Adaptation.
Adaptation.
R | 06 December 2002 (USA)
Adaptation. Trailers

Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.

Reviews
ChanBot

i must have seen a different film!!

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Kailansorac

Clever, believable, and super fun to watch. It totally has replay value.

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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jonsefcik

The first time I watched this movie, I thought "this is either pretentious garbage or pure genius". After letting it sink in for a few days, I thought about it and certain pieces started fitting together. I decided to give it a second watch, and afterwards I was like "oh of course, its genius".I think a lot of people who criticize this film don't understand what the film is going for. I'll try not to spoil anything, but I left a disclaimer since I'll be roughly outlining the plot. A common criticism I see is that the film tries to reject the Hollywood screen writing clichés but chickens out at the end for a dumb action-packed climax. Here's the thing: The film uses the 3-act structure in an ironic way. The film is about the writing of the film. Early on in the film, Charlie Kaufman (the character, not the real person) is trying to stay faithful to the source material he's given to adapt. The source material is The Orchid Thief, a nonlinear book that doesn't really follow a typical 3-act structure. When he experiences writer's block, he asks his twin brother, who went to a screen writing seminar, for help. He even goes to the screen writing seminar himself. Every piece of advice he gets makes the script more formulated, and thus so does the film. It should be fairly obvious once we see Susan Orlean (the character, not the real person) snorting plant drugs and fornicating with John Laroche (the character) that fiction has taken over. That's also why Charlie and Donald follow her to Florida, and crazy stuff involving guns and an alligator ensues. The film's ending works on multiple levels. It can be enjoyed by the average moviegoer as a dumb fun climax but more discerning viewers will be in on the joke.One thing I want to bring up before I wrap up is Nicolas Cage's performance as the fictional Charlie Kaufman. At first I thought "oh come on, there's no way anyone is that insecure and submissive" but then I saw videos of interviews with the real Charlie Kaufman and was like "oh wow, Nick Cage nailed it". Its not an exact recreation, but it definitely works as a fictional portrayal.There's more details I'll leave for you to discover on your own. All you have to know is this is a very clever film and serves as a great satire of Hollywood tropes. Personally, I think this movie is perfect, and there's nothing I would change that I could imagine making the film objectively better. Charlie Kaufman is one of the most fascinating screenwriters working in Hollywood today and I'd say all of his films are worth a watch!

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julestaschner

...but I don't. I have seen every Kaufman written movie Adaptation. and on, excluding Confessions of a Dangerous Mind. And I have loved every single one and they are all 10/10 perfect movies in my mind. Synecdoche, New York being my favorite film of all time.But something didn't work here. And after re-watching it one more time I think I got it. You see, all the parts with Charlie Kaufman as a struggling writer and writing the story as it goes are some of the best Kaufman stuff ever made. And the third act perfectly ties things together by letting everything that Kaufman didn't want to happen, happen. And its awful/great. But every single time it cut back to Meryl Streep in The Orchid Thief I found myself utterly bored. None of these parts seemed that integral to Kaufman's plot, so I wonder why he bothered by having them in this movie this much. I have never been this disappointed in a writer. The movie is great, but it focuses on the wrong things.

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nzswanny

Adaptation's plot revolves around a script-writer, Charlie Kaufman, and his brother, Donald Kaufman, and how Charlie Kaufman attempts to bring a non-fiction book about flowers called THE ORCHID THIEF into a film script to be adapted into a movie, which serves the purpose of the title of the film. Stress comes with Charlie's process of creating the script and meanwhile Donald Kaufman achieves success with his script, The 3, stirring up disgusted envy for the character Charlie Kaufman and adding to his continuous stress. Charlie Kaufman and Donald Kaufman are both played by Nicholas Cage and each have funny, unique and likable personalities with Donald Kaufman being the naive "stupid brother" comic relief and Charlie Kaufman being the intelligent, experienced serious man. They both contain great chemistry on the screen considering the fact that it's played by one person only and revolve importantly in the storyline of the film while also being entertaining in their roles, and it's a pure joy to watch the two characters interact and react to the situations in the movie. Adaptation is an excellent film however mainly because it serves the purpose of feeling like a dream by feeling strangely surreal and perfectly normal at the same time, but it also raises a lot of thought-provoking questions about the topic it is on: movie scripts. Adaptation incredibly breaks the normal structure of a movie by rearranging, replacing and even removing, and sets out to do feats that no other movie would dare to do and you may find yourself wondering if the normal film structure is as good as everyone says. The film remains in a strange taste, uses voice-over narration to explain the characters and uses no ordinary structure, yet we are fascinated and entranced by the magically dream-like atmosphere of the captivating film but also being self- aware of it's actions by expressing it in an intentionally destroyed manner. When you watch this movie, I think you'll get feelings that you never thought were there.

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sme_no_densetsu

Building on the success of 1999's "Being John Malkovich", Charlie Kaufman & Spike Jonze re-teamed for 2002's "Adaptation", which turned out to be another distinctive offering. The semi-autobiographical story focuses on screenwriter Charlie Kaufman (Nicolas Cage), who is struggling to complete an adaptation of a book about orchid poaching.Not exactly the most intriguing premise, I know, but the real Kaufman's Oscar-nominated screenplay is far from your average Hollywood concoction. The character's problems with adapting an essentially plot-less book merely supply the foundation for explorations on the creative process & human passion. Even though the movie skewers Hollywood artifice it cleverly makes use of formulaic tropes in a new and interesting way. Taking such mundane material and making it both thought-provoking & entertaining was no small feat.The cast seems to have been well-suited to the material. Nicolas Cage did double duty as Charlie Kaufman and his identical brother Donald. Cage performances can definitely be erratic but this one (which was Oscar-nominated) has to be considered one of his best. Do I even need to comment on twenty time Oscar nominee Meryl Streep's performance? It's good, of course (not to mention the source of one of her Oscar nominations). However, it was Chris Cooper who stole the show with his note-perfect portrayal of rustic orchid thief John Laroche. His Oscar was well deserved.The direction by Spike Jonze may not have been Oscar-nominated but it certainly could have been, if for no other reason than the performances that he coaxed from his three main actors. Of course, as seen with "Being John Malkovich" and subsequent films, Jonze also knows a thing or two about crafting striking visuals. This film is no exception. From a music standpoint, there isn't much that sticks in my memory apart from an effective use of the Turtles' classic "Happy Together".All in all, "Adaptation" offers a refreshing combination of art and entertainment. The talent both behind and in front of the camera all put their best foot forward in bringing this unique story to the screen. Fans of Kaufman & Jonze are certain to enjoy this even though others may be put off by some of the film's idiosyncrasies.

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