Sorry, this movie sucks

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

This movie was so-so. It had it's moments, but wasn't the greatest.

This is a dark and sometimes deeply uncomfortable drama

All in all, the programmer's a pretty obscure entry in the amateur sleuth sweepstakes so popular at the time. Here it's radio crime broadcaster John Howard and his spunky wife Margaret Lindsey trying to figure out who put a dead woman in his bed, much to wife Lindsey's chagrin. The trail gets complicated, such that the whodunit part is secondary to colorful byplay. Happily though, Lindsey really shines; in fact, her smile alone lit up my gloomy living room. It's really her spark that carries the proceedings.Then too, the little byplay with the prissy hat designer remains a comedy highlight. Too bad Keye Luke's factotum has to call Howard "master". Still, he shows his jiujitsu skills in spades, and without use of a double that I could detect. Note, the naughty innuendo around finding a strange woman in the marital bed, even if it is a double one. Apparently, censorship relaxed a bit on this one. Note also presence of Roscoe Karns as the humorous cop Cassidy, a role similar to his TV Rocky King, Detective (1951-54). Nothing special about the 57-minutes, even though the cast does its best with what amounts to a murky script that's better in parts than as a whole.

Let's get over all this stuff about Powell-Loy. Howard-Lindsay hold their own in this Republic gem. I am all for 'the Republic for which it stands'.The plot, not too original but, who cares? It was carried out beautifully by a cast of some of the era's most popular character actors.The dialog, penned by a femme, was great fun and so well handled by John Howard and Margaret Lindsay. Why she never achieved greater fame, I will never know. She has a Lamarr-like beauty, gorgeous from any angle, and when it comes to line delivery excuse me - but - she equals Loy.The chemistry between the stars - and they are that - is beautiful, the dialog is clever and witty.The judo moves were very convincing as delivered by Keye Luke who also was A-plus in line delivery."A Tragedy at Midnight" is thoroughly enjoyable at any hour.

A ripoff of The Thin Man series, but entertaining in its own right. But the TV prints (like the one used by Netflix streaming) slash about 15 minutes out of this 69-minute movie! There's a big chunk missing at the beginning, which is apparently where the relationships with the neighbors is set up and who is sleeping where (an important fact). And there's another few minutes eliminated about halfway through the film.In the early days of TV Republic would edit its movies down to about 53 minutes so that TV stations could run them in an hour time slot (back then they only had 3 minutes of commercials per half hour!). So beware the edited TV prints of this title.

A Tragedy at Midnight (1942)This is a snappy, genuinely funny movie. It's very short, and it's certainly a contrivance--a catchy idea and a necessary series of pratfalls and twists--but it entertains, which was the idea for a second feature like this, a counterpart to a bigger A-movie. Remember also that this is not a noir, but a crime film in the mold of the 1930s "Thin Man" series, with a combination of wise cracks and narrow escapes.The hook is that the leading man, played by John Howard (who played the "other man" in "Philadelphia Story"), has a radio show where he makes fun of the police for not solving crimes, and then solves them on the air. He comes home to find a dead woman in his wife's bed. His wife, Margaret Lindsay, helps him solve this crime, which they eventually do right on the air in a fun ending.I see that this has a very low rating, and that surprises me. Yes, the movie is slight and obvious, but only like the best television shows are (and t.v. shows get inflated ratings here). What I mean is, I think you'd find the movie rather well done and a fun time if you don't expect a full feature experience. Howard and Lindsay are both strong, likable, and convincing. The echoes of "The Thin Man" do make you realize that Powell and Loy are a different caliber altogether. But if you have a lazy 45 minutes, give this a shot.