Shot on Yokohama’s famous Cosmo Clock 21 Ferris Wheel using a telephoto lens, Japanese experimentalist Tomonari Nishikawa's film becomes a disorientingly trippy and constantly regenerating play of structural supports as filmic apparatus.
Let's be realistic.
Excellent, a Must See
A brilliant film that helped define a genre
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...