Expected more

This story has more twists and turns than a second-rate soap opera.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Amazing worth wacthing. So good. Biased but well made with many good points.

As somebody who would see anything with Elizabeth Taylor and Jane Powell in it, and who has gotten a lot of pleasure out of Carmen Miranda, 'A Date With Judy' was quite the treat. It is an utterly charming film with much to like and difficult to hate.It may feel overlong and twee by today's standards for some, both feelings understandable. Personally thought that there was very little to dislike about 'A Date With Judy', and its flaws are just a couple actually and very minor. It does to me go on a little longer than necessary for a story that is relatively slight, so a couple of parts lose momentum just a tad. Robert Stack, while handsome, is also a little too stiff for my liking.However, 'A Date With Judy' is a lovely-looking film, lovingly shot in glorious Technicolor (that clearly loves Taylor and Powell, not quite so kind to Wallace Beery, often seen in black and white and towards the end of his life, though) and elegant and cosy production and costume design. While not unforgettable or timeless as such, the music and songs are still very good. "Love is Where You Find It" is heart-warming and heartfelt, and it is similarly easy to see why "A Most Unusual Day" was such a hit.The script warms and touches the heart, and the storytelling while slight is warm, touching and amusing, losing very little if any of its appeal so long after the film was made and released. Richard Thorpe's direction never undermines the film's tone, which is always clear, and there is the sense that he knew what to do with the film and how to do it and that his heart was in it.Stack aside, the cast are on point. Cute as a button and exuberantly youthful Powell effortlessly charms the viewer and her singing is divine. Taylor in one of her earliest roles is so beautiful here (if not quite as much as in 'Ivanhoe' and 'Cat On a Hot Tin Roof') one can't take her eyes off her, she had a character that could easily annoy but she makes the role endearing. Scotty Beckett is amusing, while Leon Ames is movingly dignified and George Cleveland is a memorable grandfather figure.Carmen Miranda is quite the Brazilian bombshell and a definite scene stealer. A big surprise was a more restrained and sympathetic than usual Wallace Beery, who tended to be in larger-than-life and large-slice-of-ham roles, this side to him was done remarkably by him and his learning of the rumba with Miranda stays with one forever, very sweet and moving.Overall, an utterly charming film. 8/10 Bethany Cox

Jane Powell plays Judy--a kooky teenager who can sing like a bird but who has difficulty picking friends. That's because her best friend, Carol (Elizabeth Taylor) is a rich, meddling, spoiled jerk--yet Judy doesn't seem to recognize this. And throughout the film, Carol does her best to make Judy's life miserable. For no particular reason, Carol drives a wedge between her brother, Oogie, and Judy--who are sweethearts. However, this backfires when Judy ends up with a much handsomer and older man, Stephen (Robert Stack). Now, jealous, Carol is determined to take Stephen for herself. But Stephen is no dummy--he sees that Carol is gorgeous but also lets her know that he can see right through her and her wiles.In a smaller side story, Judy's father (Wallace Beery) is a nice guy--but a nice guy who is embarrassed that he doesn't know how to dance. With his anniversary coming up, he decides to secretly take dance lessons (with Carmen Miranda) but due to Carol's meddling, people begin to think that he and Carmen are in love! SO, Judy decides the best way to fight this is to make her father feel loved--and she and the family lay it on thick. Clearly this is Beery at his best--and he's easy to love (despite his very nasty personality off-screen).This is the sort of light family musical-comedy that MGM did best. Films like "On Moonlight Bay" and "Meet Me in St. Louis" are just a small sampling of the sort of genre that the studio made to perfection. They also made some non-musicals with similar plots that just can't be beat, such as "Life With Father", the Andy Hardy films and "Cheaper By the Dozen" (the original--not the new crappy version). These films aren't especially deep but are filled with pleasant plots, a bit of minor melodrama, some laughs and, most importantly, nice folks you'd like to meet. My only complaint is that although Powell has a good voice, her high-toned style and high pitch is NOT to my liking. It's far less simple and pleasant than Judy Garland ("Meet Me in St. Louis") or Doris Day ("By the Light of the Silvery Moon" and "On Moonlight Bay"). I am also not a huge Carmen Miranda fan, though when she wasn't singing, she was just fine. Overall, while not a great family musical comedy, it's a good one and well worth your time.

In "A Date with Judy," Liz is fully the poor little rich girl, snobbish and out for trouble because her father's real attention is elsewhere, on making money… Unhappy at home, she stirs up trouble abroad, giving naive Jane Powell bad advice on how to handle boys, and stealing one of Jane's boyfriends right out from under her twitching nose… Very pre-Lolita, a Forties style teenaged sex kitten, this is the first version of the Taylor minx and she seems highly sophisticated for a small-town high school girl, even if she is rich..."A Date with Judy" is a pleasant musical, antiseptic and cheery, suggesting Hollywood's conception of high school Life in the Forties… Like "Cynthia," the film is very class conscious, contrasting Taylor's cold, upper class household with Jane Powell's comfortable middle-class home…Typically, Liz is rich, spoiled, and reserved, but typically, too, when all is said and done, she's not bad-mannered or troublesome one; she's a good kid who just needs a little love and attention… Taylor's character finally allowed her to use the sexiness that everyone had sensed since she rode that horse in "National Velvet."

1948 produced some of MGM's top teenagers to movie audiences. Put them in a gorgeous technicolor musical comedy, add some veteran adults and you have one of the best of it's time.Jane Powell, lovely voice and all, plays Judy. Her best friend is the now-sophisticated Elizabeth Taylor, all of 15 years old, looking absolutely lovely that you know she's headed for glamorous grownup roles down the road. The camera loved her. Then there's Scotty Beckett, having started his career at the age of four, now in the awkward teens, doing one of his best performances as Judy's date. Sad he died such a tragic death at an early age.Scatter many film veterans to the likes of Wallace Berry and Selena Royale as Judy's parents, Robert Stack, young and handsome as Elizabeth's love interest, Leon Ames as Elizabeth and Scotty's dad, Clinton Sundberg as the butler to Ames, Xavier Cugat and his band with Carmen Miranda his star attraction, and one of her last films, and George Cleveland as Judy's Grandpa.A trivia note: watch the scene with Judy waiting to be picked up for the prom. Early in the picture. Grandpa enters and actually kicks the dog to make his entrance. I had to rewind to believe what I saw. The dog also yelped when he did. And this is the guy who later played all those "Lassie" TV programs. Shame on you George!All in all a charming and lighthearted film with the beauty of Taylor, the voice of Powell and the comedy of Beckett. Jane sings "A Most Unusual Day" and "Love Is Where You Find It".