Thanks for the memories!

Self-important, over-dramatic, uninspired.

Good start, but then it gets ruined

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

A strange film that is alternately stiff and fluid. Johnny MacBrown is no kid--more like 30. His acting is fairly amateurish but some lines have been well-rehearsed. Outdoor scenes are impressive but the indoor scenes are pure early-talkie confinement. Beery and the subsidiary actors seem to have the talkie thing down pat. Some of the action scenes were probably more impressive in 70mm and the outdoor recording is very good considering the sound limitations. Nasty revenge storyline where Billy justifies his many killings, but he's sure a nice guy about it. There are many killings and lots of mayhem. Some of the comedy lines between Mr. Butterworth and Mr. Hatfield are incredibly corny considering the circumstances. "The Big Trail" is a much better film from the same year and is still available in its impressive 70mm version. You have to really like westerns to appreciate "Billy The Kid", but there are lots of devoted followers.

By the time King Vidor directed this "Billy the Kid," he already had 36 movies under his belt (most of them silent), so it's weird that the movie seems so arbitrarily thrown together. Brutality and tenderness each try to crowd the other out. Somebody dies, and minutes later everyone's smiling again. I think the Western/Cowboy genre was still developing in Hollywood at the time (even after all those silent Westerns), and the addition of sound just threw another monkey wrench into the works. Nevertheless, you can tick off all the Western conventions and clichés as the film unfolds; they're all there. But it's like they're on steroids or something -- you never know when they're going to take on a life of their own. They just don't add up. I'm tempted to give this movie an "8" rating just for its consummate strangeness, but I think a "6" is probably a fairer assessment.

Although generally forgotten, this version of "Billy the Kid" (1930) has held up remarkably well and should surprise contemporary viewers who think of the early talkies as something out of the Dark Ages. I'm normally disgusted when these so-called historical epics take great liberties with the truth (particularly when the true story is more interesting that the embellished version) but almost 80 years since its release I doubt if the film will be taken as serious history by any new viewers. They probably should have changed the names along with the facts but there was marketing potential in promoting it as the story of William Bonny.The title character is played by a young Johnny Mack Brown, just a couple years after his 1926 MVP performance for the victorious University of Alabama in the Rose Bowl. Mack was called "The Dothan Antelope" from his high school football days in Dothan Alabama. Watch for signs of his athletic prowess throughout the film, especially at the end where he mounts a horse and rides sidesaddle into the sunset while wearing handcuffs and leg irons.King Vidor's "Billy the Kid" was quite a production for its day, probably the first major production filmed in a widescreen format. Although most likely you will have to view it in the 4 x 3 Hollywood format in which it was simultaneously filmed. Brown's co-star was Wallace Beery (playing Pat Garrett) and their scenes together are excellent, the two manage a nice chemistry with different yet very complementary acting styles. The role made Beery a major star in "talking" pictures and Brown soon became a Top 10 movie cowboy.Then again, what do I know? I'm only a child.

British homesteaders in Lincoln County, New Mexico, find that their best protection against the local murderous sheriff is a shy young cowboy called BILLY THE KID.Director King Vidor produced for MGM one of the first epic talkie Westerns, with plenty of action and violence and frequent musical forays to explore the new medium of sound. The acting is good and the authentic outdoor locations are expansive & eye-catching.In one of his best roles, Johnny Mack Brown portrays Billy as a quiet, dependable fellow, deadly with a gun but reluctant to boast or brag, attractive to the ladies and a determined seeker for justice over evil. Everything one could want in a Cowboy Hero. He's also just a little bit dull. This allows Wallace Beery, as Billy's friendly nemesis Pat Garrett, to steal the film, using his doughy face and shapeless body to great effect. Beery was right on the edge of becoming a major movie star and it was roles like this that would push him over the edge.Lovely Kay Johnson is on hand as the wife of unfortunate Russell Simpson, one of the men Billy initially defends, but the demands of her role are few and she gets to do little besides look worried. Silent comic star Karl Dane & champion stutterer Roscoe Ates portray friends of Simpson & Billy, and they are both welcome additions to the film. Dane, however, is given very little screen time, his thick accent obviously a problem for MGM.Silent screen cowboy William S. Hart acted as creative consultant on the film, but his only contribution seems to have been the loan to Johnny Mack Brown of a pistol which had once belonged to Billy.BILLY THE KID was originally filmed in the 70 mm widescreen Realife process (no copies are known to remain) with two very different endings - one for American theaters in which Billy eludes capture and one in which he is shot dead, for European audiences.***********************************In the film's written prologue, New Mexico's Governor R. C. Dillon admits to the movie's ‘liberties' with the truth. Indeed, there are few true facts in the film. Most radically altered is the character of Billy himself, who in reality seems to have been a particularly loathsome human specimen, unsavory & disagreeable in almost every way. But early in production MGM's Irving Thalberg realized the studio would have a hard time promoting a film about a disgusting murderer and he ordered a radical rewrite on Billy's biography, turning him into a pleasant, noble hombre. Good entertainment, bad history.There are a lot of ambiguities about Billy. We know he was born in New York City on 23 November, but both 1859 & 1860 have been cited for the year. We don't even know the guy's real name. Was it William H. Bonney, Jr., or Henry McCarty? (For awhile he muddied the waters further by calling himself Kid Antrim.) Billy's family had moved West, and after the death of his father Billy had travelled with his mother's new husband to the territory of New Mexico, ending up at Silver City in 1873.We may never know what toxic mixture of heredity & environment stained Billy's soul, but we do know that he became a hellion young. He claimed to have committed his first murder at the age of 12 - he would kill at least 27 men during his lifetime. Billy became involved in an outlaw gang that created havoc on both sides of the Mexican border, with robbery, murder & cattle rustling all part of the routine. At the end of the decade, Billy became a gun for hire in the so-called Lincoln County War, that particularly nasty confrontation between cattlemen, townsfolk & corrupt law officers.Billy ran a gang that killed a sheriff and a deputy, for which he was arrested by Pat Garrett in December of 1880. Billy was sentenced to hang, but during a daring escape on 28 April 1881, Billy murdered two more deputies before hightailing it out of town. After weeks on his trail, Garrett finally tracked Billy to a ranch house near Fort Sumner, N.M. and on 14 July Garrett killed him there. The punk was dead, but the legend was born.Patrick Floyd Garrett (born 5 June 1850) had been a cowboy & buffalo hunter in his youth and moved to Lincoln County in 1879, where he became deputy and then sheriff. After he killed Billy, Garrett became a rancher near Roswell, N.M. from 1882 until 1896. Returning to law enforcement, he became first the deputy and then the sheriff of Dona Ana County from 1896 until 1902. He was the collector of customs in El Paso, Texas from 1902-1906. Garrett then bought a horse ranch near Las Cruces, N.M., but a violent dispute over a lease left him gunned down in the road on 29 February 1908. A fellow named Wayne Brazel claimed Garrett drew on him first, a witness agreed it was self defense, and Brazel was let go. Garrett was 57 years old. It was a nasty way to die for the man who got Billy the Kid.