Very very predictable, including the post credit scene !!!

Good start, but then it gets ruined

Simple and well acted, it has tension enough to knot the stomach.

The movie really just wants to entertain people.

Earl Baldwin's screenplay of this Damon Runyon tale preserves much of the inimitable flavor of the original – as well as the clever way in which the plot works out! Although he does not have as many humorous opportunities as usual, Joe E. Brown fits well into the title role. The accent is on plot rather than repartee, but director Lloyd Bacon keeps it moving briskly along, assisted by good camera-work by Ira Morgan.Sets and costumes, alas, are on the drab side, but admittedly this does certainly suit the movie's overall tone and atmosphere.Among the supporting cast, it's a thrill to see my favorite songwriters, namely Harry Warren and Al Dubin, playing themselves, although it's mighty strange to find Paul Hurst (who usually has a major role in the action) as a guest in the party scene.

Perhaps a bit darker than the typical Joe E. Brown comedy. Here, Brown plays a down-and-out gambler who decides to sell his body to get out of gambling debt and make a clean slate of it. Of course, just before he has to knock himself off to collect from a doctor (who is also courting his girl friend), his luck changes and he is suddenly in the dough. He gets out of the deal through a fairly clever plot twist near the end of the film...one at least I didn't see coming.This is very much Joe E. Brown's film. I can't say much for his girlfriend in the film -- it was about this time that a scandal ruined her career. It was interesting to see "thug" Harold Huber here; a classic character actor who was sadly totally typecast.Although it's a clever concept, the plot is thin. More could have been done with it. Maybe it was just that First National was the poor sister to Warner Brothers. It's okay, and not too long. The print shown on TCM seemed to have a faulty soundtrack, both in terms of some distortion and some places where the moving lips didn't perfectly match the words. Nevertheless, it's fun to watch Joe E. Brown in a Damon Runyon story.

This humorous tale of a sub-culture of gamblers and pickpockets centers on Feet Samuels (Joe E. Brown), whose luck hasn't been so good lately. It gets even worse when the local mob boss, "The Brain" (Alan Dinehart), wants to teach a couple of welchers a lesson via the fists of his henchmen. They use Feet to find their marks, and when the police arrive, Feet winds up in jail for hitting a policeman in the confusion. The Brain offers Feet a five hundred dollar loan to help bail him out of jail. At first Feet smartly refuses, but when it is pointed out to him that the Brain might consider it an insult, he reluctantly accepts the loan. Feet has no luck raising the money he owes the Brain, and then he gets an idea when he sees a butcher delivering a side of beef for fifty dollars. With no money, no luck, and rejected by his girl Hortense (Alice White) Feet figures he has nothing to live for anyways. He decides to sell his body to science for one thousand dollars. However, he gets no takers but one - a strange doctor who is taken with the unique shape of Feet's head. Of course the doctor has no guarantee Feet won't take the money and never return, so The Brain underwrites this strange contract in which Feet is given one month to sew up his affairs and return a corpse.Feet then repays his debt to the Brain and takes the balance to go on one last spree before he dies. Fate can be cruel, though, and suddenly Feet's gambling begins to pay off. Pretty soon Feet has run up his 500 dollars into a small fortune. This allows him to win back Hortense and begin to make wedding plans. There's just one problem. He's been having so much fun he forgot that his month is up the next day.Alice White and Joe E. Brown were perfect together. White did seem to do better in these brassy supporting roles than as the lead in her earlier roles of 1929-1930 back when she was First National's answer to Clara Bow. You really feel that under all of that materialism - and there's a lot of it - that Hortense really does love Feet.For a fun-filled film made just after the production code went into effect, with plenty of snappy dialogue and loaded with unique characters and atmosphere, this one really fits the bill.

O.K., so this not the best Joe E. Brown vehicle. The script is weak and the laughs few. But it did have some amusing moments, such as the scene in Mindy's, when Robert Barrat pours just about every condiment into his coffee and Alan Dinehart looks on in disbelief. Or the tear gas scene. The capable cast tries hard but apart from a couple of funny scenes, they can do little with inferior material. Still, I thought it was kind of cute. Joe E. Brown fans should enjoy it.