This movie is the proof that the world is becoming a sick and dumb place

This Movie Can Only Be Described With One Word.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Robin Shea (Rebecca De Mornay) escapes from a New Mexico prison. She hitches a ride with James Tiernan (Frank Langella) who is running for governor. It turns out he's visiting the prison and he tells her to sneak back in. She runs into carpenter Billy Moran (Vincent Spano) who helps her and has sex with her. She calls up Tiernan who tells her to get marry for a better chance at parole. She offers $5k to Moran to marry her. She gets parole and moves in with him who lives with his son Timmy and his brother Peter. The usual relationship struggles.This is notable for director Roger Vadim revisiting his iconic creation. It starts like an erotic B-movie with a naked De Mornay and women's prison. Then it become awkward with an angry Billy Moran. There is so much cheese that it is irredeemably bad. Even the rock music playing is cheesy. Robin Shea is not a compelling character and I don't like their relationship. There is very little appealing about this movie.

Roger Vadim's 1956 film 'And God Created Woman' created the sensation that was Brigitte Bardot with its then shocking portrayal of a woman who would use her sexuality to get what she wanted or on a whim with equal abandon. Thirty years later, a parallel portrait of feminine caprice had little impact on movie-goers jaded by 70s excesses. The film itself is moreover less visually interesting than the earlier one, replacing the splendor of the Cote d'Azure with the drabness of the American southwest. In place of a woman as tropical orchid, we get a cactus flower. The plot moves forward in arbitrary jumps that make little sense. Somebody needs to remind Vadim that capriciousness and randomness are not synonyms. Add in that the male leads seem to be sleepwalking through the movie and there is little here to like. And the urban cool of Rebecca deMornay does nothing to evoke the energetic spunkiness of Bardot in the original. Avoid.

I couldn't stop laughing, this could easily become a cult classic for it's over the top writing, acting, music, everything. There were some hotter erotic scenes that were probably the only reason anyone ever watched the entire film. So predictable and ridiculous that it's one chuckle after another, so I guess I enjoyed it a little, but most likely not for the same reasons the film was made.Apparently I need to write 10 lines of text to be considered a full review, I thought I summed it up in 2 sentences. This movie has no direction, it wants to be too many things and ends up nowhere. My only comment on De Mornay is that although she had her moments, on stage and being sultry, it seems to me she has about as much talent as most strippers.This film is basically a failed attempt at anything, and a disgrace to the original.

I love this film because both the movie and Rebecca De Mornay are bright, breezy, and fun. It's a Cinderella story turned on it's ear with a blue collar Prince Charming (Billy played by Vincent Spano) barely able to stay afloat in contemporary middle income lifestyle, but stable enough to help lift a lovely jailbird Princess (Robin played by De Mornay) out of both a physical and personal prison, but this being a contemporary story she controls her own destiny and plots her own path. An evil politician (played by Frank Langella) adds to the fun as does some laughs that springs from realistic situations. At the heart is an old-fashioned romance. We know from the start that Billy and Robin are meant for each other. The language and tasteful love scenes that give the film an R-rating are overshadowed by the entire atmosphere of the film which more accurately should have been awarded a PG-13 rating (this is not Hand That Rocks the Cradle or Risky Business). Despite themes of feminism and romance, there is enough fun to keep the guys interested too, most notably the sexy but ever wholesome De Mornay.