It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

This 1985 Colombian/Cuban production had a hard act to follow, its excellent 1965 precursor by the great Mexican director, Arturo Ripstein. This version OF TIEMPO DE MORIR is a worthy remake. Its mix of Cuban and Colombian characters (though discernible by most Latin-Americans) create a non-descript Latin American atmosphere, in equally non-descript Latin American locations. This is of course in line with the author's intentions, so this Pan-Latin American feel is felt almost as well in this film as in Garcia Marquez' books. The likewise pan-Latin American themes of machismo, family honor, Catholicism, law through gun power, oppressed women, and revenge are very well presented throughout the script and by the camera. This is a little-known Latin-American film worth watching.