That was an excellent one.

Am I Missing Something?

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

...as opposed to bittersweet. This British film was advertised on the DVD cover as being in the same vein as Lock, Stock and two Smoking Barrels, or Snatch. As a result I saw it unprepared, which was a good thing. This film is not a crime comedy at all, but a true blue drama. The story is loosely (I would say very loosely) based on Steinbeck's Of Mice and Men, featuring a scrawny low-life and a gentle giant who share the same dream. In places it also reminds of Schulberg's The Harder They Fall.Typically for this buddy movie, it is the smart one of the duo who keeps on dragging doom over the two in his quest for self-destruction. Can he redeem himself before the inevitable sad ending?

One can pay all the usual compliments to British Film Making e.g underplayed, gritty,thoughtful, etc. but I think this movie is exceptional. The story line is well crafted and the acting from all participants, is superb. The "Mentally Disabled" roles played by Adewale Akinnuoye-Agbaje and Maxine Peake are sensitively portrayed and Stephen Graham is,as always,brilliant! The fight scenes are particularly "Squirm Making"and the dreary Nottingham scenics were well chosen and cleverly filmed. I find it hard to believe that it only rates 6 on the IMDb site! Great work from you British Film Makers Keep'em coming!

I was very impressed with this film. The actor playing Joseph was nothing short of brilliant and tender. I found myself wishing that no matter how it ended, Joseph would be taken care of.I must give props to the director for putting it all together in such a soft and yet gripping way. Someone had a vision with this piece and I hope they got what they were after.I hope the actor playing Joseph gets the respect he deserves and I feel honored to have stumbled upon this gem.I would highly recommend this movie to anyone old enough to take the emotional pounding.

First of all, let me say that there is a certain statement of fact to be made about 'Best Laid Plans' and it is this. If you have any appreciation or respect at all for the medium of British Independent film, then the sleeve credits alone will ensure that you simply cannot pass this one by. I say "will ensure" because "should ensure" in this context would quite simply be a redundant phrase.Credits do not of course guarantee that any film will live up to its promise, but realistically speaking, anybody who loves and understands this genre and appreciates the luminaries within it would be a fool to bet against the credibility of the acting and directional talent gathered here. Which is why it is interesting and refreshing to hear the views of a couple of American critics on this platform, and equally why one British critic, puzzling though his observations are, is probably better ignored. Not that I wish to dwell too much on the critique of other critiques, it's just that this film delivers so much bang for what was probably its buck, and does it on so many levels that it is difficult to imagine where such scathing detraction could possibly come from. The leveller here is a simple one, if you don't like this movie... then you just don't get it. First and foremost, what we have here is a damned good story. Start with a big black guy carrying a washing machine and wonder where on earth this could possibly be going. What you get is an intriguing premise, with even more intriguing sub-plots woven into it, no spoilers coming here by the way... see the movie. An often unavoidable truth with independent cinema is that in return for that elusive damned good story, it is never by any means certain (given the absence of Hollywood's millions) that you are going to get any icing on your cake. Yet in this regard "Best Laid Plans" exacts itself as a true David to Hollywood's flabby Goliath. Take some Ken Loach style social realism, throw in some Nick Love style menace, some convincingly stylised violence, and not one but two touching love stories. Then start dealing with some deep themes,like isolation, greed, relationships, and while you're at it why not be audacious enough to examine the concept of love, with stark honesty and through a slightly skewed lens? Why not indeed? This is a brave piece of storytelling and you really don't get away with this kind of stuff without a pretty slick script and a bunch of stellar performances from a gifted cast. Chris Green is definitely one to watch in terms of the former.I would equally have to concede some understatement in comparing David Blair with any other director. Since he has clearly taken both script and cast and made the whole thing fly. So there must be a downside...perhaps the shooting? Nope, it's all dark and brooding when it needs to be and bright and evocative when it doesn't. So you may want to consider for a minute the ruminations on the philosophical themes of lost souls, complicated relationships and life's meaning at, let's say the estimated $32,000,000 price tag at which "Tree of Life" came in.Hell of a lot of icing there... but not much in the way of cake. And then see this gem and be thankful... because Hollywood would simply have ruined it.