You won't be disappointed!

Pretty Good

Please don't spend money on this.

Absolutely the worst movie.

Deborah Kerr and Gregory Peck are Sheilah Graham and F. Scott Fitzgerald in "Beloved Infidel," based on Sheilah Graham's autobiography. 20th Century Fox gave this a big, glossy production, with Henry King as director.In the movie, Sheilah goes to the set of In Old Chicago with one "Mr. Harris" (Zanuck) and we see an actual scene from the film re-enacted. Graham has apparently criticized the actress Jane Pierce (Alice Faye) and Miss Pierce isn't happy to see her. In the cafeteria, there is a large photo of Shirley Temple, and next to her is Tyrone Power. Yes, we're at Fox, all right.Graham is an aspiring writer looking for work, and at a party, she meets F. Scott Fitzgerald, who has come out to Hollywood and is writing screenplays. The two fall in love. Zelda, Scott's wife, has been institutionalized by then, and his daughter Francis is in school. Fitzgerald needs the film work to pay his bills.History tells us that Fitzgerald was a big flop writing for movies; most of his work is uncredited or just not used. His glorious prose did not translate to the screen. In this version of his story, he starts drinking heavily after he is fired from the studio. In reality he had been an alcoholic since college. The alcohol temporarily breaks them up.Certainly one of the most fascinating people who ever lived is F. Scott Fitzgerald, and Sheilah Graham pulled herself up from nothing to become an important columnist. But neither of these people come off as especially fascinating or interesting.For me, Gregory Peck was miscast as Fitzgerald, whom I believe was, for one thing, much less robust, had a weaker character, and was probably drunk most of the time. Peck does as well as he can, but I think he was smart enough to know there was no way he could convey the personality of the real Fitzgerald. It wasn't in the script. Deborah Kerr, in my opinion, was an underrated actress, and she gives a marvelous performance here. But she probably wasn't playing Sheilah Graham.The script simply isn't specific or detailed enough to give us an idea of who these people really were.People have speculated how much of this story is true. Most of it - Fitzgerald did move to Hollywood, he did flop out in movies, he did fall for Sheilah Graham, they did live together, he did start to write The Last Tycoon; the incident toward the end of the movie at the theater did happen, and the end of the film was basically correct. As far as what they were both like -- you'll have to find another source for that.

Poor Zelda. Pity their poor daughter as well. With parents such as F. Scott Fitzgerald and Zelda, what was to happen to this young lady?Gregory Peck was weak in the opening scenes. I love the way he pronounced Sheila,stressing the second part of her name. His voice sounded so different for this film. It is when he is drunk in the film, he is at his absolute best. He is truly believable when he allows liquor to insult and almost end his tempestuous relationship with Kerr.We're dealing basically with 2 very insecure people. Sheila Graham, coming from a very poor background, acted like a prima dona in comparison. Fitzgerald could not deal with disappointment and failure.Eddie Albert's role is also complex here. For one, he acts by giving advice similar to his Burt McGuire in 1955's "I'll Cry Tomorrow." Yet, in the following scene, he wants Kerr to get a detective to stop Peck's apparent harassment. Interesting that Peck and Albert had appeared together in 1953's "Roman Holiday," and that Kerr was married to Philip Ober in 1953's "From Here to Eternity." He played Kerr's editor here.I loved the beach scene in this film when Kerr literally lets her hair down and confesses to Peck regarding her humble beginnings. As they stretched out on the beach, I thought we'd have a replay of "From Here to Eternity." Debbie, you loved the beach, didn't you?

This film has all the earmarks of too many cooks spoiling the stew. Based on Shielah Graham's autobiography, it seems like the powers that be couldn't leave well enough alone. They couldn't decide if this was to be Graham's story or Fitzgerald's story, and also how much they should soft-pedal whoever's story it turned out to be. So a film that could have been a story about two fascinating (Fitzgerald) and notorious (Ms. Graham)personalities becomes a dreary disjointed soap opera about that tells us little about either. Added to this there is absolutely no period feel other than for 1959. Clumsy scene follows clumsy scene and we have no idea where we are in the story or how much time is passing. However - and this saved the film for me - Kerr has never looked lovelier, and Peck is as always a very handsome man. They truly make a beautiful, mature couple, and I only wish they had better material to work with. There is one scene that does work - Scott goes after Shielah while in a drunken state, and to see these two normally refined stars knock each other around is very disturbing and gives some fleeting idea of what goes on in a relationship such as theirs. Other than that, the movie is a wasted opportunity and achieves nowhere near the classic stature of other Wald produced soaps of the 1950 (PEYTON PLACE, THE BEST OF EVERYTHING).

Firstly I will agree that this isn't the most riveting film ever made, but I will disagree with the reviewer who says that Peck is too handsome to make a believable alcoholic. We know that Fitzgerald was handsome, intelligent and charming, three things which made Peck an excellent choice to play him on film. Furthermore there is a pretty amazing scene where violence erupts between Peck and Kerr, it's truly believable, which heartbreakingly portrayed the depths to which Fitzgerald had sunk. Obviously when the story is based on Sheilah Graham's recollections, it will be purely personal and she may have softened the truth or by the same account exaggerated it. The look of the picture is beautiful, especially the wardrobe for Kerr. I say simply to get a look at two stars in their prime it's worth it to muddle through. Kerr and Peck have a tangible chemistry.