It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The best films of this genre always show a path and provide a takeaway for being a better person.

The acting in this movie is really good.

Bill Hicks did not live an extraordinary life. Born into a middle-class suburban home with doting parents and overachieving siblings, the teen found his calling in furnishing extraordinary insights into the ordinary life that he, and most other Americans in the 70s and 80s, led. Getting his start as a teen comic in a local Texan comedy club, he was the young upstart coming at issues from a fresh angle, the ease and confidence with which he delivers his jokes distinguishing him as a special talent.Dropping out of school and chasing the dream in LA, Hicks struggles with failure and fitting in with what the world expects of his humour. Falling into patterns of drug abuse and alcoholism, his comedy mirrored an outlook on life that was not mainstream. He was cynical, he was rash and he was jarring, and for all those reasons, he was an acquired taste. His anti-American routines particularly did not bode well for his career; in an industry where shock is now the norm, Hicks was ahead of his time, but that was to prove little consolation.Eventually, ousting himself from the cycle of rejection and abuse, Hicks winds up in New York where he gets himself clean and his magical touch returns. Though he never sacrifices his right to say and joke about whatever he wishes (and highlights from various gigs are used as proof of this), in doing so he pushes back against the mainstream tide that flirts with but never embraces him. Diagnosed with cancer in his early 30s, Hicks never receives the true acceptance of the American audience that he perhaps craved, but he died in the knowledge that he stuck to certain values that never let him compromise what he believed in to merely give audiences what they wanted to hear. Many would argue that, in itself, that is a very American value.Harlock and Thomas' film joins the growing collection of posthumous albums and features that have attempted to reclaim Hicks' image, to wonderful effect. Whether it is guilt for ignoring him whilst alive, America has finally embraced the humour of a man whose only really fame was an ocean away in the United Kingdom. As only a proud American could care enough to write the jokes about the fatherland that Hicks managed, his emotional emigration to the British Isles is as tragic personally as it was a highlight professionally.If the documentary has a flaw, it is that Hicks wasn't around to truly finish it. This is a half-finished documentary because it was a half-finished life.Concluding Thought: As a resident of the UK, the portrayal of Hick's success in the British Isles being down to his anti-Americanism is somewhat simplistic. The UK has a wonderful tradition of supporting comedians regardless of background or content, purely because they make them laugh.

This documentary is very in depth but it's focus on still photography/animation left me wanting more. The story of Bill's life is definitely covered very thoroughly but I almost felt like this could have been an audio book. I enjoyed it but would have liked to (visually) see more interviews, Bill's comic sets and video of real life people that would get you to know Bill.I just felt it could have been done better but you do get to know "the guy". IMDb requires ten lines of text for a review so I will have to fluff this review with garbage in order to have this review be approved. Are we there yet?

I am an enormous Bill Hicks fan. Obsessively so. I think I have all the bootlegged concerts on my computer, and a DVD of rariety camcorder shows as well as enough official CDs and DVDs that I have basically all his material available in one form or another. I also have about three books - two biographies and a book of transcripts and scripts and other writings. So that's the background I took into this documentary.First of all, it's a beautiful film to look at. There's the usual audio history going on in the background, but what the directors have done is taken still photographs and created pseudo-animated sequences to support the narrative. It's odd at first, but very quickly you stop even noticing that the still faces aren't moving in their animated environment. Very clever.Secondly, where has all this new footage come from? There are several camcorder recordings which must go back as far as the early 1980s that I have never seen before. There's some bits (about his father) which I'd never heard before which were used to accompany the section on his early shows. I don't think they are quite as old as that (he looks a bit older than 16) but it's not far off. Some of these early clips also show later material in an earlier form - like the fantasy about the grotesque death of woman that broke his heart seeing him on the Tonight Show as she breathed her last.The best thing about the film, however, is they way everything is brought back to the comedy. With enough reading, you'd already know about the drug stories and the depths of his alcohol abuse and his tragic early death from pancreatic cancer. While all of these are important parts of the story, no-one dwells on the more sensational details, but instead uses them in partnership with recordings to show how they motivated what he was doing on stage. There's clips to show him drinking excessively on stage, clips about his growing dislike of governments (including from Hicks and Kevin Booth's trip to Waco in 1993), clips contrasting his rapturous reception in the UK (the huge rock and roll entrance of the Revelations show at the Dominion theatre) adjacent to the small audiences ("staring blankly back at me like a dog that had been shown a card trick") of a backwater comedy club in the US South. I like this because it feels like the best use of the documentary medium, and gives fresh insight into a topic I (and many other fans) already know well. I mean, I can read and re-read an autobiography of his life but only in a film can I really see the effect on his work. Very much recommended, for disciples and neophytes alike.

I approached this film half expecting a cash-in, as Bill Hicks' legacy seems to have become lucrative for his relatives & each new release is often more brazen than the last (e.g. 2003's Shock & Awe).Happily, this is not the case & the film seems to be both a genuine & sincere homage to the man himself, but also a real attempt to bring something fresh & unseen to fan-boys (such as myself).The plot is fairly simple - it starts off with his early years & ends with his death from cancer. In the process, they place each of the DVD's in context & show lots of interview clips of fellow comedians, friends & family.So far, so predictable.The great thing about this film though is that they have included many, many pieces of unseen footage & have strived to put him in the context of fellow comedians (all of whom are excellent - e.g. Jimmy Pineapple)The most original contribution that the film maker's have made is to take all the 100's of photos of Bill & turned them into action-stills. A lot of the material by the man is the same, but he always had a gift of being photogenic & hence this factor symbolises the director's efforts to bring something new to the table.By no means is this film perfect & I have heard some people say 'It's not that good', but not from anyone who's actually seen it.One thing I can pick out is that there is nothing about his relationships or Girlfriends that were so formative to much of his comedy (e.g. his Fiancé Colleen McGarr).There is also the fact that the film ends with the 'It's Just a Ride' scene, which is fast becoming cliché (e.g. Zeitgeist).(Oh, and there is a bit at the end of the film which grates a little, where the screen says something to the effect of 'The Hicks family continue to live in ... & are all remarkably intelligent'. Although they may be, this seems a little bit of an affectation towards them...)Besides this, there was too much to like about this film. It was really interesting to find out how Mr Hicks used to take mushrooms on a ranch with friends & about his final cancer-ridden days.I hope that, when the DVD is finally released, it will include full extras of his 'Rant in E-minor'/ 'Arizona Bay' routines but, for now, I really hope that people will flock to buy this DVD. If the evidence of George W Bush is anything to go by, America (& the World) could really do with knowing more about Bill Hicks.Here's hoping they move onto George Carlin next...