Wonderful character development!

hyped garbage

Clever, believable, and super fun to watch. It totally has replay value.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This film grabs you from the very start. Its simple bare-bones approach emphasises the clever plot, and engaging character development. The lack of soundtrack actually heightens tension appropriately, along with deft camera work, and tight dialog.The plot itself is clearly the major player in this ensemble, not to denigrate the cast, who do a superb job of tense interaction, with appropriate support from typical British aloofness, and clipped military tones.The plot ducks and weaves as it unfolds before your eyes. At times you wonder the significance of a particular action, only to later admire its genius as you appreciate its subtle significance. The tension is magnificently maintained throughout.As another reviewer has commented - the movie has you rooting for the anti-heroes right to the end!! What a splendid achievement. Worthy of the 8 stars!!

I watched APOA courtesy of TalkingPictures TV channel, which is proving a treasure trove of little-known films, often low budget, of the 1960s.The plot unfolded in a satisfying way, with a parade of familiar British actors of yesteryear in small parts, including,as noted, "Likely Lad" Rodney Bewes. Stanley Baker inevitably impresses in the starring role.The film must have been made with the co-operation of the British Army and so shows officers and soldiers reacting to the raid in an efficient manner. (One or two of the actors could have worn their berets in a more military manner, and there was one sloppy salute - and what about the motor-cycle rider stopping off at a pub for a drink or two on duty?) One thing that did puzzle me was why the highly-strung Fenner was running in a panic through crowds of mocking soldiers and incurring the wrath of, I think, the regimental sergeant-major. Perhaps the clip that showed the reason for this was edited out?Overall, very entertaining.

A PRIZE OF ARMS - 1962 Stanley Baker, Tom Bell and Helmut Schimd headline this gritty heist film from the UK. The trio have a plan to hit an Army payroll office for a cool 100,000 pounds. The base troops are being shipped off to the mid-east on a political emergency.The group has acquired all the proper uniforms, vehicles etc they need to gain entry to the base. They figure with all the confusion on the base with the personal transfer, that no one will notice them. They get on the base and do a bit of recon work. They enter the payroll office under the guise of checking fire alarms and fire extinguishers. While doing this, they snip all the alarm wires and stash several duffel bags of tools etc in a storage room.Now all they need to do is lay low and wait for evening darkness. Before they can do this, Baker and Bell are grabbed up and told to report for their overseas medical shots. Staying in character, as Army types, they do as they are told. Bell, who then is out checking guard post times, is now nabbed by a Sergeant, Patrick Magee, to do washing up for the cook. Baker and Schimd hunker down at the gunnery range to wait for heist time.Bell, something of a hothead, spends a few hour doing pots. He then loses it and tosses them at the cook when asked to redo his work. He bolts out into the dusk to meet Baker and Schmid. They hot-wire a Military Police jeep and head off to a perimeter fence. There, they cut a hole in the barbed wire big enough for a truck to get through. This is to give the Army boys a false lead.The trio, now dressed as Military Police, burst into the payroll office. They tell the guard and staff that they had a call about smoke. They start to search the building grabbing up the extinguishers they brought in earlier. These are actually filled with gasoline. They start several fires in empty rooms etc. When the smoke hits the main office they tell everyone to exit and hit the alarm to the fire brigade. The alarm of course does not go through as the wires had been cut earlier.Once everyone is out, Schmid, the explosives man hits the safe while Baker pulls out a flamethrower that they had hidden beforehand with the gasoline filled extinguishers. Bell watches the outside door as Schmid blows the safe and Baker flames the place. Once they have the cash bagged up, they load it on a stretcher.By this time the duty officer has arrived and entered the payroll building. The crew knock him out with some chloroform and load him on the stretcher along with the cash and flamethrower. They toss a blanket over top and exit. Baker tells the just on scene Senior Officer that they need to get the man to the medical clinic. Baker and company grab a jeep and head off into the dark just as the finally alerted fire brigade arrives. They drop off the officer at an outlying building after giving him a bit more chloroform.Now they high tail it over to their truck with the cash and flamethrower to wait for morning. They plan on driving off base with the troops in the morning. All goes well as they attach themselves to a long convoy of trucks leaving the base. 10 miles down the road they take a turn down another road. They have a hideout where they plan on swapping the truck for a waiting van.Needless to say things start to unravel with the perfect plan. An escorting MP on a motorcycle notices them cut off on the other road. The MP follows thinking they had gotten lost. The MP follows them to the old barn where they plan on changing vehicles. The MP of course smells a rat. He roars back to the main road and flags down another group of MPs and Officers. Back down the country road the MPs go.Suffice it to say, Baker and his mob get something other than the results they wished for.This is a nicely done caper film with good work from cast and crew. Director Cliff Owen started off in British television in 1955 and by the early 60's was doing feature films. If you like this one, you should check out the director's 1961 noir like, OFFBEAT.

The long awaited DVD release cover gives equal billing to Rodney Bewes and Fulton McKay. Why? Bewes only has one line and I cannot recall Fulton McKay at all. Surely Patrick Magee should have taken a billing slot? Apart from that I consider this film to be on a par with the likes of Hell Drivers, Hell is a City, Villain and Robbery - all finely cast gritty crime dramas of that era. The tight direction, army camp locations, vehicles used and military discipline & bull all add to the reality. The film is gripping throughout and keeps you in suspense. Although Stanley Baker and Tom Bell are again typecast as villains, it would be difficult think of other actors who could have carried this off, except say for Michael Craig. Well recommended.