Most undeservingly overhyped movie of all time??

everything you have heard about this movie is true.

It's entirely possible that sending the audience out feeling lousy was intentional

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

An Occasional Hell was a watchable film that never really went anywhere.I thought Tom Berenger was going to be the killer, teaching a class on the subject, victim's wife asking Berenger to solve it having seen his name on a document in the victim's possessions, her thinking he is the killer. It was a given that they were going to get sexual, but as for the killer just being the guys on the land shooting them, that was completely bland but also surprising to me that this is all the writers had come up with. They were really digging a hole for the body out the front of the house, really. My prediction would of made for a hell of a lot better film. The acting was fine, just nothing much to work with. Kari Wuhrer doesn't really get to play a character here, she is briefly in the start then only in Berenger's imagination. The fact that it is his imagination, you would think her appearances wouldn't be so dull. Why the hell is he imagining her up a tree? It is also odd since he had never met her in the first place.

... and that's about the main thing going for it, and even he has a flat butt. Seriously, the whole thing about the murder weapon being a Civil War era musket has been done to death on the mediocre detective shows filling space on the TV schedules today; and it's pretty obvious who the killer is within the first 20 minutes. The performances aren't bad; in fact they're too good for the B-grade material. Hope everyone was well paid. You should really only see the movie if you have to watch EVERYTHING with Tom Berenger, or Steven Lang, or Kari Wurher, or Valerie Golina, etc. Ellen Green from "Little Shop of Horrors" makes a very brief appearance, and it was nice to see her again - she doesn't really get the film / TV work she deserves; kind of like Celeste Holme's career, which should have been bigger than it was. I saw this on cable; maybe the DVD has some extra features that make it more worth the while.

This will be a "Why" review which will then provide some "Answers". Why: does the college teacher teach a class from an elevated proscenium stage? Answer: The location manager of the film forgot to book a classroom on the day the scene was to be shot. College graciously allowed them to use their theater for a couple of hours. Why: are some of the students in their thirties? A: The "main" student in the scene, an older man, was chosen because he's related to one of the producers. The director, seeing him at lunch with his producer friend, realizes that he will stick out like a sore thumb and therefore tells her casting person to cast most of the class with, errrrh, older actors. Why: does the Berenger character, a former cop for god's sake, act like a virginal nincompoop when he speaks to almost anyone else in the film? A: B., without a strong director, he directed himself and decided to play dumb-naive Southern. Why: does the missing waitress appear from time-to-time as a fantasy-image? A: to show audiences that the prof is a "famous writer" who desperately needs a muse......to write true crime crap yet! Why: does the scene with the muse, riding on the external front of prof's car, have the background moving backwards? A: because the director, cinematographer and script supervisor forgot or didn't know that when you have a camera axis change from scene to scene what appears forward-going will project backwards. Why: does the color of the prof's car change on a car surveillance sequence? A: See previous answer and add property master, teamster and key grip to the answer. One of these people should have caught the error Why: and how could the town's newspaper know, the day after the murder, that "the waitress" was in the car with the victim? No one saw them together. A: a thing like this will happen to a hack writer grinding out a script under time pressure. Why: does the prof. keep injecting a yellowish fluid into his arm? A: Maybe his body doesn't provide enough urine for his every six hour evacuations and so he has to add it to his system. Why: didn't the savvy ex-cop, investigating a missing person who was present at a murder, make the connection that a huge hole being dug by two retards (set in the South so of course common folk are all perverted, repressed morons) near the site of the crime scene take days if not weeks to think that it might be a place to bury another murder victim. (This burial site is next to the murderer's house which is located near huge swamps which would be perfect to get rid of a body; oh the inbreeding that takes place Down South and the damage to the intellect!.) Much, much more but only time for one more Why. Why was this movie made? A: They thought with Berenger in it they could market it into profitability. As if that would be enough given the illogical script they were planning on filming. Too, he probably got more money than they wanted to spend and started cutting costs in many ways that unfortunately turned up on the screen.

This is the quintessential B-movie. Despite the presence of some recognizable "talents" in the cast, it is as obvious and amateur as films with budgets over $1 million get. It seems as though Tom Berenger, who also produced the film, decided he wanted to be in a movie where he would get to "work" with the always semi-nude Kari Wuhrer. Fortunately there is ample screen time for Wuhrer, who haunts Berenger ala Hamlet's ghost as a Daisy Duke-ish trollop. Berenger's buddy Stephen Lang (they worked together on Gettysburg) probably didn't need much convincing for a role featuring several sex scenes with the curvaceous Kari. Tom was probably chatting about making the movie with pal and regular co-star Charlie Sheen (Platoon and Major League), who suggested that Valeria Golino (whom Sheen got to know filming Hot Shots) would have the perfect nipple's for Berenger's sex scene. The film features shots of the actors at needlessly odd angles, and has several lines that are unintentionally laugh out loud funny. Poor Ellen Greene wastes a few minutes picking up her check, and Berenger's tearful admission is a hoot. 20 minutes into the film (SPOILER ALERT), you see Geoffrey Lewis (who has perfected the dim wit role) digging a grave-sized hole, but it's not until an hour later that voila, Berenger realizes that might be a good place to look for a dead body. If you have a six-pack and are in an MST3K kind of mood, rent this and ad-lib your night away.