I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Plenty to Like, Plenty to Dislike

Please don't spend money on this.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A corrupt police sergeant who is perversely attached to his imbecilic daughter oversteps boundaries with impunity until he makes one fatal mistake.This 1971 melodrama is dated and overacted but is quite entertaining for just those reasons. (However, it does end a bit too lamely in a conventional twist that reminds one of how cynical movies have become...) I hadn't seen Lloyd Bridges since "Sea Hunt" and enjoyed him in this hysterical bad-guy role. Not at all a bad film to watch at home alone on a non-descript weeknight.

Tattered Web, A (1971) ** 1/2 (out of 4) Silly but entertaining made-for-TV thriller has Lloyd Bridges playing Sgt. Ed Stagg. He learns that his son-in-law (Frank Converse) has been having an affair so he goes to the woman to make her put an end to the affair. Stagg accidentally kills her so he must protect himself but also try to keep the police from finding out who her boyfriend was. I've come to expect a certain amount of silliness when it comes to these made-for-TV flicks from the 70s. It really doesn't matter what they're about but the majority of them are entertaining but also very campy. That's pretty much the case here as we get a pretty good story but it's mixed in with some very dumb moments. One of the biggest killers of this type of film are how over dramatic they can be and this here usually happens right before we go to commercial as the music blares and we get a silly zoom shot towards the guilty person. We get quite a bit of that here but we also get some very silly moments including the scenes at the start when Bridges busts into the woman's house and just keeps insulting her and calling her a tramp. I couldn't help but laugh at this as well as some of the more sillier moments including a priceless sequence where Bridges is trying to protect his daughter yet he never realizes that he's just putting a burden on her. The entire "protecting the daughter" is driven into the ground here as we get countless dialogue scenes with Bridges expressing his love for his daughter, which is fine but at times they are way too cute and over the top. With that said, the story itself is a pretty interesting one and I thought it was also rather clever as we had Bridges trying to do two things at once. I think it goes against his character that he'd do so many wrong things to try and clear everything up. As for the actor, he's great fun to watch here as he really gives it his all and keeps the film moving from start to finish. We also get a great supporting cast that includes Murray Hamilton, Broderick Crawford, Val Avery, Whit Bissell, John Fielder and Anne Helm as the other woman. The daughter in the film has to be one of the dumbest characters in the history of film as you'd think you were watching a 2-year-old. She can never figure things out and is constantly coming off either stupid or just downright ignorant and one can't help but grow frustrated with her. If you're a fan of the genre then this here is pretty much a must-see.

Gruff, hard-nosed Sergeant Ed Stagg (an excellent performance by Lloyd Bridges) discovers that his basically decent, but frustrated son-in-law Steve Butler (nicely played by Frank Converse) is having an extramarital affair with Louise Campbell (a brief, but memorable turn by the sexy Anne Helm). Stagg confronts Campbell and accidentally kills her. Assigned to the investigation of the homicide, Stagg tries to pin the murder on sad drunken derelict Willard Edson (a superb Broderick Crawford in a remarkably poignant characterization). Director Paul Wendkos, working from an intriguing script by Art Wallace, relates the compelling story at a snappy pace and develops a reasonable amount of tension. This film further benefits from sturdy acting by a tip-top cast: Sallie Shockley does well as Stagg's sweet and unsuspecting daughter Tina, the always reliable Murray Hamilton is likewise fine as Stagg's loyal partner Sergeant Joe Marcus, plus there are cool bits by veteran character actors John Fiedler, Val Avery, Whit Bissell, and James Hong. Moreover, the movie makes valid points about the abuse of power, the danger of taking someone at face value, and the extremely damaging consequences of certain bold actions. Michel Hugo's crisp cinematography makes inspired occasional use of slow motion. Robert Drasnin's moody score also does the trick. A neat little flick.

This film is a low budget drama which is chiefly remarkable for containing one of Broderick Crawford's finest performances, as a befuddled drunk who has murdered his best friend but doesn't remember doing so, and an intense and convincing performance by Lloyd Bridges (father of Jeff and Beau). Bridges plays Police Sergeant Ed Stagg who is obsessively devoted to protecting his grown daughter, whom he raised alone after her mother ran off. He discovers that his daughter's husband is having an affair, and he orders him to stop it. Things get out of hand and someone ends up dead by accident, but dead is dead, and a cover-up is necessary. So we get involved in a whodunnit where the who is concealed, and will this all unravel? Bridges is rather terrifying in his obsessive love for the dreamy and over-protected daughter, and the extremes to which he will go. He reveals terrible things about his own childhood as the story progresses. It is an engrossing film.