Pretty good movie overall. First half was nothing special but it got better as it went along.

In truth, there is barely enough story here to make a film.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

I'll give this movie a 4 just on the basis that it's better than "Backbeat" (90's art-film hogwash about the bromance between John and Stu), and it gets a little bit of a pass for being the first movie to really tackle the beginnings of The Beatles.BUT! There are still plenty of things about it that make my skin crawl. The actors look ten+ years older than the 20 year-old Beatles they're playing. Especially in the early scenes the guys are treated like wacky cartoon characters; sweet, goofy, ambitious young men with a dream in their hearts! In reality, the post-Hamburg, pre-Epstein Beatles were raunchy, groupie-screwing, foul-mouthed, drunken lunatics, Lennon especially. I feel like this movie kinda makes them out to be boy scouts (but again, in 1979, the full extent of their hedonism probably was still pretty unknown). Like a lot of other reviews have stated, Pete Best was the main historical consultant on this, so all the circumstances around his sacking should be taken with a grain of salt (listen to a pre-Ringo recording of The Beatles - Pete straight sucked at drums).I've said this about "Backbeat" too, but it should be noted that The Beatles were pretty notoriously terrible before they shipped off to Hamburg. I know they only had so much time to cram in a lot of info, but the film shows very little musical growth; we just have to pretend that they were amazing from the beginning.Other things: in addition to a very polished, 1964-sounding Beatles on stage in Hamburg, there's also an overwhelmingly syrupy, dramatic-sounding score all over everything. They have Lennon, McCartney, and Harrison being a lot nicer to Pete and Stu than they allegedly were in real life (they gave Stu endless grief for being a crappy musician, and couldn't stand Pete Best's moody "bad boy" BS). Like in "Backbeat", Allan Williams, their first manager, is completely absent from the film. Brian Epstein is treated like a sensitive little toddler rather than the extravagant, genius businessman he was.I dunno, I always think the main issue with these Beatle movies is that the writers never actually know enough about The Beatles to accurately capture everyone's personality/the history. This is like watching...well, a mediocre TV movie. It makes the most badass rock band of all time look like they belong in a stupid after-school special. I recommend "Nowhere Boy" or "The Beatles Anthology," but this one's okay I guess, especially for how old it is.

70's cars everywhere and inaccuracies! That's what comes to my mind when I think about this movie. Everything feels rushed, like they didn't have the time to find the correct guitars, the correct sets, the correct backgrounds. And they didn't have the time to tell the story correctly either. Scenes jump from one to another without any sense of segue. For any knowledgeable fan of the Beatles, it feels simplified to the extreme.But on the other hand, the actors playing John, Paul, George and Ringo are good (Paul is often on the verge of overacting though) and they got the voices down! You could listen to the movie without watching it and you would be able to tell who is speaking! It's still a fun movie to watch, even if it's only to pick up flaws and inaccuracies!

The idea of making a film about the Beatles sounds doomed idea, as no production can catch the idea of the actual historic Beatles. Then it is perhaps best not to try to recreate the past, but to produce an illustration that works best with the other available Beatles material. This is exactly what 'Birth of the Beatles' offers to us, the simple story known to us without any extravaganza.*** SPOILERS here on *** Be warned that not everything is that accurate as some Beatles-graduates might expect. The Beatles are seen performing songs that hardly were even composed by that time. The Beatles perform "Ask Me Why", "P.S. I Love You" and even "Don't Bother Me". The Beatles-graduates should see that if the Beatles on the film only performed songs that they actually did at Hamburg, the younger viewers might not anymore recognize the Beatles they have learned to know them. Of that original Hamburg repertoire only "Johnny B. Goode" and Stu Sutcliffe's "Love Me Tender" are retained.The guys who play the Beatles in this production scarcely look like the originals, but the rest of the film still make good viewing as the film is for the rest fairly accurate. The guy who plays Lennon does it good and the rest of the band are not bad either. Brian Epstein is great and the moment when he sacks Pete Best from the group is probably the most memorable scene in the whole film. Also as a bonus you get to see the original Cavern club in the film.

We all know that dramatic adaptations of historical events are almost never 100% accurate, otherwise they would not be "adaptations". However I felt that this film reflected a certain consultant's true feelings.Now I know I wasn't there and Pete Best was, but it seems odd to me that this movie (on which he acted as a primary consultant) contradicts other people's recollection of certain events. For example Pete Best is portrayed as a strikingly handsome, highly proficient drummer. This simply isn't true (the drumming proficiency). Many people will say that Best was at best (no pun intended) a mediocre drummer (one can also hear on the Anthology that Best's drumming lacks the drive, timing, and bounce that was distinctive to Ringo's). It seems that Best feels that his dismissal from the band was a grave injustice and a plain old bad idea. They even go as far in this film as to say that EMI (i.e. George Martin) liked his playing, and according to George Martin himself, it was he who told the Beatles that they'd have to use a session drummer because Pete's playing just wasn't good enough.Other than these glaring discrepancies and some chronological conjecture (Stu Sutcliffe died some time after the rest of the Beatles had left Hamburg for good) this is an average made-for-TV movie on one of the greatest bands of all time.