The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I, more or less, agree with practically all the reviewers. I, too, have seen better spy thrillers and anti-Nazi movies, however, this movie, was, nevertheless, a good movie! Joan Crawford and Fred MacMurray were very good in the lead roles, although I thought the chemistry between them was not that good, whereas the chemistry between Barbara Stanwyck and Fred MacMurray in their movies together, especially "Double Indemnity", was fantastic! Bruce Lester, Reginald Owen, Richard Ainley, and, especially, Basil Rathbone all contributed very good supporting performances! Now we come to the actor for whom, like Mark.Waltz, this movie has a special place in my heart: Conrad Veidt! Conrad Veidt was not only an excellent actor, but he had a way about him that made him stand out in any movie, and this movie was no exception! Near the end of the movie, he danced a tango-smiling, and looking so happy, and that made me feel so good, and then I realized that this was his final movie before his early death at the age of 50! I felt so sad that he would no longer be giving his excellent performances!

Above Suspicion (1943) ** 1/2 (out of 4)By-the-numbers WWII drama from MGM has Joan Crawford and Fred MacMurray playing newlyweds who are asked by the government to do some spying as they make their way into Nazi controlled territory. ABOVE SUSPICION was one of the hundreds of films turned out by Hollywood to motivate or at least pursued the country to support the war and to show how evil the Nazi party was. With so many films in this sub-genre it's always hard to find a "great" film and this here certainly isn't one of them. While the film remains slightly entertaining from start to finish, there's really no way to deny the fact that there's just nothing overly special here and it's also incredibly uneven. I say uneven because the tone of the film seems to change from one scene to the next. Sometimes you feel as if you're watching some sort of light comedy and then the next minute everything is being handled so heavily. At times there seems to be a wink-wink going on between the two leads and then the next second everything is back to being dead serious. I thought the entire tone of the film was just wrong and it was incredibly hard for me to believe the story or take it too serious. Both Crawford and MacMurray are good in their roles, although I'm not so sure they play were together. I really didn't buy them as a married couple and I also didn't buy them working together on these missions. Conrad Veidt is good in his role as a good German and Basil Rathbone steals the film as the evil German. Reginald Owen has a good supporting part as well. Again, at just 90-minutes the film moves well enough but there's just not enough going on here to make it worth watching except for fans of the cast.

The cast is attractive, the premise is intriguing....but the film is blah. It looked like a poor man's "The Thin Man," or tried to be, but all it wound up was "poor." The humor was average at best, and it took way, way too long to get to any action and suspense. By halfway through, I can imagine most of the audience in the theater half asleep.Being a fan of classic films, especially during the 1990s when I couldn't watch enough of these old movies, I was pumped up to see a film starring Joan Crawford, Fred MacMurray, Conrad Veidt, Basil Rathbone and Reginald Owen. That's some cast. But this story is just plain ludicrous. Do they honestly believe the British Foreign Office and newlywed and her husband - with no experience - to go inside Nazi Germany and be an effective spy?Well, maybe that's where the humor came in, but it's "Thin Man" quality and Crawford and MacMurray, although fine actors, are no Myrna Loy and William Powell in playing these kind of roles. The "Thin Man" movies had far more sophistication than this film. No, this just doesn't cut it in any aspect: humor, suspense or credibility.

In 1943 Joan Crawford was dismissed from MGM (or she walked away after buying her contract out, whichever version applies) and after several years of being offered lesser and lesser starring vehicles with the exception of THE WOMEN and the minor hit A WOMAN'S FACE, and after being on the box-office poison list (in which she was not alone but in good company) she was given this last movie.ABOVE SUSPICION is one of the handful of films that came out during World War II which served as a backdrop to denounce anything remotely Nazi. This, of course, is really mindless fluff -- much like today's ridiculous blockbusters trying to capitalize on the crisis situation of the moment (be it war or terrorism) and of course, bringing into the mix some high-power action names and some flashy but silly storytelling -- and in no moment can anyone believe that Crawford and MacMurray are British spies working undercover, no more than anything which takes place here. Worthy of notice was that Crawford began around this time to lower her voice and polish her diction which would become her trademark in later performances, but other than that -- an end to a contract and the beginning of what would be her (more rewarding, albeit brief) years at Warner Bros.