This Movie Can Only Be Described With One Word.

Amateur movie with Big budget

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

I agree in big part with most of the other reviews. The movie is well done and the director's hand is almost a character that sits next to us throughout the film and guides our eyes to where he wants us to look. The script was fantastic, the dialogue was very well paced and didn't feel plastic, and the acting was excellent. The budding relationship between the two sons was telegraphed so it was no big surprise but I must say I was a bit disappointed by the ending (in whichever form you interpret it... was it murder, was it accidental manslaughter, or was is suicide?). Leaving the ending open felt for me like taking away from the characters' personality, almost like providing no closure for them

Even with taking note that this is not playing at your local theater, meaning you have to make an effort to see this, I feel even if it was accessible I would have mixed feelings. For while I love loved the characters, loved the plot dealing with Mark and Jack's experimenting, as well as the complicated relationship Mark and Tom have, the way the police investigation is used honestly ruins the movie. For while you understand the purpose is to present intrigue through foreshadowing, you may feel, like I did, that there were probably better ways to execute this story. So while you have to commend Joris-Peyrafitte for this being his first film, you can see that he needs to learn why the adage "Less is more" isn't as much a cliché as it is sound advice.

When I saw the trailer, I thought the story they were suggesting was compelling enough to go see it. Then I see the movie and come to realize what the trailer was selling was only the tip of the ice berg on how rich and intelligent this film is. It's rare that a trailer that only shows one layer of the film has a movie that still has many good layers to see, and has a great story that was not fully reveled in the trailer.First and foremost, it's a coming of age story about Jack, whose an awkward teenager living in a small town in the mid-90s going through that phase of trying to find yourself (Somewhat with the words of Kurt Corbain. hence the title). Then he finds a companion in Mark, someone going through the same thing, making him easy to talk to. This part of the movie is done perfectly. It's the part most, if not all of us can relate to. Then Mark and Jack's relationship gets complicated as they explore a part of it that's beyond friendship.Adding to the complexity is Sarah, a girl who completes a tribunal of friendship as she likes both boys equally(but does gravitate more towards one over the other), and Mark's dad Tom whose courting Jack's mom, who comes off as a well meaning man whose too hard on Mark and too macho to be of any good to either teenage boy.And as interesting as this layered story is there is also the layer that goes over gun control. Filmed as a flashback of the characters being integrated by a police officer, the movie does spark an interesting conversation over guns. It literally goes from a innocent scene of a man teaching youths how to properly handle firearms to bringing up an issue of how harmful a gun can be in emotional unstable hands.As You Are is a great film. It's the type of movie that's real relatable on a lot of levels and it makes you want to talk about it (Very Similar to the band and the type of music the characters listen to in the film). One of my favorite coming of age stories.http://cinemagardens.com/

I loved this movie. The acting was great, as was the cinematography. Best coming of age story I've seen in a long, long time. I can't believe this was the director's first film! More details below. It was great seeing Mary Stuart Masterson on the big screen again. She does a wonderful job as a vulnerable, yet still sexy, single mom. Scott Cohen is very believable as the tough, bullying military-type dad. And the actors who play the 3 teenage friend are all fantastic! I remember Amanda Stenberg from "Hunger Games", and she is wonderful as the smart, yet isolated, adopted daughter of a white family. Owen Campbell deserves an Oscar for his fantastic performance as Mary Stuart Masterson's lonely but loving son. And watch out for British actor Charlie Heaton, whose strong acting and brooding good looks are reminiscent of a young James Dean or Marlon Brando. Last but not least, I can't wait to see future films directed by the young prodigy Miles Joris-Peyrafitte. Oh, and he was the screenwriter too, along with his friend and co-author Madison Harrison. In summary, a great film, well-directed, well-produced and well-acted.