Expected more

A Major Disappointment

The acting in this movie is really good.

By the time the dramatic fireworks start popping off, each one feels earned.

Address Unknown is about the occupants of a small town situated next to an American military base in the Korean countryside. Writer/Director Kim goes beyond a mere indictment of American presence. He displays brother against brother (North vs. South) and calls into question the responses to it.This one is probably for Kim Ki-Duk completists only. It is a remarkable film in its relentless presentation of pain. Every single scene in this 2 hour film involves pain, emotional or physical.An American soldier pays for the surgery so a young Korean girl can regain the sight in her impotent, freaky-looking right eye and then wants her to be his sweetheart in return, wink-wink. When she shows a little interest in the Korean boy who liked her just the way she was before the surgery, the American becomes incredulous and tries to hurt her, but before he can she pokes her own eye out to erase her debt to the soldier. Meanwhile, the Korean boy who liked her just the way she was schemes to kill the two Korean boys who have been stealing his money and beating him up. When the girl looks freaky again and goes to express her love to the Korean boy, she finds him in jail for shooting the American soldier in the genitals with a bow and arrow.That's only one of the subplots. I've seen a lot of films about pain and despair but none that have been so oppressively constant in their execution. This is a great film by one of the great contemorary directors. But you need to be ready for it or you may be repulsed. It's not slasher film gross at all. The really dirty stuff, like hanging dogs from a tree and beating them to death with a baseball bat, is done off camera. Thank God.

This is gritty and bleak realism at its best. We are in a countryside village on the border to North-Korea were poverty and war (both the Korean war and the continuation of the cold war) takes its toll on the villagers. Prospects are none, but some think of America as one and therefore learns English. This also provides some of the small pieces of comedy in the movie, for example when some youngsters try to translate from a hustler magazine or when two bullies are tough with speaking English with strong Korean accent; Koreans have trouble pronouncing f for instance.. Some other comedy is the US army battalion running and crawling everywhere and the war veteran crazy for medals always bragging about killing 3 commies.Anyway this very grim and bleak realism is obviously made as a political commentary. I don't blame any of them, they are victims of their circumstances. I sympathize with every one of them. Kim Ki-Duk don't blame anyone either, the Americans are portrayed as human, not as heroes nor devils, but the theme of globalization and colonization still lies implied in the movie. Actually its full of commentary. I wont get into it here.I know there's a big difference between countryside Korea and big city Korea, but even though I cant say if its real or not, I believe this to be quite realistic. The utter consequences the movie depicts of course is fiction and made to emphasize the horror and drama, this is a movie after all.This was not very well received in Korea and understandably so, it takes up problems that are very actual today and brings up a painful past. To get rid of these problems it is very important however, that someone like Kim Ki-Duk makes these kind of movies and for people to see them. So go see it!! But its not a pleasant watch.

Not unlike the Oscar Wilde play from which my "One Line Summary" for this comment is co-opted the director of `Address Unknown' requires his audience to think. In all of the Kim Ki-duk films I have seen (The Isle, Address Unknown, Bad Guy) what lies on the surface differs greatly from what lies beneath it. He is working in a language of metaphor and allegory with characters that range from caricature to archetype to fodder. By fodder I mean they are impenetrable and near impossible to empathize/sympathize with for the sole reason that emotional attachment is not the director's intention. He is creating a fictional world made to comment on the world we live in.By exploring the eclectic residents of an isolated South Korean village in close proximity to an American military base Ki-duk is dealing with a number of issues such as globalization (the base, the bullies who moved to America), language (the theme of English, the comic interlude of the Playboy translation), gender (obvious), race (obvious), history (that family whose father turned out to be a traitor, the constant references to the past from the veterans), tradition (the archery), relationships (Korean girl and U.S. solider), war (obvious) and violence (obvious). The bleak, violent, at times repulsive world the film takes place in is so over-the-top that the audience can't help but think that it is just a means to an end.In films like `The Isle' and `The Bad Guy' the black humour and sarcasm are more evident. `Address Unknown' is a tad more subtle but there are more than enough hints to indicate the film should not be taken at face value. An excellent example is the constant, almost laughable violence.Kim Ki-duk is one of a handful of directors striving to create intelligent cinema that is accessible as well. The East is bursting at the seams with talent and I really hope it starts to get the recognition it deserves.

Wow. I never felt so scarred after leaving the cinema and seeing a good film. Doom is making it's appearance and it will not go away even after the very end. The whole setting of the film is marvelous. Desolate, hopeless and there's no way out of the barren landscape. All persons are victim of this place, knowing they cannot escape, with all consequences. The fact that those who should have gotten it don't, makes it a very bitter ride. I watched every second, hopeless but fixed to the screen. Only minor is the somewhat overacting of some of the featured American soldiers, but okay still a perfect 9 out of 10. Highly recommended, another fine piece of Korean cinema.