How sad is this?

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Set up myself to watch this DVD with great anticipation, having high expectations from what seemed an engaging internationalist story with interesting characters. Having distanced myself from over-sentimental Hollywood production, I often turn to the more complex European productions. But this was an unexpected disappointment. There were the usual clichés, the usual scenes of old neighborhoods and relationships, the usual stereotypes, the "good" folks and the "bad" folks, and simplistic portrayal of societal conflict. It almost seemed as if it was done on purpose to dumb-down some moral educational principle to a population, as on a mission of historical revisionism and political correctness.

Liberté, égalité et fraternité. The motto of France is certainly not very apt to describe the time of Nazi occupation. The nationalistic French mainly capitulated to the Germans, and left the resistance to a bunch of immigrants - Italians, Armenians, Jews, Hungarians, Spaniards, etc.This is the real Inglorious Basterds. The story of those who continually picked at the Germans and made their lives miserable. They don't go home in glory, but their names are on a role of honor for those who served to fight oppression everywhere.An American poet, Missak Manouchian (Simon Abkarian), and his wife Mélinée (Virginie Ledoyen) lead the group.Director Robert Guédiguian does an excellent job of capturing the period, and letting us get to know the actors before the action starts.

Sharing, from a safe cinema seat, the anguish of an occupied people gave us a view of how we might behave in such terrible circumstances. The villains are not the Germans but the French people themselves. The real horror is not in the big scenes of torture but the ordinariness of the concierge cheerfully denouncing people in her own building. The French are still living today with the guilt of all that and this film is one of the rare examples of a frank look at this from the inside. I called it a "worthy" film which carries the film-makers problem of telling a tough story but still needing to seduce an audience into the cinema. The Picture House had a very small audience when I saw it tonight.

Robert Guediguian has never been afraid to go to the mat with older and respected talents. Despite the odd foray by the likes of Renoir (Toni) and Marcel Tourneur (Justin de Marseille) the Marseille area is widely acknowledged as being under the ownership of Marcel Pagnol but this didn't prevent Guediguian turning out a series of consistently high-quality movies based in and around Marseille - Marius et Jeanette, Le Ville est tranquille, Marie-Jo And Her Two Loves, etc and now he horns in on Claude Berri (Lucie Aubrac) and Jean-Pierre Melville (L'Armee des ombres) territory with a film about the Resistance - he even manages to plug L'Armee des Ombres as if to tempt fate. It's nice to see Lola Namark and Ariane Ascaride in the same movie once again (albeit they never share a scene) but then it's Great to see Ascaride in anything. Simon Abkarian is the nearest thing to a leading man and Virginie Ledoyen as his wife revisits territory she staked out in Bon Voyage. Altogether it's a satisfying exploration of the rag-tag volunteers who comprised the non-French aspect of the Resistance and well worth a look.