Touches You

I don't have all the words right now but this film is a work of art.

Highly Overrated But Still Good

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Audrey Hepburn returned to Hollywood in the late 1970s to much fanfare...but once her return movie, "Robin and Marian", was finished, Hollywood didn't know what to do with her. Throwing money her way to get the Audrey Hepburn name on a film product seemed to be the industry's answer, and Hepburn collected a $1,000,000 paycheck (plus profits, though I doubt there were any) for this adaptation of Sidney Sheldon's bestselling novel. It all must have looked good expense-wise, but one has to wonder if she even read the script. It's a pallid whodunit: pharmaceutical titan is killed in a mountain-climbing accident; his daughter, though left out of the industry-loop for most of her life, decides not to sell out and run the empire herself. This is disconcerting to her greedy relatives on the board of directors, who had hoped to reap profits in their boss's absence. After a police inspector deduces the billionaire was actually murdered, and the daughter's brakes go out on a winding mountain road, it becomes clear to her there's a fox in the henhouse. Boring mystery is then 'spiced up' with a snuff-film subplot involving the killer, a bald, naked strangler and some unfortunate prostitutes (and which, like many of the story threads, is never resolved. The movie doesn't end, it just stops). Hepburn is lovingly lighted and, though she's rail-thin, is the sole bright spot in this catastrophe. Ben Gazzara, James Mason, Omar Sharif, Gert Fröbe, Romy Schneider, Irene Papas and Beatrice Straight are all wasted. Terence Young directed, bringing absolutely no personality to the job. Talented writer Laird Koenig did the adaptation, which is humorless and without a shred of suspense. The finale seems to be an homage to Hepburn's classic "Charade", but here the staging is so static and clumsy it doesn't come off. Rightfully regarded as one of the worst films of Audrey Hepburn's career. * from ****

This movie is not a good one but a very special movie to me is not only the mature Audrey Hepburn in this one but is the very beautiful and fantastic Romy Schneider any movie with a cast like this should be better but doesnot matter you will love it , plus is Maurice Ronet a major international star he too die young, Romy at this time was a big international super star and one of the most beautiful women in this planet i am sorry for Audrey but i love Romy much more sadly she die young and have a tragic life, Romy was mainly an European star at this point but what surprise me the most is that many of the people written a review doesn't mention her name please she was as beautiful and important as Audrey Hepburn was

Audrey Hepburn wearing two dresses in the same scene and three scenes depicting the making of SNUFF films that have absolutely nothing to do with the rest of the film. NOTHING!!!! A pitiful film made by lazy film makers! In 1979 it was the worst film I'd ever seen and 24 years later nothing has changed.

Very disappointing.Nobody expects film based on Sidney Sheldon's book to be come art-house masterpiece but at least it could be made into enjoyable crime movie like Death on Nile. Well it was not. Despite the rather famous director (Young is not Fellini of course but most his previous films were enjoyable eye-feasts; would that be a spy adventure (2 Bond movies), eurowestern (Red Sun) or costume drama (Mayerling)) and all-star cast the film is very weak.The plot is inconsistent and empty the idea to equip the Agatha Christy-like crime puzzle with subplots from other genres may seem not bad idea but it doesn't work at allSubplot 1- (WWII -Jewish Tragedy with absolutely aimless trip to Poland) and Subplot 2 (French one - Schneider/Ronet story ) seem to be taken from the absolutely different film as well as the type-cast Shariff's lineActually this all-star cast is the only reason to watch it, but its is painful to watch so much talent wasted. If Hupbern, Gazarra and Mason are at least is doing something during the boringly unveiling plot, the others are just fitting the empty space. especially annoying to see superb dramatic actresses like Papas and Schneider wasting their talent in this turkey.