Most undeservingly overhyped movie of all time??

Just so...so bad

A very feeble attempt at affirmatie action

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Considering that the film is called ADAM, you can probably assume this animated short is supposed to be a strange retelling of the Creation story. However, instead of God, you have the hand of the animator dropping a simple claymation man onto a small newly formed planet. From there, the poor clay creature is mercilessly messed with by the nasty hand. In the end, in a sick twist, the hand realizes that Adam is lonely and creates a mate--you just have to see it to appreciate it.This short has both a lovely sense of humor and is very creative. In light of this, it seems appropriate that it was nominated for an Oscar for Best Animated Short of 1993.

This 5-minute film short is one of 4 different shorts on one VHS tape by Aardman Animations, the group that has given us the Wallace and Gromit animations."Adam" is a whimsical look at the creation of man. We see a rather small (compared to the size of the real Earth) blue-green crater-pocked ball of clay. Onto it the hand (and arm) of God (but not really God) places this lifeless figure on the top, it falls, He picks it up, eventually it gets the hang of standing up, and then it explores this new world. Then we wonder, will we see him get his mate?? At only 5 minutes running time it doesn't require much effort to stick with it. Nothing Earth-shaking but a fun 5 minutes.

Yet another fine example of Aardman's pure unbounded brilliance, this amusing and engaging short focuses on the misadventures of a lonesome plasticine figure when his Creator (represented by a real human hand) places him on a tiny nondescript planet and brings him to life. The musical score used in the opening title is bold, beautiful and breathtaking but, in a sparkling piece of irony, when we actually get to meet this 'Adam' for ourselves, he turns out to be a weak, innocent and hopelessly naive being who, having been given life, has trouble working out exactly what it is he's supposed to be doing with it. He goes through all the various stages of coming to terms with his own existence and identity and exploring the world around him, and when it becomes apparent that Adam will never get by down there on his own, his Creator finally chooses to take more clay and mould him a companion, much to Adam's delight. Trouble is, the finished product isn't quite what our hero had in mind, making way for a hilarious and at the same time rather poignant conclusion.The animation, in spite of looking just a tad unpolished, is excellent, the sight gags are perfectly executed (I like Adam's futile attempt to head off and see the rest of the world myself), and Adam himself is as charming a stop motion character as they come. His total obliviousness to his own limitations, which somehow manage to land him in all kinds of perilous situations on this seemingly innocuous planet, is what makes him so thoroughly appealing. It all comes together to produce one of the most fascinating and ambiguous films that the Bristol-based studio has ever crafted. Did Peter Lord intend it as a social commentary on male and female relations, a statement about humankind in general, an analogy of the animator's role as 'God' to the claymation figures he sculpts and brings to 'life', or simply a playful variation on the familiar creation story? Well, that's for your own interpretation to decide, but I personally view it as being a mixture of them all. Whatever the real meaning, it's lovable, enjoyable and Aardman's most inspired shot at a non-dialogue film.Grade: A

This short was nominated for an Academy Award and is well worth watching, though it was probably about a minute too long or thereabouts. It's often amusing, but drags in spots. Interesting idea with excellent animation, but uneven and tedious at times. Recommended.