Advice From a Caterpillar
Advice From a Caterpillar
| 15 February 1999 (USA)
Advice From a Caterpillar Trailers

When it comes to romance, Missy's attitude has always been whatever. After all, her artistic career is flourishing...her spacious New York City loft is fabulous...and her relationship with a married man is totally uncomplicated-what more could a modern girl want? But then Missy meets Brat, who's sweet, genuine and shares her fondness for 70's sitcoms. Unfortunately, he's also dating her pal Spaz. When Missy and Brat unexpectedly fall for each other, will she lose her identity...and her best friend? No matter how far you run, true love always finds you.

Reviews
Steineded

How sad is this?

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Nicole

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Raymond Sierra

The film may be flawed, but its message is not.

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rlcsljo

Successful New York artist encounters a bunch of weird guys (do artists know anybody else) and wants to maintain her independence by having sex without falling in love. Sound familiar? You bet, it is just about every episode of "Sex and the City", without the female support group, the guys pick up the ball.Although rather mundane, the character interactions manage to bring a smile to my face, like an episode of "Friends".Definitely worth a rental, if you want a "Chick Flick" without a whole hell of a lot of chicks to muck it up.

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beptep

As soon as Cynthia Nixon's character spies the naked Brat (Timothy Oliphant) sleeping in her gay friend's bed and her eyes betray her interest, we know that they will be together by the end of the film. That's the way movie cliches work. Missy (Nixon) a pop-fad artist, who has an amazing success showing home movies of her childhood with narration, is having an affair with a married man whose character is given in the credits as "Suit" (Jon Tenny). If there is humour in this film, I missed it. Obviously the final confrontation scene in the diner with a commenting chorus of patrons is meant to be a hoot. But it's too far-fetched and contrived even for this film. And one can't really have a "Romance" if one doesn't care about the characters involved in said romance. But I think there is a greater problem with this film. Let me explain. If films continued to depict Afro-Americans as toadying Uncle Toms, I am certain that here would be vehement cries of anger and protest. Yet this film dares to portray a gay man as the swishy, queenly creature that bigoted Americans think all gays are. Worse than that, it tells us that any bi-sexual man can be "cured" by the love of a good woman. Yet even accepting this preposterous and insulting thesis, it is inconceivable that Timothy Oliphant's character would have Andy Dick's homely, effeminate character as a regular sex-partner and/or fall in love with the irritating creature played by Cynthia Nixon. This film not only angered me. It was an insult to my intelligence.

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auntyeri

Yes, As Bees in Honey Drown is great. You should go see it. But "Advice..." is a good movie. The three main characters played by Cynthia Nixon, Andy Dick and Timothy Olyphant- are great actors and make this film extremely worthy of your time. Though touches of nixon's "miranda" neurosis seep through her character, the whole cast does a great job of showing how love can always win.

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rsoonsa

This film concerns purportedly non-establishment types (aesthetically and sexually) who apparently cannot resist basic romantic needs. Although some excellent players take part, including Jon Tenney, Timothy Olyphant, and Cynthia Nixon, they are grounded by a puerile script which relies nearly totally upon clever dialogue; which isn't. Nixon's role possesses the best lines, but she often homes in on them too quickly, a timing flaw which must be saddled upon the director. The grotesque climax utilizes every available cliche, spent or not, and fittingly ends this drab attempt at comedy.

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