Thanks for the memories!

To all those who have watched it: I hope you enjoyed it as much as I do.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A MAN CALLED SLEDGE is a US/Italian western featuring a starring role for TV actor James Garner. It very much feels like a US rather than a spaghetti western, and it has a notably dark and nihilistic streak that makes it worth a look for those who think they've seen everything the genre has to offer. Garner plays the usual sharpshooter who teams up with a few ne'er-do-wells (including character actors Claude Akins and Dennis Weaver) in order to rob a gold shipment that's heavily guarded.The most entertaining part of the movie is the midsection which sees Garner going undercover in prison in order to effect a breakout. There are some memorably kooky character creations here and oodles of suspense. The film gets grimmer and grimmer as it goes on, building to a climactic shoot-out which works well and fits the subject matter like a glove.

I like the song sung in this movie so much that I will share the lyrics with all who might like to learn the song. Here goes.Come listen here to my story which must be told. Of how men fought and died but not for glory, only for gold. Gold was their god, gold was their guide, For it they lived, for it they lied, And my friends, for gold they died.Seven men dreamed of holding fortunes in gold, Gold that would make them rich until they grew old. Dreams of the thrill, as they feel their dust spill, through their fingertips, And they laugh at the curse that follows other men's gold.Remember man, you are dust, and to dust you'll return. If you sell out your soul, then in Hell you will burn. Think of what you've been told, 'bout worshiping gold. And take care my friend, You must beware... of the curse that follows other men's gold.Seven men gambled on the turn of a card, gambling their gold away and losing came hard. They weren't satisfied until 6 of them died, only one man lived... to tell the tale of the curse that follows other men's gold.Remember man, you are dust, and to dust you'll return. If you sell out your soul, then in Hell you will burn. Think of what you've been told, 'bout worshiping gold. And take care my friend, You must beware... of the curse that follows other men's gold.Remember man, you are dust, and to dust you'll return. If you sell out your soul, then in Hell you will burn. Think of what you've been told, 'bout worshiping gold. And take care my friend, You must beware... of the curse that follows other men's gold.

Although there are a lot of familiar "television" names associated with "A Man Called Sledge", there is nothing extraordinary about the film itself or about any of the performances. In fact, the only thing that distinguishes it from a 1960's-70's television series like "The Rat Patrol" is a bigger cast and a lot more violence. James Garner is the biggest star and apparently thought he should try to break away from all the light comedy stuff he had been doing ("Maverick", "Support Your Local Sheriff"-"Gunfighter" etc.). Unfortunately his earthy likability works against him, as Sledge is a humorless character written to cash in on the popularity of Clint Eastwood's spaghetti western character. But Eastwood's stuff was not this flat and uninteresting.I suppose that "A Man Called Sledge" could be classified as a spaghetti western although the pacing is too slow to really fit that sub-genre. Fans of the slow-paced "Combat" television series will feel an instant connection as Vic Morrow directed the film and co-wrote the script with Frank Kowalski. Throw in some then trendy slow-mo shots and cross-dissolves, which call attention to themselves rather than serve a story-telling purpose. The plot is the standard "big heist" thing (insert "The War Wagon" here) with Sledge plotting how to heist a $300,000 gold shipment. His gang includes Claude Akins and Dennis Weaver. The problem is that while on the move the shipment is guarded by 40 outriders and while stopped it is locked in a vault inside the territorial prison. I think there was an episode of "Alias Smith and Jones" with the same plot.The story would make a decent hour of television but gets old very fast as a very padded feature length film. Garner does not allow any of his charm to leak into his characterization and the film does not generate enough suspense to hold a viewer's interest.The thing finally crashes and burns shortly after the heist when the gang engages in a contrived and totally illogical card game. Then again, what do I know? I'm only a child.

If you have read my profile I am a huge fan of Spaghetti Westerns, Film Noir, and Italian Giallo..this film has a mixture of all 3....in many ways this film does not look like a Spaghetti Western, almost like the recent film Open Range about average cowpokes who are very human and have to get by the best they can....Soundwise it is a very Spaghetti i.e. the high-pitched carbine sounds of the weapons and in an Italian Western it could be anything from a Derringer, rifle or Gatling Gun or even a small cannon, but that is what gives the Spaghetti Western its own identity, like bad effects are novel for a Godzilla film....anyway the storyline is very nourish especially James Garner who is quite excellent in this atypical role of a ruthless and merciless outlaw.....The Giallo comes in at 2 points, the creepy and ghoulish way one of his men ride thru town sacrificing his life shooting from his horse a la EL CID...and all 3 of the genres in the latter 3rd of the film.....the score by Gianni Ferrio is quite moody and hip for its day, today it is a little dated, but hey I like dated, again it gives it an identity...I am very proud to own the film finally on DVD in its original widescreen format of 2:40 to 1 ratio....and I enjoy anything that Dino De Laurentiis has produced, from Ulysses 1954 to most recently RED DRAGON with Anthony Hopkins...if you are a Italian Western buff I highly recommend this film..p.s. this film was shot in English but as most Italian productions most of the audio is Post Production, that explains why actors like Tony Young was evidently not available for post ADR and they had to re-voice it with another actor....