Great visuals, story delivers no surprises

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Besides being a very watchable film, it is a must-have for all serious students of Hindi cinema. The film is dedicated to Bimal Roy (practically the entire crew is comprised of people who worked for Roy) and in this film, Hrishikesh Mukherji's narrative style is clearly reminiscent of Roy's style. Hemant Kumar's music from this film is practically legendary, as are Kaifi Azmi's lyrics. The film has a few flaws -- it starts and ends beautifully, but could have been tightened up around the middle. The lead duo, Sharmila and Dharmendra, are adequately good, but it's the support cast that really carries the film. The director spends time working on the relationships between the cast - Deven Varma and Shashikala, despite (or because of) the latter's slightly annoying excess, have surprisingly good chemistry, and David, doing his classic overgrown bachelor is dependably great. The film is stolen though by Tarun Bose, who plays the lead character's troubled father to perfection.The thing that strikes out about the film is how well it comes together as a whole -- the cinematography, screenplay, the music, the editing and the acting. To the credit of Mukherjee and Roy alike, the film epitomizes the Black & White class drama that so strongly influenced Indian popular cinema in the post-independence era. I cannot recommend the film enough.

I had really fond memories of this film but on revisiting it I was actually taken aback at how many problems it had. The bad: 1. Shashikala played a most exaggerated character and got annoying after a while, plus she acted 18-20 years old and was clearly an older woman.2. The story was melodramatic and exaggerated.The good: 1. It is a Hrishikesh Mukherjee film - loaded with pluses. 2.Sharmila was awesome as Uma - the traumatized silent girl; she was beautiful and extremely competent at showing emotions without words. 3.Dharam was best in the idealist roles. Here he is just so good - often seen in a singlet with holes, and never stylish but always full of his own inimitable style. 4. Tarun Bise, David, Deven Varma all did a good job. 5. The music was fantastic - Bheegi Bheegi fiza, Yaa dil ki suno duniya waalon, Aisi bhi baatein.On balance a good film, watchable for the lead pair, the songs, but surprisingly not one of the best from the maestro.

I believe that calling this movie a tear-jerker does not do justice to it -- this is world class cinema at its finest that sensitively portrays a range of human emotions. Certainly the interaction between father and daughter towards the end comprise the most poignant scenes in this movie, and they have been both written and picturized in a manner that is deeply touching.Although the movie takes its own time to develop the characters thoroughly and although you wouldn't expect anything less from Hrishikesh Mukherjee in that regard, I did feel that the movie could have been shortened a little bit. Also, Shashikala's role seemed a little exaggerated.In general, the movie is a gem and I wish viewers all over the world could be introduced to such Hindi classics for a true appreciation of the range of "Bollywood" movies over the years.

Known for his more successful rollicking comic adventures, this gem is still one of Hrishikesh Mukherjee's best works.Anupama is the story of a shy and retreating girl who grows up with the stigma of guilt, and her father's reproach and blame for having lost her mother during childbirth. It's a poignant journey of how she overcomes her own guilt and steps out of her father's overbearing shadow.Tarun Bose - another unsung character actor from Hindi cinema - plays Sharma, an affluent businessman who has married late but deeply loves his wife. When she dies in childbirth, he blames the newborn daughter Uma for having separated him from his only joy in life. She grows up as a timid young girl who pines for her father's affection, feels the guilt of her mother's demise and is barely able to express herself as a result. Indeed her first words in the movie are almost an hour into it, in a lilting song amidst nature. Sharmila Tagore, performs exquisitely as the daughter Uma, and despite having very few words to say, truly embodies the repressed, melancholy character, especially with her eyes that express all her emotions. Of course it helps that she is so beautiful.The scenes between father and daughter are poignant, and are sensitively handled. Deep inside, Sharma does love his daughter, but it shows only when he is drunk, and not in his senses. Hindi cinema has produced many excellent actors who are grossly underrated, and none more so than Dharmendra, who is not really remembered today for some of his sensitive portrayals, and his flair for comedy. Here he plays Ashok, a writer by profession from a modest background whose keen mind is quick to notice Uma's angst. Which also attracts the two together.Helping the plot race along - despite the melancholy theme, there's never a dull moment in the screenplay - are Shashikala who plays Annie (or Anita) - an effervescent tomboy and a complete anti-thesis of Uma's character- and a young Deven Verma who plays Arun, her love interest and a childhood friend of Ashok.There's also David - a Hrishikesh Mukherjee regular - provides great comic relief as Sharma's cheerful friend Moses. He has the best line in the movie. Translated from Hindi, "Death is great fun. The dying person doesn't know when it will happen, and everybody else cries." This has to be one of David's finest performances - he jokes, dances with Shashikala, and generally brings the house down with his pearls of wisdom.An unspoken love develops between Ashok and Uma, that threatens to die unrequited. Ashok understands the father's grief, but resents his ignorance and neglect of his daughter. The song 'Ya dil ki suno..' sung by the peerless Hemant Kumar, who also scores the music, is heart-rending. This song alone is worth the price of the movie. Written by Kaifi Azmi, It poetically describes the insensitivity of the father: "what a flower has bloomed in nature, the gardener has no love for it".Can Uma really overcome her internal barriers and take the leap to be with Ashok? Does she really have the strength to break free from emotions of both love and terror for her father? Despite a predictable ending, the movie still surprises in the end.Modern day directors can learn a lot about how to balance emotional content with sparkling comedy. And aided by excellent performances all round, 'Anupama' makes for a memorable experience.