That was an excellent one.

Strictly average movie

This movie was so-so. It had it's moments, but wasn't the greatest.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Stumbled across this recently on netflix. In a nutshell, a "Walt Disney" like creator is revived from cold storage via complex cloning to assume control of the company he created over a hundred years ago. The idea alone intrigued me but it was the execution of the tale that floored me. From the acting (flawless) to the script (a tidy tale of "be careful what you wish for you just may get it.")loaded with twists and turns to the outstanding CGI backgrounds that give the film a rich science fiction flavor.This is a must see for intelligent film fans of science fiction. Add a dash of Citizen Kane, an amusing parody on Disney and the ethical question, is a clone a real person or the property of those who created it.Abel Edwards will make you believe. And you better believe ten years from now this will achieve cult status.

Like Sky Captain and the World of Tomorrow or Sin City, Able Edwards was shot entirely with actors performing against a green screen, with the sets and backgrounds added in digitally later. This was the first film to use that technique, and although the budget is far less than Sky Captain or Sin City, the results are nearly as impressive.More importantly, though, Able Edwards has a great story to tell. That story is set in a future where mankind has had to abandon the earth to live in an orbiting space station. On board the station,the Edwards Corporation has long ago abandoned their roots in the entertainment business for manufacturing androids, but their profits are stagnating. The company decides to clone the titular character, a Walt Disney like figure who founded the company decades ago and who, upon his death, was cryogenically frozen. The way the story unfolds is similar to Citizen Kane, as various people who knew the Edwards clone are questioned at a hearing, and occasional fake newsreel footage is also used.This is an incredibly ambitious film by any standards, but director Graham Robertson pulls it off well. It presents a convincing vision of the future that feels natural rather than drawing attention to itself. Instead of trying to overwhelm the audience with action and special effects, The film is more interested in exploring ideas. Helping Robertson succeed is a great cast of relative unknowns, in particular Scott Kelly Galbreath as the Edwards and his clone, and Keri Bruno as the Edwards clone's wife. My rating is 8 out of 10.

I think it would be the rare independent filmmaker these days who hasn't fantasized about how it would be possible to bypass the necessity of building sets, going on location, and long shooting schedules -- in other words, all the things that aren't a problem for a high-budget studio film but are for shoestring indie productions -- by the expedient of shooting the actors entirely on a green screen stage and compositing everything else digitally.Able Edwards did it, and you know what? For the most part it really works.Yes, some of the seams show -- but so what? You can look at classic movies like Casablanca and North by Northwest and see where the old process shots weren't entirely convincing. As long as there's a good story being conveyed by good acting and directing, an audience is willing to play along and suspend their disbelief. If they didn't, nobody today would have a clue who Aristophanes or Shakespeare was.The character of Able Edwards is part Walt Disney, part Howard Hughes, part Orson Welles's and Herman J. Mankiewicz's fictitious Charles Foster Kane--who in turn was based on the real-life William Randolph Hearst. Able Edwards story plays with the mythology of Walt Disney being frozen by having Edwards' frozen remains cloned, then -- in an homage to Ira Levin's The Boys from Brazil -- groomed to restore the legacy of the original.The comic irony of Able Edwards is the juxtaposition of its method --which is the creation of a virtual reality -- with its theme -- that in a world in which all entertainment is virtual, the public will crave a return to entertainment based on the infinite nuances of reality.Both Able Edwards and Sky Captain and the World of Tomorrow were made in 2004 using the total green-screen virtual technique. But Able Edwards was made for $30 thousand and Sky Captain for $40 million. The thing is, Sky Captain cost a thousand times as much as Able Edwards but only looks about twice as good -- and I found both movies not all that far apart in entertainment value. Digital media and production is to making movies what Colt firearms were to the Old West--the great equalizer.Full disclosure requires me to reveal that I heard about this movie because its title actor, Scott Kelly Galbreath, also played in a movie I directed. Scott is a fine actor in both this movie and mine, and, the fates willing, I predict a big career ahead of him.I hope this movie ends up on TV --either premium cable or network. It deserves to be much better known. Meanwhile, I bought my DVD from Amazon.com, which means you can, too -- and I recommend that you do.

Able Edwards is a great microcinema achievement. The story is set in a 1950s-looking B&W near-future where earth has become inhabitable. Space colonies float around the earth's orbit. Deceased Media Tycoon Abel Edwards (An inspired mix between Walt Disney and Charles Foster Kane) is brought to life in the form of a clone sampled from the original mogul's body as a desperate attempt from the Edwards Corporation to regain the falling empire's glory.This is basically a 21st century rework on Citizen Kane's story line with sci-fi overtones, introducing the theme of cloning, shot entirely against a green screen against still photography backgrounds (many scanned from a public library) and some occasional 3-D CGI. Sin City's fans will be inspired by the fact that you can actually shoot a whole epic in your living room.However, don't expect Hollywood FX hyperrealist environments, fancy camera moves, or baroque compositions. Director Graham Roberson purposely chose to do every single shot (even those which could have easily been made on location), with a green screen channeled background (whether still photographs, live action footage or CGI). You might say that at times the movie's mise en scene feels static: Some extra layers of compositing (and extra months of work in post) could have added more depth in making some of the photo backgrounds more lively, or create the impression that the camera moves a little more.However this does not detract at all from the story, on the contrary, it might even help it: The result is a prosthetic, unrealistic, yet harmonious, solid and consistent atmosphere that blends very well with the charming 1950s B&W look and epic feel of the piece.The acting complements the mood with effective performances from the whole cast. Scott Kelly Galbreath (Abel Edwards) manages to transport us to another era with his square jaw and Errol Flynn-esquire mustache. Everything here is at the service of conveying an entertaining story that despite the grandeur of the sci-fi aura, deals with the human condition and the concept of individuality: Is the clone going to behave the way the company has conditioned him to be? Or will he develop his own character?The film was executive produced by Steven Sodenbergh, who basically donated his Canon XL-1 and Mac G-4 from Full Frontal. It's easy to see why the project caught his attention. Unlike many low budget sci-fi, this is not so much about the special effects or the action, but about concentrating on telling a engrossing story. Some might say that it follows way too closely that of Citizen Kane to develop its own voice, but I find much more interesting and fresh to imitate the storyline of Kane than that of Star Wars or Halloween. Besides this has the twist cloning, which adds a whole new dimension and makes the character unique.If you love movies you will truly enjoy Able Edwards, as it is an inspiring achievement.