Best movie of this year hands down!

Lack of good storyline.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The three original theatrical "Walking Tall" movies eventually lead to a short-lived television series in 1981, but three years earlier there was apparently an attempt by the makers of the theatrical movies to bring the legend of Buford Pusser as a TV series. It was with this made-for-TV movie, a series pilot in disguise. After seeing it, it's probably best these guys didn't get the green light to make a series. It's a really slow and dull movie. Though the movie starts off with Pusser's pursuit of moonshiners, it soon forgets to focus on this plot, and instead focuses on unnecessary characters and subplots. There is also a lack of action; after the opening car chase and disco smash-up, there's no more action for the next hour or so. That previously mentioned action, as well as the climatic action sequence, are flatly directed and have no excitement at all. And while Brian Dennehy may seem like a good choice to play Busser, his performance here lacks spark. He seems very uninterested in every scene he is. The 1981 television series (made by different people) was far from a great show, but it was still a lot better than this sorry TV pilot!

"A Real American Hero" looks and feels like what it is: a late '70s telefilm. But it benefits from strong performances by Brian Dennehy as the legendary (or infamous?) Sheriff Buford Pusser, Forrest Tucker as Pusser's father, and Sheree North as an ex-prostitute trying to start over after serving a prison sentence for killing her pimp. Ken Howard is okay as Pusser's moonshining nemesis, but he lays on the phony Southern accent a bit thick. A film like "A Real American Hero" is best viewed on a warm summer night as you relax in your favorite chair, a can of beer in your hand. If you're from my generation (and particularly if you grew up in the Deep South), the car chases and punch-outs will bring back pleasant memories :)

I have seen several versions of this sheriff and for me, Brian Dennehy is the one who seems most able to hold his own against the "bad guys". He portrays a man who loves his town and wants more than anything to rid the area of those who would destroy it.....including the children and teens. (Ken Howard did a great job with his part) I think it was excellent because I found it believable. The surrounding characters also lent great credibility, well done by all. I am a fan of Sheree North anyway, and find that in this movie she is as beautiful a lady as always. I really enjoyed how she was finally accepted by the better-than-thou church lady. If you have seen the other Buford Pusser movies and not this one, then you have missed a treat. Of all of Brian's movies, (I am a Jack Reed fan), this is one of his best of his earlier ones. I bought mine second hand online and was not disappointed.

Burly Brian Dennehy, despite his failure to maintain the local dialectic condiment in his speech, nonetheless makes for a believable physical personification of the real life Buford Pusser of Selmer, Tennessee, the sheriff who finds it easier to follow his own rules while contending with the local criminal element than to abide by the constraints of probable cause. This particular entry in the series relating of Pusser's deeds was made for television with its original title being "Letter of the Law", and chronicles how Buford decides to use very old county laws and statutes which have not been revoked or superseded in order to keep control of his office against the opposition of well meaning citizens and of lawbreakers. The script is actually rather leisurely in spirit with a number of scenes written in the main to supply local colour, including some humourous and musical moments, and there is some opportunity for character development, but the film's mass media lineage has infected its climactic minutes, with formulaic actions abounding as Pusser singlehandedly attempts to vanquish a surfeit of felons. Ken Howard dominates his scenes as bootlegging Danny Boy Mitchell, primary adversary of the freewheeling sheriff, while Sheree North gives us an effective turn as an aging ex-harlot freshly released from prison after seven years for killing her procurer, and who subsequently meets resistance from local bluenoses who wish for her to go elsewhere, and Forrest Tucker produces a smooth performance as Buford's father, but Lane Bradbury as a blemished sheriff's office employee, sinks 'neath the freight of her mawkish lines.