Very very predictable, including the post credit scene !!!

not horrible nor great

It's no definitive masterpiece but it's damn close.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This simple story explain very well that we have one life to live as we choose, although sometimes we might doubt about our decision and we should be ready to revise them, as age advances.This is our journey and we should not be influenced by conventions to choose a "normal" life. Besides, as shown in the film, there is nothing great in living the "normal" life, especially if you feel you are not cut out for it.Irene chose to inspect luxury hotels for a living and travels most of the time. She could have a stable relationship, proved by the fact that she is very friendly with her ex and meets him regularly, but for the sake of the narrative, we must assume she cannot have it.Her sister Silvia leads the "normal" life, married with a couple of kids. However, she does not seem ecstatically happy. In fact, she has all the "normal" problems of middle aged people: a boring marriage; growing kids; loosing her attractiveness, etc...Irene suffers a panic attack following a fleeting connection with another guest at a luxury hotel. The false sense of security a luxury hotel may give is briefly debated, but my personal opinion is that it is still better to sleep in a 5 star hotel than under a bridge - so I am not a fan of the social commentary, but it is a sideline.This is for me a simple tale about the meaning of life. One should understand that your life has the meaning you give to it and that there is no right or wrong. Good movie, anyway...

The movie was excellent. Deeper than I had expected, philosophical and sociological. It might well be a good manifesto for feminism, which is the aspect I enjoyed the most. There were scenes that felt almost like a documentary to me, as I was taken by learning what a hotel inspector does and how.I also loved the questions she would then start asking herself (out loud for the audience) about the meaning of her life in the same way she had conducted inspections in the 5 star hotels.The conversation between a wife and her husband not feeling attraction anymore to make love after many years of marriage was very realistic. There, it was clear be a woman writing/directing the movie.Not a masterpiece but well done Maria Sole T.

"Viaggio Sola", known on Netflix as "A Five-Star Life", is a window into the evolution of global feminism. This European production exposes the isolated work life of a single middle-aged woman in a world where femininity is still defined by heterosexual mating and child-bearing. It also exposes the lifestyle of the global 1% who stay in 5-tar hotels. I found it interesting that it was sponsored by a luxury hotel chain. Zooming out from the details of the film gives a clear view of the have-vs-have-nots world we in corporately controlled nations occupy. The relatively bourgeois main character is sandwiched uncomfortably between the haves and the have-lesses. She is sandwiched between those living conventional lives and those living above the fray. Her compatriots, those who actually work in the luxury hotels, are also her enemies and servants, since she is a spy, posing as a guest. I recommend it. I have noticed it has garnered mediocre critical reviews. I have to wonder if this relates to its challenge to conformist materialistic ideals in conformist materialistic times. I also speculate that American viewers cannot relate to its European worldliness.

Greetings again from the darkness. Italian movie star Margherita Buy plays Irene, a luxury hotel inspector who travels the world testing picture frames for dust, bed covers for wrinkles, and hotel staff for smiles. Directed and co-written by Maria Sole Tognazzi, the film left me baffled as to why such a talented filmmaker presented such a dead-end trip for the viewer.Within the first five minutes, we fully "get" Irene and we understand exactly where the movie is headed, provided it follows all overused story clichés (it does). See, Irene has things backwards. She lives in 5 star hotels and takes her brief respites with her nieces, her ex, and her sister. Most of us live with our families and vacation at resorts.The luxury hotels are breathtaking to see, but mostly the movie drags while we wait for Irene's comeuppance. One segment of the story provides a spark of hope. Lesley Manville (recognizable from numerous Mike Leigh films) appears as a feminist author who lives life to the fullest and tosses out realities that strike a chord with Irene. Unfortunately, this plot line is short-lived and the most interesting character disappears as quickly as she arrived.Irene is single, but maintains a very close relationship with her ex (a very good Stefano Accorsi). Irene has no kids, but periodically spends time with her young nieces. Irene has no close friends, but spends time with her family-centric sister (a very interesting Fabrizia Sacchi). She does all of this without actually committing to living a real life, as she quickly escapes on her next mystery guest mission.The film begs for comparison to the superior Up in the Air, which allowed for secondary character development ... an element only teased in this film. Ms. Buy is very talented, but the script just makes this seem like a Luke warm room service meal. We already know that there is no comparison in a dream job versus a dream life.