Dreadfully Boring

Charming and brutal

In truth, there is barely enough story here to make a film.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Filmmaker Christopher Browne documents the mission of a group of middle-aged bowlers as they attempt to revitalize the sport and get the television-watching public interested in it again.In the midst of this, the Professional Bowlers Association is purchased by a trio of Microsoft programmers who hire Steve Miller, a Nike marketing guru. Can the new money and the expert bring this nostalgic game back to life? (Seeing as I am writing this in 2015 and the film is from 2004, my guess is no.) We do get to meet some interesting characters, like Walter Ray Williams who uses his knowledge of physics to excel at both bowling and horseshoes. His house is practically a mansion, and then you are left wondering: how much money is there in professional bowling? Apparently a lot.

An initial brief history details the decline of bowling in past decades, culminating in ABC television discontinuing coverage of the sport in 1997. But then in 2000 three ex-Microsoft execs bought the Pro Bowlers Association (PBA) for $5 million with the idea of resuscitating the sport. They hired Steve Miller, previously Nike's Director of Global Sports Marketing, as CEO of the PBA. Miller is a no-nonsense, tough, foul-mouthed, organizer. He is quoted as saying that his main focus in on the sponsors and the audience and that he views the players as replaceable. Whatever you feel about Miller, he was successful in putting bowling back on the map, landing a TV contract with ESPN.This documentary is not so much about bowling as it is about people. In addition to getting to know Miller we follow four pro bowlers during the 2002-2003 PBA tour season, leading up to the final World Championship. We follow Pete Weber (the flamboyant bad boy), Walter Ray Williams (the well-adjusted true pro), Chris Barnes (the rising young star), and Wayne Webb (rapidly becoming a has been). I was surprised at how much access the filmmakers were given to the people involved. Through interviews with them and their significant others, and watching their behavior on the lanes, we get to know them pretty well. We get beyond the usual, "I take it one day at a time," and "I give it my best every day." For example, consider this quote from Wayne Webb, "Giving your whole life to something, thinking it will never die, thinking it will never go bad, and then it does, and having nothing to back me up, no college, no other career to step into, then that part of it is the part that really hurts." I found the reaction shots, where the camera would linger on a person who was not at the center of the action, to be very effective. The looks of frustration and dejection told us a lot. One of the most poignant scenes had Wayne walking alone across an empty parking lot to his car at night, after a loss.Wayne confessed to having a gambling problem, but most all of these bowlers must be gamblers to some extent. They go to the tournaments and there is a very good chance that they will come away with no money and, given the costs to participate, they will lose money. A profession where you never know when you will get a reward is a risky one. The toll this lifestyle takes on the players and their families is well presented.After hearing some of the language used by these players I have to question the use of the word "gentlemen" in the title. A more appropriate title would be, "A League of Ordinary Men."The music adds a great deal to the proceedings. The use of some classical pieces by Mozart and Bach would seem an odd choice, but they were effective. And original music by Gary Meister complemented the moods of the film well.I am an ex-bowler who used to bowl upward to fifty lines a week, so I know the appeal of participating, but I think the sport is always going to be fighting a stiff headwind as a spectator sport. For one thing, it is hard to view bowlers as athletes. A couple of the shots in this film were blocked by the enormous guts of some of the competitors. And many of the top bowlers seem to be in their 40s. Some aggressive young stars would help. Plus there is not much variety to keep your interest--it's just following the ball down the alley and seeing how many pins fall. The ambiance of a bowling alley is a bit dark and claustrophobic, especially compared to a golf course, or a baseball or football field. And it's frequently the case that the match play events are settled long before the tenth frame, so there is not much tension. It was fortunate that the final game in this movie went into the tenth frame.I give this movie a lot of credit for its honesty and its production values. You would not have to be a bowler to find it interesting.

I was actually watching Enron The Smartest Guys in the Room and it had a trailer for this movie on it. So I went to check it out. Good lord is this documentary boring. It might actually be worth my while to watch real bowling compared to this junk. It basically boils down to two guys that apparently don't like each other. I never really watched bowling. It was one of those sports thats more fun to actually play it. The only way I got through this home video was I was scanning photo's at the time. There's no sense of purpose or direction. It simply meanders wherever and whoever the camera is pointing at. This came to be disappointingly bad and I actually came off disliking bowling more than when I came in watching this. Which I don't think was the intention of the film. I can't call this a documentary. A documentary informs people, this is simply a batch of home video's shot with PBA stars talking. Yawn. Go watch something else.4/10Quality: 4/10 Entertainment: 0/10 Replayable: 1/10

Follows an attempt to revitalize the Professional Bowler's Association, which had fallen on hard times and was in danger of going bankrupt. The "revitalization" mainly seems to consist of a wholescale borrowing from extreme sports and the WWE and is mostly pretty silly to these eyes, although it's clear that a lot of other people dig it.The movie follows a bunch of old-time pro bowlers caught up in the transformation as they wend their way to a "world championship". Most interesting is Wayne Webb, a nice, fragile sort who devoted his life to the sport only to discover that it no longer has much use for him. Webb is a complicated guy, as much a victim of his own weaknesses as he is a victim of his world. It's nice to see that the movie doesn't cheapen him, reduce him down to a stereotypical one-dimension.The movie gets very exciting towards the end, even for this general bowling-skeptic. And it's full of sly jokes -- the best of which is a complex one: the movie begins with the assertion from some bowling fans that the movie KINGPIN presented an exaggerated, stereotypical view of bowling. By the end of the movie, though, we're well into KINGPIN's world, complete with middle-aged men doing crotch shots, cheesy introductions, and a lot of red lighting.