sure why the movie interviewed the young men in provocative.....stances or positions.... rather than something more straight forward like an informative documentary. That really makes someone question what was truly behind the documentary.

First I watched "Mandragora" – an excellent, trough very depressing movie. Than being found of documentary movies I decided to watch "Body without Soul " – based on other user comments I expected this to be another dark and depressing masterpiece of Wiktor Grodecki. Instead it turned out to be very powerful documentary, with a lot of life lessons.You might be surprised by my statement above and so was my grandmother when I discussed the film with her. She asked me – why was I watching such movies anyway – and my answer was – because I rather see it on the screen than get a real life experience like the boys shown in " Body Without Soul " . If some of them had seen similar movie before they decided to cell their bodies – may be they wouldn't have made the steps which brought them in the hands of the porno producers … That is why my opinion is that movies such as Body without Soul should be viewed by as many people as possible – as they are sure to make them think – about what they had just seen and if they could do something to prevent it happening to them or their friends or relatives.Some of the boy prostitutes interviewed in this movie seemed to deal pretty well with their lifestyle and profession, other were making just the opposite impression. In the movie you can see an the interview with a pornographic film director – to my surprise he wasn't shown as the absolute evil – but rather as a person who makes his living from shooting porno( and working at the morgue ) – with his sins and mistakes , but still real and accurate character as all characters in this documentary are...

Wiktor Grodecki is a brave filmmaker, one who is unafraid to address a controversial subject, yet one who is able to make a powerful sociological statement by creating a metaphorical art film that demands respect.Grodecki interviews young boys (ages 14 - 17) who are male hustlers in Prague: he wisely removes (for the most part) the interviewer questions allowing the individual boys to make spontaneous, searing comments. These young lads discuss why they became male prostitutes, how they deal with selling their bodies, where they find their business (the train station, the swimming pools, etc), how they feel about the johns and about their fellow hustlers, the manner in which they do business including the way in which the financial aspects come to play - all in a way that burns the faces of these young lads into our psyches.About half way through this film Grodecki introduces Pavel Rousek, a man who by day is a pathologist performing autopsies in the Prague morgue and in his off hours (using the pseudonym Hans Miller) creates, casts and directs gay porno videos in his home. Rousek is shown at the autopsy table gowning, gloving, and grotesquely performing an autopsy on a real cadaver while discussing both professions. There are moments while he is gloving that he explains why he doesn't allow his boys to wear condoms (the buyers of his videos don't want to see condoms), and the contrast between his self protection vs the enforcement of prevention of sexual protection of his actors is devastating.Rousek as Miller is then shown filming the boys in his home, explaining the details of achieving the visual effects of pornography: simultaneously we again hear the boys views of that aspect of their 'careers', creating a pitiful tension. There is almost no total nudity in this film and when it does occur the lighting is so dark as to obscure it - making the overall effect even more dense and effectively tense. Under all of this lurid talk Grodecki uses classical music - Albinoni, Mahler, Mozart - which again provides a contradiction that makes the topic digestible.The final question Grodecki poses to his subjects involves the boys perception of 'soul' and while there is a variety of responses, the overall message is that these lads sell their bodies as a career, but the soul is 'what you think', something that cannot be taken from you. Several of these boys have screen presence and faces that, were they noticed by regular film makers, would probably give them legitimate careers. But the power of the film comes from the words of these boys, knowing completely their choice of life, and therein lies the sorrow.This is a tough but very fine piece of film-making. Interestingly, Grodecki absorbed this material and used it to create his subsequent feature film MANDRAGORA (reviewed under that title). This film is the more powerful of the two. Not a movie for everyone, but certainly an important document about a way of life few know and fewer understand. Grady Harp

Some are ugly, some are attractive; some use drugs, some do not; some are stupid, some are average, some are smart. And all of them are teenage male prostitutes working the streets of Prague. Their clients consist largely of German, Swiss, and Dutch tourists in search of cheap sex--and for additional income they make pornos on the side. And along the way they are ripped off, abused, and degraded until they simply wear out.Wiktor Grodecki's documentary BODY WITHOUT SOUL is a dark and disturbing look at life on the streets of Prague. The film consists of interviews with a dozen or so teenagers describing how they first began on the streets, how they drifted into prostitution and pornography. Some of the subjects seemed drugged; others are surprisingly articulate. The centerpiece of the film, however, is an extended interview with a pornographic film director who at first attempts to gloss over the unsavory aspects of his work--and who ends by unintentionally revealing just how vicious he actually is. The pornographer is also a pathologist, and the camera follows him into the autopsy room and films him at work. Grodecki then intercuts these scenes with scenes of him directing his latest film, thus making the point that these boys are no more to those who use them than so much meat.Although it is exceptionally well done, I would hesitate to recommend BODY WITHOUT SOUL to a casual viewer. It is a moving film, a powerful testament re the old, old story of man's inhumanity to man... But many will find the autopsy scenes repulsive beyond their toleration, and I cannot imagine that many will watch the film more than once. Recommended, but as a rental rather than a purchase.Gary F. Taylor, aka GFT, Amazon Reviewer