Lack of good storyline.

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

That's what all the characters, with the exception of Andrea, are - dead, emotionally; as one of them says 'I'm like a dry river bed'. A group of young men with a penchant for drugs, girls and parties decide to try and break into the heavily controlled pornography industry in Nice with a cynical ingénue called Laure as their main product. The film charts the disintegration of all the characters as drugs, guns, sexual excess and the pornographic industry take their toll on each life. Even Andrea, the film's conscience, is eventually consumed by this world and its trappings.Laure is a commodity amongst all the men except Andrea, the guy who unwittingly introduces her to the other when they are dabbling in soft porn photography. Laure, described as 'purity in a brutal world', is used as the film's narrator to reflect on life. Her reflections are frequently accompanied by repeated visuals of her removing make-up after the making of one particular pornographic film that we are left knowing is destroying Laure.This film is a critique of pornography's production and the feckless upper (middle) class of Nice who have money and influence enough to seduce and take advantage of those vulnerable with ambition and aspiration, such as Laure. It is most certainly not a film noir and it is really bizarre that it has been described as such by others. The director critiques the belief that 'straight or porn {films}, the camera's the same' and Laure's naive belief that posing topless is no different from making a pornographic film. It is and the camera of a porn film does not treat its actors well. The women of the porn industry want to make it as mainstream actresses or like Laure be a big name, someone significant. Their expectations of achieving this through porn are disappointed.Early on Laure asks: 'isn't fate the assertion that the game is up?' The ending has an inevitability that seems fated as life calls time on the game the characters play. The concluding events whilst unsurprising are still brutal and shocking.

Although not perfect, this movie is indeed a noir. The ambiance is here, as well as good acting and direction (most of them now have achieved notoriety). Of course Déja Mort is kind of immature in essence, but what do you expect teenagers, rich & wannabees, having parties, sex drugs and alcohol to act like ? Noir is about flawed characters making mistakes. It's a noir by a young writer/director aimed at a young audience, and as that, it is quite good.And PLEASE don't compare it to Requiem for a Dream, dummy. I know Dahan is not Aronofsky, but unless you think the 1933 King Kong is a remake of Peter Jackson's, check out the release dates.

Too bad, that not many people have seen this movie. It just happened that I lived in Paris when the movie came out - and it was the right movie at the right time - exactly reflecting certain feelings I had. It's hard to explain a certain mood to others, for me this movie was just perfect ... if you get the chance to watch - take it ... maybe you will like it as much as I did.

This is a gem of a "noir" movie showing various character in a self-destructive descent into hell. This is not really a portrayal of the porn business, but much more. A young guy is fascinated by two poseurs taking snapshots and agrees to introduce to them a girl, Zoé, he watches from afar. The two rich brats accept him as Zoé's "chaperon", but they soon turn her to the porn business. This could be sub-Tarantino territory, but Dahan actually fleshes out his characters, introduces real humanity and, if we know this will all end in tragedy, the "how" remains fascinating. This is great, sincere stuff.