A Bullet Is Waiting
A Bullet Is Waiting
| 04 September 1954 (USA)
A Bullet Is Waiting Trailers

A plane carrying a sheriff and a man indicted for manslaughter is wrecked on a lonely California beach and the prisoner manages to escape, after a struggle, only to be taken in hand by the female manager of a remote sheep ranch.

Reviews
Evengyny

Thanks for the memories!

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VividSimon

Simply Perfect

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GazerRise

Fantastic!

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Dana

An old-fashioned movie made with new-fashioned finesse.

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Homeric

There is a very good print of this film out on DVD. It is a somewhat odd little film, a modern western, a confined setting, but it does have items of interest. There are only 4 actors in the movie and for most of it, only 3. This creates an interesting dynamic between the players. Then there is the beautiful scenic location, which is not a Hollywood "set", and is excellently photographed. The actors are very watchable, and Simmons and Calhoun make a good couple. This is a passable western, not a great one. The dialogue is okay and did not have many moments to make you wince. The story line is terrific, but there is a lack of real tension that makes the film drag at times. However, the real problem is the ending. It ends a little too pat, a little too safe, a little too Hollywood. Overall it is better than many such B films, and does manage to maintain interest throughout.

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xerses13

A airplane crash leaves Lawman Sheriff Munson (Stephan McNally) and Prisoner Ed Stone (Rory Calhoun) stranded on a Sheep Ranch in the modern (1954) West. Between escape attempts ED makes a play for the beautiful Cally Canham (Jean Simmons) who is holding down the ranch for her Father David (Brian Aherne). MUNSON has a personal grudge against ED, but FATHER David arrives at the close too sort things out and you expect ED and CALLY will eventually get together, nuff said.Good scenery and interesting casting are the most worthwhile features of this film. Calhoun and McNally seem quite at home in the West, but Aherne and Simmons would seem too be by intellect and temperament more suited for a drawing room. Jean does fill out her 'jeans' quite well and is as sexy in those as any more feminine costume. She would exhibit the same assets in THE BIG COUNTRY (1958). The film is worth watching just for her.

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Neil Doyle

John Farrow directed this unusual western about a bounty hunter (STEPHEN McNALLY) and his prisoner (RORY CALHOUN) seeking shelter in a remote cabin owned by JEAN SIMMONS, biding their time until the bad weather passes so that McNally can bring Calhoun to justice for a crime he's committed involving McNally's brother.Somehow the casting seems adrift. McNally is usually much more at home as a villain and should have played Calhoun's part. And yet, Calhoun and Simmons don't seem like a good match, she being completely out of place in this sort of western and he not convincing enough as the bad man McNally is after.The storm sequences are well done, the settings are good, and everyone tries hard to keep the melodramatics on a believable level--and most of it works quite well.BRIAN AHERNE, as Simmons' absent father, only makes an appearance toward the end of the story when his role becomes important in the scheme of things. He too seems oddly out of place in a western.Despite the flaws, makes an interesting watch.

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Melvin M. Carter

With that title one would expect either a western, a p.i./cop dark streets noir,or a war drama. Well it's in the West on a sheep ranch and Rory Calhoun is the protagonist. Jean Simmons is there to provide the standard romantic figure but is way too sophisticated to be believed as a outland waif. Stephen McNally like his contemporary Charles McGraw just looks of villainy so its surprising when he carries a badge while Mr. Ahearne like his screen daughter just looks out of place. So one gets a character study instead of a shootalot as the title implies. The actors do the script,the director sees his slide continuing,and the viewer wonders why the title wasn't used by Randolph Scott for one of his Ranown epics.

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