Most undeservingly overhyped movie of all time??

Best movie ever!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

In an age of despair and poverty why is it the film makers continue to churn out desperately sad and lugubrious movies like these I don't know!Yes the film explores what its like to be unemployed with a wife and kids losing your house and the need for some to resort to crime , I have been there myself but its not really the sort of movie I want to be watching.Maybe its just me but i want to come out of the cinema like I used to in what i call the good old days when you came out feeling enervated , uplifted and positive about life.If you are into this sort of depressing , dull and real life scenario then I guess you will enjoy it but for me its too close to home and doesn't leave the viewer with a positive outlook on life, so if you are depressed and sad or your life isn't going well I wouldn't watch this as you may be reaching for the razor!

The film's poster convinces us that what we're about to see is another ordinary action film, with touches of an empathic and gripping drama destined to make us support the main character's actions. Don't be fooled by that image. "After the Fall" is a good drama with small portions of action, and the latter isn't all that compelling or exciting. Wes Bentley stars as a desperate man who takes extreme measures after losing job and being unable to take care of his family, surrounded by debts after debts. His only option: committing crimes, mugging the residents of his small town. On his trail there's a decadent detective (Jason Isaacs) who is trying to catch this new suspect who appeared in town all of sudden, but they barely knew they would cross paths early on and become buddies who are stuck in saddening times, with their personal crisis and just trying to find a way to live their lives.More artistic than entertaining, "After the Fall" treats its themes by appropriating itself of some of Terrence Malick's techniques - though more conventional to mainstream audiences - with the use of the main character's narration remembering the lovely times he had with his family in their big house and their pool, describing the love and care he had for his wife and kids; and also appropriates of some "Breaking Bad" elements, without ever getting on the same level of greatness. Mr. Saar Klein's debut as director comes across as simple-minded, clichéd yet manageable and interesting due to the performances of Bentley and Isaacs (who steals the show, this time without playing the villain). Bentley was a decent anti-hero, you get easily involved with his obstacles, and enjoy each time he tries to help people in worst conditions than him (like the female cashier - but hey at least she has a job, awful but still), almost getting close to being a hero (helping the old man who spotted him before a robbery at a drugstore).And if the movie loses points is because of its lack of alternatives and unusual conceptions. Why the lead character never, at no point, tries to get another job? He's stuck in that weird business, still trying to impress his former boss when he's no longer part of the company in ages. That part was really strange. And since when stealing pocket money from other people can be enough to make one rescue his taken car? He survives from stealing to stealing, and it's all very unconvincing. I won't even mention the solution given at the conclusion which the writer simply fast forward with a plausible explanation. Here's another modern treaty about the swifty American dream; there's always crisis and always unexpected solutions but family always comes first. Even though you're about to lose them. 6/10

Enjoyable throughout, each character is portrayed with quality and skill, even those with small rolls enhanced the film with realism.Cinematography, direction production, all very skillful, although I can't claim to understand everything, particularly the Coyote and the meandering shots of wilderness on the horizon. Thought provoking and challenging, the film continues to ask questions long after the final credits roll.*slight spoiler* The main characters journey through conformity through liberation, and then ultimate responsibility is a refreshing change from the all too often one dimensional 'stars' today.

It's a very difficult movie to sell. Our main character is not really that likable, with some traits that a Hollywood Blockbuster would attribute to its bad guy. But this is not a Hollywood movie, so if you're looking for senseless entertainment, you'd be better off looking somewhere else for that.No this is a character study, which is well played by Wes Bentley. Even though he seems to be pigeonholed into this sort of a role, you still cannot deny his charisma and his power to portray men in despair. His looks/face alone is worth a lot. But him alone is not enough, you need someone like Jason Isaacs to balance all that stuff. Another man with issues of his own, these two men seem to find each other, even without looking. The "friendship" that ensues is not one that seems to have long lasting power though ... but you'll have to watch the movie, to see how that drama and web of lies unfolds ...