the leading man is my tpye

hyped garbage

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Watching Another Part Of The Forest tonight I was struck at how well Vladimir Pozner captured the characters of the young Hubbards. the subject of Lillian Hellman's classic The Little Foxes. If I didn't know better and maybe I don't Pozner might have had Hellman looking over his shoulder during the writing of the script.It all begins with old Marcus Hubbard played by Fredric March, patriarch of the Hubbard clan who made his fortune running the Yankee blockade during the Civil War and then charging exorbitant prices for the goods he brought in. He's not a beloved man by his neighbors in 1880 Alabama, but March has a terrible secret that if the good people knew he'd be lynched on the spot.The Hubbards are rich and despised and March's children take right after the old man. Dan Duryea who played idiot nephew Leo in The Little Foxes plays Oscar Hubbard and Edmond O'Brien plays Ben who is a real chip off the old block. It's March and O'Brien and their conflict which drives the whole film. Scheming herself is young Regina Hubbard played by Ann Blyth a few years older than when she played the spoiled Veta in Mildred Pierce. She's as spoiled as Veta, but a lot craftier. She plays on daddy's affections which border on incest to the hilt. O'Brien keeps trying to match her up with young Horace Giddens who is never seen here, but was played by Herbert Marshall in The Little Foxes. We know that eventually happens, but right now Blyth is looking to trade up in respectability and marry young John Bagtry, scion of an old plantation family and Confederate veteran.Bagtry is played by John Dall and he maybe respectable, but he's totally living in the past. As is sister Birdie played with a flair by Betsy Blair. We see the genesis of the character that Patricia Collinge plays in The Little Foxes who marries Oscar Hubbard and then just pines for the good old days of gracious living and people being kind to each other.March however dominates things, in some ways he's admirable because he wants class and respectability. He's taught himself Latin and Greek and is disappointed his kids have no pretensions to culture though Blyth plays on him with pretending. But all that culture and all that money can't get him into the best homes and the second generation doesn't even care to try.Another Part Of The Forest is a real classic with great performances all around by a fabulous cast. The spirit of Lillian Hellman's earlier work is only enhanced by this film.

Lillian Hellman's play "The Little Foxes" was the sensation of Broadway's 1939 season and starring Tallulah Bankhead, it ran for 410 performances. It was later made into a magnificent film that picked up 9 Oscar nominations. In 1946 Lillian Helman directed "Another Part of the Forest" - a prequel, showing how Regina, Benjamin and Oscar inherited their evil and immoral ways from their father. Patricia Neal made her Broadway debut as Regina and won a Tony award for Best Performance. When a film was made in 1948, Ann Blyth, who a couple of years before had created a sensation as Veda, Mildred Pierce's venal daughter, was given the role of Regina. Ann had had musical training and started out in a few forgettable low budget musicals. After "Mildred Pierce" she was heralded as a major find and you would have thought she would have been one of the big stars of the 50s - but you would have been wrong. After superb performances in "Another Part of the Forest" and "Our Very Own" she became trapped in a series of leaden musicals ("Rose Marie", "The Student Prince") and she was never again given a role worthy of her talents.Marcus Hubbard (Frederic March) has always been rotten to the core. Although born into poverty, he was self educated but made his fortune as a war profiteer by exploiting his fellow "Southerners" during the Civil War by selling salt to them at an over inflated price of $8 a small bag. That is why his son Oscar (Dan Duryea) is not welcome at the Veteran's Day Parade and why Lavinia (Florence Eldridge) Marcus's long suffering wife will not use salt on that particular day. There is also a secret scandal that is only hinted at, until being revealed at the end of the film it changes the dynamics of the family. Benjamin (Edmond O'Brien) is the only member of the family who treats his mother with any type of kindness but he is also self serving. After a depressing family luncheon when only the servants remember Lavinia's birthday, Benjamin reminds Regina that papa's unhealthy fondness for her will force her to spend the rest of her life looking after him and suggests she should pay more attention to besotted Horace Giddens if she wants to escape. Horace, who was played in the earlier film by Herbert Marshall, is never seen in this film, only talked about.Oscar is infatuated with local can can dancer Laurette (Dona Drake). Her character is worthy of the Hubbards - she will have nothing to do with Oscar unless he gets money from his father. When he finds her flirting with a patron, he and some friends don "night rider" sheets and badly beat him up. The other family of note in the town are the Bagtrys, who have been made penniless, trying to grow cotton on their plantation. Regina is in love with Ben Bagtry (John Dall) but it is clear he doesn't care for her family's ways. Birdie (Betsy Blair) is a faded Southern belle who is desperate to return the plantation to it's former glory. By the end of the film the stage is set for "The Little Foxes" - Marcus is a broken man, Lavinia is going to return to her childhood home and Benjamin, Regina and Oscar are facing their future with steely ruthlessness. The characterisations of the three siblings are spot on - you can see the traits that are in their characters in "The Little Foxes", here in embryo. Betsy Blair who was a standout in "Marty" showed how talented she was in this movie. Her "Birdie" is heartbreaking and a tribute to Patricia Collinge.Highly, Highly Recommended.

If you think that the Hubbard's of "The Little Foxes" were decadent , then you will see that they have mellowed , compared to this fantastic prequel , also written by the wonderful Lillian Hellman. The cast works extremely well together . This is the only movie that i know of where Fredrich March plays a villain (Jekyll and Hyde doesn't count) and does he do it to the limit . During a night of musical entertainment in is home, he cruelly insults and humiliates one of his guests, his son's (Duryea) girlfriend, by insinuating that her father played Mozart on a little drum. The girl had said that her father played a little drum and at Duryea's insistence drew attention to Mozart in an attempt to please patriarch Hubbard. The humiliation comes complete with facial disdain and tone of voice that only the cruelest of men could provide . The rest of the family with the exception of Hubbard's wife played by the real Mrs.March (Florence Eldridge) is each in their own way a monster . Edmond O'Brien is wonderful as the "chip off the old block" son , and Dan Dureyea is a great contrast as the half fool and half idiot other son. Ann Blyth who plays daughter Regina is captivating as the only one in the world to whom patriarch Hubbard shows any affection . To state any more of this father daughter relationship would reveal to much of the story in the event you are privileged to see this magnificent film . This film is just one of those cases when a chemistry between the cast was achieved , and the result is riveting . This chemistry is in no small way attributable to the great March , who was able to weave a similar magic in "The Best Years Of Our Lives" . Unfortunately my attempts at seeing this movie again , have failed . It seems as though it has disappeared and if it has , it is a shame . This film is a horror story , where the monsters are human beings . They wear no gruesome masks (exept in one Klu Klux Clan scene) or torment anyone Freddy Kruger style . Their horror and ours , is in men and women's souls .

Destined for the stage, but somehow ingeniously made into a movie, this heavy drama about an ostracized family and there internal implosion gets better with each passing minute all the way up to its smashing ending. The superb cast includes an impressive list of names, but even the lesser roles (Dona Drake in particular) contribute significantly, while the story is nearly flawlessly presented, with a few touches that take advantage of the cinematic medium, especially a terrifically edited sequence with Drake doing a Can-Can in a dancehall while out in the woods the KKK is beating a carpetbagger senseless. But what gets the most attention is the constant state of maneuvering between three siblings for the father's favor and his money, and the father's utter disdain, brilliantly portrayed by Frederic March, for his two sons, the hardworking Edmond O'Brien and his lazy younger brother played by Dan Duryea. What stands out is the consistent level of fascination and intensity that the film maintains from start to finish, and the fact that it (this film) seems all but lost today.