Undescribable Perfection

Simply A Masterpiece

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The film may be flawed, but its message is not.

Easter is dawning, and right now I'm going on an Easter film marathon, and I happened to stumble over this film. I am sad to of, because I have experienced a horribly put together film because of it.The faked accents for the Romans were absolute rubbish, I found myself rolling my eyes continuously as they kept yapping away as if they were in some sort of kid's cartoon. The accents sounded so fake, that I just had to cover my ears at times to stop myself from laughing at the completely horrible acting...and I thought 1985's Revolution had bad accents!This film had an incredible huge amount of clichés. It's like the filmmakers haven't even read the Bible, because this film is completely out of spirit of it. There is loud, blockbuster music in this film (which is one cliché I really despise) and it is completely out of tone of what the Bible is. Also, I watched the film and I counted 37 clichés, which I won't bother to list. The dialogue in this film is mostly clichéd as well.Did I mention how bad the acting was?I can't believe that Billy Zane signed up for this cliché rubbish.The film that this film was aiming for was a blockbuster. I don't like the style of blockbusters, and I'm a bit fussy when it comes to them, but I congratulate the director, I guess, for actually succeeding in what he was aiming for. Just a quick tip, Roger Young: don't aim for blockbusters. Aim for a good film, with good pacing and a fine soundtrack. This film, unfortunately, has bad pacing and a cliché, loud, blaring soundtrack because you wanted a blockbuster. I hope you're happy.So, hmmm...now to list something good about this film.Well, all the basic ingredients were there. The camera-work, the sound design and the costume design were all well done, so at least the film got that right. But the substance of the film is horrible, completely out of tone of the Bible, and not deserving of it's length. I rate this a 4.1/10, not a 3.1/10, because I think that if you are into those blockbusters you get in the mainstream cinema, you'll probably really enjoy this. If you, however, are looking for a good quality film with good actors, avoid this. If you are a TRUE Christian who has read the whole Bible, I'm pretty sure you won't like this, either.If you're looking for an Easter film with quality, watch 2014's The Saviour.

it is his film. and that is the virtue and the sin of movie. because Billy Zane, far to be Anthony Quinn, does a decent job looking to explore his characters nuances. but the script and many actors are not the most inspired choices. sure, it is a nice adaptation of a great novel. a religious film who has not the ambition to be great. a picture of a time, a way and a discovery . the history of a man's change. few beautiful scenes, the landscapes and the desire to suggest more than present are the good points. but maybe not enough for define Barabbas more than a TV exercise to remind a book. because, after its end, Billy Zane seems not be only the lead actor but the only actor. because the realism used in few scenes not covers the absence of convincing dialogues.so, an adaptation of Barabbas. not the best.

I was hoping this movie would be better than it is. Even if you don't know the book or the 1962 film version, this movie still has to be disappointing. It is very loosely based on Pär Lagerkvist novella, which tells the story of Barabbas, the bandit who was chosen over Jesus Christ by the people of Jerusalem when given the choice of releasing one prisoner during Passover.Pär Lagerkvist novel is a moving and thoughtful work. The 1962 Dino De Laurentiis production, although it added a great deal of action to the story, caught the tone of the novel, emerging as a moody, almost surreal epic.Unlike the book and De Laurentiis' movie, this made for television version starts before the crucifixion. We quickly learn that Barabbas (Billy Zane) is a real tearaway. He either hangs out at a brothel in town or with his gang in the hills. If they'd packed six-guns back then, he'd have shot up the place. Although the Zealots are involved in guerrilla warfare against the Romans, Barabbas is more interested in holding up the odd caravan or two. There are a number of lacklustre sword fights with the Romans - the production seems a little light on extras - and Barabbas and his crew cook up a scam to rob the promoter of a local gladiatorial show. This sequence, more than any other, undermines the film. Seemingly inspired by the "Spartacus" TV series, it's unbelievable and is reminiscent of the ridiculous action that used to turn up in the old Italian sword and sandal movies of the 50's and 60's.Eventually Barabbas is caught. Condemned to death then spared while Christ is crucified, Barabbas starts to question why he escaped death, and meets Christians whose faith seems indestructible. Although this crisis of conscience could have given the film a little depth especially after he learns of Christ's resurrection, the script goes off on another flight of fancy, as Barabbas becomes Barabbas PI. After dressing up in Roman uniform he interrogates the soldiers who were on guard at the tomb of Jesus. Arriving in Rome after a side trip as a slave in a copper mine, Barabbas is sent undercover by Pontius Pilot to find his niece who has become a Christian, knowing that the sect is about to be blamed for burning Rome. However Barabbas inadvertently betrays them. He lands in prison awaiting execution. The last few scenes have the gravitas lacking in the rest of the film as Barabbas sacrifices himself and is then crucified. Filmed in Tunisia, the scenery looks authentic enough although the film lacks scope and size. But it's the uneven script that sinks it, with much borrowed from other films - not all good ones. A pity really, because Billy Zane actually made a pretty good Barabbas.

I only saw part of this--near the beginning, but it looked like Billy Zane was having some real fun chewing the scenery. I found that surprising considering the subject matter seems to call for a more somber treatment. (Enjoyed seeing it none the less, and Zane will be the reason I see this in its entirety at some point--I loved the long hair and the bellowing--and the quips, though they probably don't belong here.) The production values were such that I wish I could have seen this in high def. I appreciated the inclusion of both the Jewish 'rebel' and Roman points of view, while also touching on the plight of the slaves, the impoverished and the diseased. (Though I don't know how deeply the film went on any of these matters.)I don't know how this ended, but I hope things worked out well for young Ester and old Barabbas!