That was an excellent one.

If you don't like this, we can't be friends.

I don't have all the words right now but this film is a work of art.

While it doesn't offer any answers, it both thrills and makes you think.

This film does not examine the effects of online bullying. Online bullying is 8% of this film. This film is a story of two 14 year old girls who had such horrible parents that they were allowed to get drunk/high and drive over to 17 year old boys' houses, where again parents were not around as they got drunk/high, and then the boys took advantage of the girls and had forced sex with them while the girls were passed out. All the while sad music plays and still photos of girls with sad faces and cloudy-day videos of small towns are littered with popup posts from twitter and facebook of people trolling the individuals involved with the cases (to which there are no sources, so it definitely leaves the viewer wondering if they are fabricated). The filmmakers fail with this documentary because they refused to dive deeper into the cases and learn about the other sides of the story. This is very one-sided... but that is intentional as it portrays teenage depression and angst associated with statutory rape. The worst aspect of this documentary is that the parents were never held responsible for their underage children's actions. All throughout the film the parents are talking about all the bad things that happened to their children, but one can't help but to wonder why the filmmakers never asked these parents why they are such horrible parents. This definitely falls under the liberal female-empowerment retribution category, but even there it does not do the topic any justice because it is one-sided, biased, and caters to the idea that parents play no role in the self-destruction of their teenage children.

A tragic and infuriating documentary about two teenage girls who first faced sexual assault and then became pariahs (along with their families) for having the audacity to anger one of the city's most important families. But the most disgusting part of this film deal with the horrid sheriff slut-shaming the victims while defending the rapists because, hey, boys will be boys and the girls asked fro it anyway. The fact that creeps such as this still hold positions of power in this country, albeit a conservative part of the country, is even more disheartening. The fact that some find a documentary about two, victimized teenage girls 'liberal propaganda'...well, these are the ones with political agendas that ignores the facts. People who explain away rape and humiliation of teen girls are potential offenders in my opinion. A must-see for parents and their children say 12 and up.

There is nothing wrong with the movie. I found it very interesting that they actually interviewed the men involved. But the show had a very Condescending tone the whole time. People always say that this should be shown in schools, but these things are not caused from ignorance of this subject. It's the growing pains of adolescence and the apathy towards the repercussions involving the law. But I'm concerned why Netflix wanted to publish this. With their posting of 'dear white people' and many other liberal identity politics shows and movies. I can't take the reasons of the show being posted seriously. Because people never want to learn from these experiences and take it on a case by case basis. Everything about this seemed to be a rape culture testament when its not.

Viewed by Larry Gleeson at AFIDOCS 2016.Audrie & Daisy, a new documentary co-directed by Bonni Cohen and Jon Shenk, takes an in-depth look at the effects of cyber bullying following the aftermath when two teenage girls are sexually assaulted. The girls went to parties, drank alcohol to excess and were then sexually assaulted by boys and young men they believed were their friends. The shame and scorn the girl were subjected to resulted in a suicide of a Saratoga, Georgia high school student, Audrie, who believed her reputation was beyond repair. The culprits in the assault eventually reached a plea agreement so the young men could graduate from high school. The agreement included an admission of guilt and a public apology as well as a 45 minute videotaped interview. In the case of Audrie, a Missouri resident in the small town of Maryville in Nodaway County, all charges were dropped in a highly publicized news reported court judgement.Cohen and Shenk open the film with a slow pan of empty desks in a classroom as a voice over about the Audrey case begins. A cut is made to a high school football practice with the diagetic sounds of grunting, helmets and pads colliding and thudding with the sounds of whistles chirping. An audio deposition of Jon B., not the perpetrator's real name, is heard as an image shows the critical information of what is occurring in a black and white frame as the film's narrative is slowly opening. In a taped 2015 interview, Audrey's mother and father, Larry and Sheila Pott talk candidly about Audrey while pictures of Audrey range from the time she was a baby up into her high school years. Sheila reminisced how she and Audrey cooked together while they watched the food network together. Audrey's best friend from the time of middle school, Amanda Le, opened up about their experiences together through adolescence. Le remembers Audrey developed early physically and by high school was well developed. A group of boys from junior high began a Yahoo! group where they shared nude pictures of their classmates. Le stated Audrey received a lot of requests for pictures, however, as Audrey was quite self-conscious she didn't provide any pictures. Audrey was popular and had many friends. One night at a party Audrey drank too much. In a deposition, her "friend" stated her carried Audrey upstairs and laid her on a bed. Two other young men entered the room and closed the door. With Audrey, unmoving on the bed, the three boys stripped her naked. They took turns sexually assaulting her with their fingers. They painted half her face black and placed indelible lewd comments on her body. Photographs were taken and videos were recorded while Audrey laid defenseless.Through the use of textual overlays from conversations Audrey initiated with her "friend," Cohen and Shenk create a sense of real-time. Audrey does not recollect what happened and pleads with her friend and others to tell her what happened. Her "friend" tells her it will blow over in a week. Yet, when Audrey gets to school, she comes to a realization that everyone in school is aware of what happened and the images of her assaulted naked body have made their way online. Shamed and humiliated, Audrey feels her reputation is beyond repair and commits suicide.Daisy Coleman, a perky blonde-haired, blue-eyed freshman, and new to the small town of Maryville, Missouri also is subjected to shame, humiliation and ridicule following her sexual assault. Daisy and her 8th grade friend who according to an official police investigator looked about eight are invited to a "party." While at the party held in the basement of one of the three older high school males present, both girls are raped while incapacitated. The following morning Daisy is found on her home's lawn with her hair frozen to the grass. What unfolds in Daisy's story is the difficulty is prosecuting an assault without hard evidence. None of the males were over 17. A video was recorded and shared and subsequently deleted without means of retrieval. Consequently, all charges were dropped.Nevertheless, the maelstrom created by Daisy coming forth had severe repercussions for Daisy on social media. Slowly diminishing in spirit, Daisy began sinking further and further into the rabbit hole when a young woman who had endured and survived a similar sexual assault reached out to Daisy via social media. Delaney Henderson heard about Daisy and used the Facebook chat feature to tell Daisy she understood the feelings and what Daisy was going through. The two young women have started and joined a survivors' group facilitated by a professional counselor. In a Q & A following the screening, it was revealed Daisy Coleman received an athletic scholarship to Mountain Valley College. Daisy stated with strength and conviction, "I'm done with being mad. I finally wanted to move on. I'm not forgetting the past. I'm forgiving the past." High in production values complete with traditional interviews, archival news footage, original evidence-gathering investigation-room interviews, panning location shots, photographs as well as masked caricatures of the depositions, Audrie & Daisy, is a must-see documentary.