Great visuals, story delivers no surprises

It is both painfully honest and laugh-out-loud funny at the same time.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Bollywood movies never seem to get the New York aesthetic right and as resident Newyorker, it's offensive to see each time. When will they learn that you can't walk across a south street seaport street onto a street in Queens? An NYPD officer/coast guard officer will never drive up to you and warn you to get off a bridge after a failed suicide attempt. The water in the East/Hudson River is neither clear nor clean. If you enter either river on January 1st (the height of a brutal NY winter) and do not exit within the five minutes, you're as good as dead. I mean, I could go on but let's get past that.The story is very simple, boy meets girl when boy has reached a breaking point in his life and vice versa. After a failed dual suicide attempt, the both decide to live it up for twenty days after which they'll try again to commit suicide. If you take away the whole issue of suicide, this movie is essentially a more dramatic version of the Kareena Kapoor, Shahid Kapoor film 'Jab we met'. Ranbir Kapoor (Akash) continues to shine as a fantastic actor among his mediocre peers and his strong presence as a leading man forces the normally lukewarm Priyanka Chopra (Kiara) to step out of her comfort zone. Their chemistry is undeniable. Blink and you'll miss Zayed Khan in a flashback cameo role. It was an okay watch, lots of songs and strong performance by Ranbir Kapoor. Kiara's apartment in NYC (also Hilary Swank's character's apartment in 'The Resident') as well as her car nicknamed 'blush' deserve special props as well-used props.

Firstly, I am not so much into commercial movies! and this is my 1st movie review ever. Siddharth Anand has done a great job with the direction and the acting of both the main leads is good as well. I never liked priyanka before, but, she was different and better in this. Ranbir was great as usual. Now, coming to the movie....i read a lot of comments here and one in particular compared it to 'Bucket List'. That was a wonderful movie but there isn't anything similar in both except the wish-list before dying. Moreover, in that movie both the leads knew they were going to die and in this they actually want to die because they run out of reasons to live. That changes from the scene in the hospital where the doctor explains to akash about life which eventually leads to hope and pursuit of happiness. Now that was good rather than in a movie like 'Love Aaj Kal' in which it takes forever for the male lead to decide about love and the female lead cannot decide till she gets married to another person---WOW! What different was that movie from 'Hum Tum'? Well, that's my opinion and everyone is entitled to one. I don't want to drag on this but i would say that this movie has it good elements as well as other. The songs are good and totally situational. The message i got from this movie is one aimed against suicides along with some masala, fun & adventure. Nothing wrong with that or is there? Well, you'll have to decide it for yourself. Finally, i would conclude by giving a definite 'Go! for the movie' and wouldn't attach the words like rubbish to it.

I just read in someone's comment that he registered just to tell everyone how bad the movie is. my case is no different. I am posting on IMDb for the first time. Thanks to this movie!Awful, complete nonsense are not the words. Its the worst movie that I have ever watched. Beginning (5 mins) was OK, funny. Priyanka Chopra was in good spirits. This was followed by a terrible story and direction.Although there is no story what so ever it wasn't too difficult to guess how the movie would end. I am just back from the theater and I cant wait to empty this bottle of whisky. Go watch this movie if you can bear the torture for a good 2 and half hours :)

All lovers start off as strangers first, before an affirmation as friends, then the bridge to be crossed to become lovers, and if the speedbumps along the way prove too much for the couple to handle, then that relationship will get relegated to friendship, before time takes over for memories to fade and they become strangers again. Director Siddharth Anand's Anjaana Anjaani takes on this cyclic tale as far as modern romances go, and while the premise is as sexy as its two leads, unfortunately it's the meandering, average storyline that ultimately trips up the film, no matter the powerhouse performances by Ranbir Kapoor and Priyanka Chopra.It started off promising though, as the narrative takes its time to set up the backgrounds and stories behind how Ranbir's Akash and Priyanka's Kiara met on a bridge while both are contemplating suicide, with the former being a hotshot investor whose bad call at the markets translated to bankruptcy for him and his partners, while the latter in a drunken stupor, had hers kept under wraps and told in flashbacks as the story wore on. For an audience, you get set up to feel that you too have partaken in this getting-to-know-you phase by director Siddharth Anand, and get acquainted with the leads just as their characters begin on a journey, and an incredible one at that since they've moved in together, and set a date on which to execute themselves, but not before spending time crossing out an impromptu bucket list.For instance, the first half dwells specifically on the adventures of these two doing quite the incredible for comedy, with most times leaving you wonder just how they get the cash to do what they do. But this is a fantasy film, so anything goes with nary a worry, which for two persons hell bent on killing themselves, splurging cash shouldn't be an issue at all since they can't bring their savings bank along to their graves. For Akash, his dream is to get laid, well sort of, since he's that romantic dreamer whose career had meant little chance and time to chase skirts. This of course sets off some alarm bells with audiences when there's Ms Kiara standing in front of him to pursue, but it's this slow burning discovery that true love may be in front of him after all, that forms the theme after the interval.Meanwhile, Kiara's bucket list consists of swimming in the middle of the Atlantic. How they get there is one thing, but they do, and this episode sowed the seeds of a budding romance leading well into the second half of the film, where the story falls back on the tried and tested formula of a romantic comedy, with the couple not knowing what to do since they've made a pact to end their lives, yet see within each other a rainbow at the end of their personal stormy issues. You can almost sleepwalk through the entire film after the break, as it breaks out the formula to turn whatever's refreshing, and like a genie decided to put it all back in the bottle.Watching two former Miss Worlds in separate movies from two of the largest film industries in India, can somewhat be distracting as well as surreal. But Priyanka Chopra came out tops in this tussle, in my opinion, since Aishwarya Rai Bachchan's role in Enthiran was somewhat whiny in behaviour to my liking. Chopra on the other hand turned out to be quite the livewire in this film even though her Kiara has the most baggage to bear amongst the two lovers in Anjaana Anjaani. Infusing her role with so much sass, one cannot help but to highlight that this is one of her most memorable performance to date after last year's Fashion and What's Your Rashee, which saw her take on 12 different roles. Ranbir Kapoor feeds off Chopra's bubbling energy really well, and the two share some excellent screen chemistry together in their first pair up, that I'm wishing there will be more films in future to exploit this.If only the story was more gutsy to match both actor's stellar performances, without which Anjaana Anjaani turned out to be nothing more than an above average romantic film that gets churned out by the dozens each year.