I love this movie so much

Good movie but grossly overrated

Excellent adaptation.

Worth seeing just to witness how winsome it is.

A GIRL AT MY DOOR is a slice of filmed misery lit that comes to us courtesy of South Korea. It's a typically controversial little film from that country, featuring some stand-out performances from the lead characters and a whole lot of bad stuff going on. As is usual for this country's film-making, there's a professional slickness to the production, a real feeling of quality to it, that makes it watchable despite the grimness of the subject matter.The film reminded me a little of BREATHLESS except this time around it's a little girl who's getting regularly beaten by her father. Incidentally, the girl is played by the cute kid from THE MAN FROM NOWHERE, looking remarkably grown up. The film chronicles her relationship with flawed cop Doona Bae, who must be playing the most damaged and miserable character of her lengthy career. What follows is dark but humanised, with some nice and touching moments in the mix. The ending has some very controversial and unappetising moments that appear to have alienated some reviewers on this site, but it does end in a strong way. A GIRL AT MY DOOR isn't an easy watch, but then nobody said it was going to be.

I agree with other reviewers that this is an excellent , albeit dark, film that is well acted. I don't think that one can ignore the pathology present in the young girl. She manipulated her stepfather's situation with deliberate intent. I think, too, that she was also complicit in here Grandmother's death. She is also manipulating Young-Nam; whose own personality has defects. Donee is responsible; but the pathology is a product of her abuse. So to say Dohee is an innocent bystander; I feel is not wholly accurate. The subplots add to an understanding Young-Nam's personality point toward her strengths and weaknesses.

What an outstanding movie. The cast .. wow all so strong and believable. The characters that stick with you are the police chief (Doona Bae, what a talent that boosts everyone's performance here I think), the little girl Do-Hee(Sae-ron Kim, perfect performance), and the main protagonist(Hie-jin Jang) is very strong which makes the thing work. I also thought the Indian man's strong performance made that entire part of the story work (comes in about 2/3 into the movie).You will have to watch it, but the story has so many levels of plot and surprises. When people say it keeps you engrossed from the beginning to the end they are not kidding. Every scene had me thinking and pondering how I have seen this type of thing happen, and also how I have not seen the truth of matters because my perception was being manipulated -- giving in to stereotypes and lies as if they were actually true.The other aspect is that this is a very quiet film -- even the music is quiet. I was thinking during the credit -- I'm amazed such a quiet movie kept my attention -- but the reason is that the story and people are so darn interesting.I highly recommend it. I hope it gets some theatre or DVD/BluRay release in Region 1.

The performances of the leads were very good. Bae Doo-na was the draw-card for me, and this the most complex character I have seen her play. The lesbian and immigrant worker sub-plots are interesting. The film didn't shy away from the shock and sensation of Doo-hee's self-harm, but empathised with her as well, an admirable combination. The denouement, staying with the chief, away from her father, was what Doo-hee deserved. Too often damaged characters in film are either not given any agency (they are innocent victims), or are not offered any redemption (they are crazy), but this film is not like that.However, it does spend time in that clichéd territory. The film is boring after the chief gets locked up for child molestation. It was a predictable plot twist, but really not related to the main emotional action of the film. For the most part the film skillfully balanced exploitation of it's sexual themes with real emotional content, but this sensational hijack of the second half meant that when the ending finally came it felt underdeveloped, even though it was the ending the film needed.Instead of this waste of time, more could have been put into the underdeveloped sub-plots. What there was of these was well done, but there just wasn't enough. The lesbian plot could stand as it is if the film was just shorter, but the illegal immigrant plot was tacked on. The rest of the film needed to fit around it more. I can't imagine how it could have done this, but it would have made for a much more interesting film.Overall however, this film is well worth seeing.